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Summer Reading
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"Passionate summary of the inhuman treatment of the Jewish people in Europe, of the exodus in the nineteenth and twentieth centuries to Palestine, and of the triumphant founding of the new Israel." -- The New York Times
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"Exodus" isn't the kind of book you read for literary merit. The third word in the book is "plip-plopped", which isn't a word at all. If you're deconstructing page 1, you'll get annoyed the random shifts in the narrative voice. The book begins with a couple of plodding middle-American characters with silly names like "Kitty", and "Mark Parker".
However, Uris knows what he's doing. He's constructing an argument in favor of the state of Israel, laid out against 70 years' worth rampant European anti-Semitism. It's no coincidence that the first segment recounts the Holocaust (first, in the eyes of a girl who escaped to relative peace in Jew-friendly Denmark, and then in the eyes of an Auschwitz survivor), and then the second shows the seeds of modern Israel through a pair of mythic-quality Russian shtetl refugees who enter Palestine in the 1880s and begin transforming the soil. The balance of the book shows Palestine's struggles under the suffocating British mandate, and nascent Israel's miraculous victory over the various Arab states seeking to "push Israel into the sea". Played out over the epic history is a storyline involving the Ben Canaan family, Kitty the American nurse, her surrogate Israeli daughter Karen, and Karen's sullen, rebellious, Sal Mineo-type boyfriend Dov. The body count rises and the deaths become more personal, more tragic, as the story builds its way slowly to several shattering conclusions.
A lot has changed since 1948. Israel was then associated with the political left; not anymore. The plight of the Palestine Arabs who were induced out of their land by the warfaring Arab states, however, has not been resolved. Those refugees are still right there, crammed along the Israeli borders in the same makeshift cities. Pages 551-554 of the book present a summary of this unconscionable situation, and just about every word is still true, 50 years later. The joyously pro-Israel strains of "Exodus" will probably now draw more cynicism than solidarity, in this brave new world of the New York Times headlines and Saudi peace proposals. However, I wouldn't change a word.
Except "plip-plopped".