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The Expressionists (World of Art) [Paperback]

Wolf-Dieter Dube (Author), W. D. Dube (Author)

4.0 out of 5 stars See all reviews (1 customer review) |

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Book Description

Series: World of Art | Publication Date: February 1985

This volume describes the movement that marked the deliberate abandonment of Impressionism in favour of greatly simplified outlines and very strong colour. The principal exponents were German and their work subsequently fell foul of the Third Reich, leading to the exile of many of the artists.

#outer_postBodyPS { display: none; } #psGradient { display: none; } #psPlaceHolder { display: none; } #psExpand { display: none; } This volume describes the movement that marked the deliberate abandonment of Impressionism in favour of greatly simplified outlines and very strong colour. The principal exponents were German and their work subsequently fell foul of the Third Reich, leading to the exile of many of the artists.

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Language Notes

Text: English (translation)
Original Language: German --This text refers to an out of print or unavailable edition of this title.

Product Details

Paperback: 215 pages
Publisher: Thames & Hudson (February 1985)
Language: English
ISBN-10: 0500201234
ISBN-13: 978-0500201237
Product Dimensions: 8.3 x 6 x 0.6 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)

Amazon Best Sellers Rank: #274,496 in Books (See Top 100 in Books)
- #2 in Books > Arts & Photography > Schools, Periods & Styles > German Expressionism

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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

4.0 out of 5 stars The best introduction to Expressionism, May 19, 2007

Claude Reich (Florianopolis, Brazil and Paris, France) - See all my reviews
(TOP 1000 REVIEWER) (REAL NAME)

This review is from: The Expressionists (World of Art) (Paperback)

This book is the best introduction to the major artistic movement in Germany in the early XXth century. It covers all the main currents, from the Blaue Reiter (Kandinsky, Marc...) to the Brücke (Kirchner, Heckel, Müller...)and the New Objectivity (Grosz, Dix, Bekmann...). The text is clear, easy to read, unburdened by any useless erudition, and the illustrations are numerous, even though -as is the case with all the volumes in this collection- mostly in black and white.

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