23 of 26 people found the following review helpful:
5.0 out of 5 stars
Disturbing and provocative, March 12, 2002
This review is from: "Exterminate All the Brutes": One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide (Paperback)
Sven Lindqvist has created here a fascinating, disturbing collage of history, journalism, and memoir -- a sometimes surreal exploration of the European impulse toward genocide.
Lindqvist develops a few theses, but his primary one is that imperialism leads to genocidal actions, and that no slaughter is completely unique when viewed in the context of history. He writes, "Auschwitz was the modern industrial application of a policy of extermination on which European world domination had long since rested."
This is an invaluable book for anyone looking for perspective on Joseph Conrad's "Heart of Darkness" or 19th century European attitudes toward race and colonialism. It gives a damning picture not only of European actions in Africa, but of the educated European public's indifference to inhumanity. The writing is extremely clear and readable, compulsively so, because Lindqvist's technique is to offer tantalizing strands of ideas, all seemingly unrelated, and then slowly and shockingly bring them together as a whole. The organization and balance of the book's many pieces is magnificent.
There are no clear answers here. Lindqvist digs up a history most people would rather let lie. Its implications about humanity, all of humanity, are dark. But without facing them, we will never cease being accomplices to slaughter.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars
Trawling Through the Western Psyche and Picking Up Clues..., April 15, 2009
This review is from: "Exterminate All the Brutes": One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide (Paperback)
I purchased Sven Lindqvist's book when it first came out in 1997. The writing is pared to the bone so you can clearly see the stark reality of his discoveries in perception.
A late twentieth century European, Lindqvist travels back through colonial 19th century routes of Charles Darwin and Joseph Conrad into Africa, as a scenic observer of anthropological curiosities, almost. So, to all intents are purposes he starts off like a tourist. Dusky-faced north Africans remain outside of him, as he bumps along in buses and jostling towns and villages, carrying his laptop computer in a backpack. The natives are just the "others" he is interrogating and observing with a Western distancing mind and sensibility and going to write on and report about in his travelogue.
But having to be close to Moroccans and others, over time, slowly travelling, in old vehicles in heat and dust, closely, over long distances, he gradually becomes drawn into their world, and as he does so, winds his way down into the psychological depths of the collective western colonising consciousness. Eventually Lindqvist ends up coming to face the dark pit in the hub of the Western psyche and unveils himself as interloper, transgressor and destroyer.
In a Jungian sense, he approaches the nexus of the collective shadow of the western civilizational consciousness and finds he is not free of the spectre of the shadow of the Western "white" mind, clearly seeing the mind that went everywhere, travelling to all parts of the globe, with purpose, carrying guns, gin and bibles.
Seeing into the mind of the white aggressor he recognises that he too carries the baggage of mental superiority and arrogance. The book unwinds the revelation through various historical examples, as Lindqvist's gaze changes from standing in the white man's shoes at a distance from the "blacks", the Moslems, the "brutes"-- to the gaze of the ones witnessing their massacre, genocide and gradual absorption, or total destruction.
If you are interested to explore the existential arena further in an historical sense, you might like to pick up Franz Fanon's "Black Skins, White Masks", also.
"Exterminate All The Brutes" is a graduated revelation in the mind, soul and psyche of a western compatriot. I sympathised with his view. I had seen all the same traits in various guises in my own heart and soul, and gone "mad", like Conrad, in the looking.
To summarise, this book for me has always been an exceptional grasping of a central problem, by an exceptionally honest writer, historian, anthropologist and psychologist (although I can not name one psychologist I actually know in whose writings such baring of the soul in point-of-fact has been realized). This work is an existential journey. If you are Western, white, be prepared to meet part of yourself, and possibly weep as did Lindqvist (and I).
I lent my much-loved, marked and worn copy of "Exterminate All The Brutes" to an old family friend, a retired professor of psychology who spent many years in the Middle East and wanted to borrow my copy immediately I showed it to him several years ago. I have returned tonight to Amazon to repurchase another book as my old friend recently passed on and I don't expect the old one to turn up.
So this is a review from a long hindsight of first reading. In conclusion, one of the pivotal and most consequential points the writing gravitates to is the continuing persistence by the West of eugenics programs that go by many names.
This remains a very important book of one man's examination of the searing necessity to interrogate who and what we really are, within.
More than a decade after publication, it's message still rings like a bell.
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7 of 9 people found the following review helpful:
5.0 out of 5 stars
Every high school student should read this book., January 11, 1999
By A Customer
This review is from: "Exterminate All the Brutes": One Man's Odyssey into the Heart of Darkness and the Origins of European Genocide (Paperback)
This is the best expose of colonialism that I've ever read. The central thread is the author's musings on "Heart of Darkness" while travelling across Africa by bus, but he brings in everything from Adam Smith to Darwin to Adolf Hitler. The style is lyrical, almost poetic -- interspersed among the history are the author's nightmares, which increase in frequency as he gets closer to the end of the century. After this you'll never be able to read Rudyard Kipling the same way again.
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