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Rosenbaum methodically examines the evidence for and against all the major hypotheses concerning the origin of Hitler's character. He sifts through all the rumors--including his alleged Jewish ancestry and what biographer Alan Bullock refers to as "the one-ball business"--and the attempts to derive some psychological cause from them. Various Hitlers emerge: Hitler as con man and brutal gangster, Hitler the unspeakable pervert, Hitler the ladies' man, Hitler as modernist artist working in the medium of evil....
But Rosenbaum's portrayals of those who would define Hitler are as fascinating as the shifting perspectives on the führer. Here we see the brave journalists of the Munich Post who attempted to reveal Hitler's evil to the world as early as the 1920s. We witness Shoah director Claude Lanzmann's imperious attempts to stifle analysis of Hitler and the Holocaust, branding such historical inquiries as "obscene." We see the effects, on a frazzled Daniel Jonah Goldhagen, of the controversy surrounding the publication of his Hitler's Willing Executioners. We see the interior crises of Hitler apologist David Irving and philosopher-novelist George Steiner, among others, as they struggle with the ramifications of their work and thought. And, best of all, we have Rosenbaum to serve as an informed, intimate, and on occasion witty guide. In White Noise, Don DeLillo depicted the satirical academic discipline of "Hitler studies;" Ron Rosenbaum breathes a life into the field that no fiction can match. --Ron Hogan --This text refers to an out of print or unavailable edition of this title.
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The questions surrounding the origins of Hitler's anti-semitism are also explored in detail.
There are scholars quoted who adamantly believe that any attempt to understand is misguided because understanding Hitler's motivations is considered by them to be the first step toward rationalization and diminishing the horror of the Holocaust to just a human crime on a larger scale.
This is not a biography of Hitler although many critical episodes in his life are referenced. Instead this is a fascinating look at how different perspectives on the nature of Hitler's evil have developed and how in the end there is no comprehensive answer as to the how and why of the suffering he unleashed. THere is a quote used from Primo Levi's book Survival in Auschwitz. Levi suffering from thirst reaches for an icycle. An SS guard knocks it away and Levi asks "why ?' The response.."there is no why here". I think that story captures some of the spirit of Rosenbaum's book.
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