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Extreme Prejudice: Original Motion Picture Soundtrack
 
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Extreme Prejudice: Original Motion Picture Soundtrack [Soundtrack]

Jerry GoldsmithAudio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Biography

Jerry Goldsmith was a film and TV composer born in LA in 1929. He will be remembered for providing the soundtracks to many of the most popular films and TV series' from the 1960s onwards, including The Twilight Zone, Star Trek and The Omen.

Goldsmith studied music at USC before taking a job in the music department at CBS, working as a clerk by day and composer by night. His earliest work was for… Read more in Amazon's Jerry Goldsmith Store

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for 187 albums, photos, and 22 full streaming songs.

Product Details

  • Audio CD (November 24, 1992)
  • Original Release Date: April 24, 1987
  • Format: Soundtrack
  • Label: Intrada Records
  • ASIN: B000000O63
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #473,207 in Music (See Top 100 in Music)

1. Arrivals
2. Cash
3. The Set-up
4. Dust
5. Identities
6. Extreme Prejudice
7. The Plan
8. To Mexico
9. No Friendlies
10. They Didn't Care
11. The Funeral
12. A Deal

 

Customer Reviews

2 Reviews
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Average Customer Review
5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Wow, May 7, 2000
By 
This review is from: Extreme Prejudice: Original Motion Picture Soundtrack (Audio CD)
From Jerry Goldsmith comes a heart pounding, teeth rattling action score that will knock you socks off and hold them to the wall. The first track is a classic, and the end title track is a melancholy "love theme" laced with angry energy. The whole album throbs!
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5.0 out of 5 stars An Ever Changing World, November 29, 2005
By 
This review is from: Extreme Prejudice: Original Motion Picture Soundtrack (Audio CD)
Jerry Goldsmith's score and soundtrack to EXTREME PREJUDICE is filled the modern techno idioms but remains rooted in the Western film genre if you listen closely. Goldsmith once again hits the mark as his dynamic score reflects the characters' postures and motivations. Goldsmith uses quite a bit of techno music representing the bureaucratic covert government agents to offset the stalwart and stoic Nick Nolte, a relic of Western law enforcement, whose unyielding dedication to the law is first and foremost making him the quintessential honorable hero from an era long past. Track 12: A Deal / End Credit sums it all up with bittersweet melancholy.
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