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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
The best instrumental recording in 20 years,
By Casper Rosewater "casper_rosewater" (Albuquerque NM USA) - See all my reviews
This review is from: Extensions (Audio CD)
This is the best new (not classic) instrumental jazz recording I've purchased in 20 years. It came out a decade ago so, nothing better ten years before it or after. And it holds up perfectly after a decade. It's hard-edged jazz, maybe acid-jazz, I don't know. Rock and jazz listeners with both likely enjoy it. The rhythms employed on some compositions are intricate and complex beyond belief yet they remain accessible. Kevin Eubanks demonstrates that, despite his hot and cold success as a leader (and despite renditions of "Stairway to Heaven" or whatever on The Tonight Show) he IS one of the most innovative living guitarists. Steve Coleman divides the meter so well you lose track of whether he's playing ahead of the beat or behind it. Unbelievable.
11 of 12 people found the following review helpful:
5.0 out of 5 stars
Coleman5 Eubanks5 Holland5 Smitty Smith5,
By Jazzcat "stef" (Genoa, Italy Italy) - See all my reviews
This review is from: Extensions (Audio CD)
20 stars. This album does not deserves less than twenty stars. It is one of the best release from Dave Holland if not his overall best. Surely this has been one of his best combo. Read the names involved here, Steve Coleman, Kevin Eubanks, Marvin Smitty Smith. It's a dream team. It may seem an all star album, a kind of experiment which often don't led to nothing valuable musically if not futile showmanship. This is not the case. This album is nothing less than absolutly amazing under any point of view. Composition, improvisation, interplay. It's stellar post bop, "funky", free atonal Jazz with an accent on melody (it may seems a contradiction but it is just that!). It's free atonal jazz with odd meter signature but even if it may sound awkward the music flows naturally from the very beginning thanks to the incredible rhitmic tandem that Holland and Smith form. Under the soloist there's always an incredible rich rhytmic textures. Dave Holland is truly an amazing player. But here are playing three of my heroes I can't do nothing but absolutly love this album, Steve Coleman, Kevin Eubanks, Marvin Smitty Smith. As a Jazz guitar player myself I think that Jazz guitar in a modern context never sounded so right. And one more thing about Coleman. He's the one that really tried to bring Bird's language to the next millennium, to evolve it, to develope his wild sense of syncopation... he reached an amazing level of expression. In particular he found in this music his perfect vehicle to express his ideas in my opinion. The fluidity he reached here I don't think he played again elsewhere, neither in his own albums (and I own many of his). This album is absolutly a gem. Put it in the cd reader, sit on your most comfortable sofà, closed the light and prepare for an unbelievable music journey!
24 of 31 people found the following review helpful:
5.0 out of 5 stars
[A must for all Jazz fans],
By TUCO H. "H. TUCO" (Los Angeles, CA) - See all my reviews
This review is from: Extensions (Audio CD)
A tremendous negentropic (energy releasing through open system feedback) jazz record, fully cognizant of Stravinskian concepts of musical value. Don't even think about calling yourself a jazz fan or a fan of serious music for that matter, without owning this record. The greatest drumming since Cobham hit? Marvin Smith; it's on this record. The greatest Bass playing? Where'd you think it was? The greatest guitar playing this side of Mclaughlin? Kevin 'Jay Leno Show' Eubanks; on here friend. The greatest saxophone this side of Dolphy and Coltrane? Do I really need to introduce Steve Coleman? Complex meter and rhythm are the key to this land of voodoo. Two tracks are in 6/8, the rest are in odd-meters (11/8, 5/4, etc.). But that's just the framework from which the foundation of Holland and Smith supports the fantastic architecture Eubanks and Coleman float above it. All the players are organically fused into a synergistic whole that is THE QUINTESSENCE OF COOL, without sacrificing a shred of sophistication in the process. This was the Downbeat album of the year in 1990 & remains Holland's greatest band record (even with all the brilliant recent records this one has something special about it). Also, if you like this record, do not overlook the two excellent Kevin Eubanks records "Turning Point" & "Spirit Talk," & the fantastic Holland/Eubanks/Cinelu collaboration "World Trio." Music is the best.
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