Experimental Cinema, The Film Reader (In Focus: Routledge Film Readers) [Paperback]

Gwendolyn Audrey Foster (Editor), Wheeler Winston-Dixon (Editor)

Book Description

Publication Date: October 27, 2002 | ISBN-10: 0415277876 | ISBN-13: 978-0415277877 | Edition: 1

This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.

Editorial Reviews

About the Author

Wheeler Winston-Dixon is Professor of Film Studies and Chair of the Film Studies Program at the University of Nebraska. Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska.

Product Details

• Paperback: 288 pages
• Publisher: Routledge; 1 edition (October 27, 2002)
• Language: English
• ISBN-10: 0415277876
• ISBN-13: 978-0415277877
• Product Dimensions: 9.3 x 6.3 x 0.8 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #440,571 in Books (See Top 100 in Books)

More About the Author

Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies, Coordinator of the UNL Film Studies Program, Professor of English at the University of Nebraska, Lincoln, and with Gwendolyn Audrey Foster, Editor-in-Chief of the Quarterly Review of Film and Video. His newest books include A History of Horror (Rutgers University Press, 2010); Film Noir and The Cinema of Paranoia (Rutgers University Press and Edinburgh University Press, 2009); A Short History of Film, written with Gwendolyn Audrey Foster, (Rutgers University Press and I.B. Tauris, 2008), which has gone through five printings, was issued in a Spanish translation from Ediciones Robinbook in November, 2009 as Breve historia del cine, and is forthcoming as an audio book from University Press Audiobooks in 2010; Film Talk: Directors at Work (Rutgers University Press, 2007); Visions of Paradise: Images of Eden in the Cinema (Rutgers University Press, 2006); American Cinema of the 1940s: Themes and Variations (Rutgers University Press, 2006); and Lost in the Fifties: Recovering Phantom Hollywood (Southern Illinois UP, 2005). In 2003, Dixon was honored with a retrospective of his films at The Museum of Modern Art in New York, and his films were acquired for the permanent collection of the Museum, in both print and original format.