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Exploring the Invisible: Art, Science, and the Spiritual
 
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Exploring the Invisible: Art, Science, and the Spiritual [Hardcover]

Lynn Gamwell (Author), Neil deGrasse Tyson (Foreword)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

September 30, 2002

This sumptuous and stunningly illustrated book shows through words and images how directly, profoundly, and indisputably modern science has transformed modern art.

Beginning in the mid-nineteenth century, a strange and exciting new world came into focus--a world of microorganisms in myriad shapes and colors, prehistoric fossils, bizarre undersea creatures, spectrums of light and sound, molecules of water, and atomic particles. Exploring the Invisible reveals that the world beyond the naked eye--made visible by advances in science--has been a major inspiration for artists ever since, influencing the subjects they choose as well as their techniques and modes of representation.

Lynn Gamwell traces the evolution of abstract art through several waves, beginning with Romanticism. She shows how new windows into telescopic and microscopic realms--combined with the growing explanatory importance of mathematics and new definitions of beauty derived from science--broadly and profoundly influenced Western art. Art increasingly reflected our more complex understanding of reality through increasing abstraction. For example, a German physiologist's famous demonstration that color is not in the world but in the mind influenced Monet's revolutionary painting with light. As the first wave of enthusiasm for science crested, abstract art emerged in Brussels and Munich. By 1914, it could be found from Moscow to Paris.

Throughout the book are beautiful images from both science and art--some well known, others rare--that reveal the scientific sources mined by Impressionist and Symbolist painters, Art Nouveau sculptors and architects, Cubists, and other nineteenth- and twentieth-century artists.

With a foreword by astronomer Neil deGrasse Tyson, Exploring the Invisible appears in an age when both artists and scientists are exploring the deepest meanings of life, consciousness, and the universe.


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Editorial Reviews

From Publishers Weekly

This beautifully illustrated volume is a surprising synthesis of two seemingly disparate cultures: a revealing look at more than a century of science and the art it has influenced. Gamwell, curator of the Gallery of Art and Science at the New York Academy of Sciences, brings her rare and expansive view of creativity to bear on the impulses common to both pursuits. Opening with a consideration of Romanticism, illustrated by Caspar David Friedrich's lonely "Wanderer above a Sea of Fog," and J.M.W Turner's paintings of light and darkness, Gamwell gently tugs readers along on a tour of the Western mind. She sees Darwinism as the beginning of a "pursuit of the absolute" destined to obsess both scientists and artists. From there, Gamwell tracks the explosive rise of the scientific worldview with hundreds of artworks from the major movements, pieces that reflect a fascination with exploration and discovery, as well as mixed feelings about technological advancement. While the influence of science is easier to see in Wassily Kandinsky's amoeba-like forms or Alexander Calder's constellation mobiles than it is in Jackson Pollock's energetic splashes, the author draws careful lines from science to painting and sculpture, allowing even art (or science) novices to appreciate her argument. Ultimately, Gamwell argues for the direct relationship between scientific knowledge and abstract art, and after such an eloquent and visually exciting journey, the link is perfectly clear. 156 color and 208 b&w illustrations.
Copyright 2002 Reed Business Information, Inc.

From Library Journal

The director of the art museum at SUNY at Binghampton and adjunct science professor at the School of Visual Arts, Gamwell attempts to enumerate what we've suspected all along: art, science, and religion are entwined in a dance, each affecting the others. Text and images flow nicely from epoch to epoch, as Gamwell illustrates the zeitgeists that created some of the world's great ideas. One of the first images in the book is a painting by Caspar David Friedrich, Wanderer Above a Sea of Fog, which perfectly illustrates the essence of life on the brink of the modern scientific era. From there, the reader moves through various art movements and scientific discoveries, culminating in (of course) an image of a cone nebula from the Hubble Space Telescope. Following the text are notes, a chronology of events, a broad list of suggestions for further reading, and a functional index. Small problems of perception occur, such as listing the diagnosis of anorexia nervosa in the "spiritual" realm, and there is a lack of spiritual emphasis in general; however, these issues do not detract from the book as a whole. Recommended for academic and larger public libraries.
Nadine Dalton Speidel, Cuyahoga Cty. P.L., Parma, OH
Copyright 2002 Reed Business Information, Inc.

Product Details

  • Hardcover: 344 pages
  • Publisher: Princeton University Press (September 30, 2002)
  • Language: English
  • ISBN-10: 0691089728
  • ISBN-13: 978-0691089720
  • Product Dimensions: 11.2 x 9.8 x 1.1 inches
  • Shipping Weight: 4.1 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #833,024 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

23 of 23 people found the following review helpful:
5.0 out of 5 stars Making Sense of Science and Art, January 9, 2003
By 
This review is from: Exploring the Invisible: Art, Science, and the Spiritual (Hardcover)
An instant after picking up this book I knew I had finally found a worthwhile treatment of science-art relationships. The impeccable good taste exhibited in the choice of illustrations, some of which are new and stunning, the fine layout, and the incisive prose devoid of the usual desultory obfuscations all point to a refreshing, enlightening experience. Lynn Gamwell's broad knowledge of both science and art illuminates her subject crisply. The prose is clear, devoid of any condescension. Her subjects range widely. Every page brings new delights and insights inextricably linking science and art, so confidently presented one wonders why all the recent overblown clutter surrounding this subject was ever printed.

One curious omission in the book is the role of the computer in the science-art relationship. One does not find the word "computer" in the index, nor the word "digital". Yet, some very modern examples are given, e.g recent Hubble telescope images. One can only hope this means she is saving this topic for another book.

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7 of 7 people found the following review helpful:
4.0 out of 5 stars Almost a Must Read, January 15, 2007
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This is a challenging read. A prerequisite to finishing this book is that you have a developed interest in all three areas noted in its title. There are some wonderful insights offered the reader, but these are buried in excessive, pedantic detail. Not a page burner.
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2 of 5 people found the following review helpful:
5.0 out of 5 stars Wonderful book, March 21, 2006
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This review is from: Exploring the Invisible: Art, Science, and the Spiritual (Hardcover)
A wonderful book; interesting, beautiful, profound, well-made. Exactly what I had been looking for for a while.
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