A remarkable debut collection, Kelly Cooper’s Eyehill provides a multi-hued portrait of a small prairie town. Too small to support a high school or a drugstore, Eyehill is populated by men and women, who have worked for generations to wrest a living from the dry, rolling hills. Like people anywhere else, they hunger for love, understanding, a decent living, and safety and comfort in their homes. Their passion for something more, something better, is tangled by their almost visceral attachment to the land and by the dangerous allure of an oil industry that grows more rapacious every year. In this startling debut collection of loosely linked stories, characters disappear only to resurface once again a few stories later. Among the central characters are Rhea, a girl whose mother abandoned her and her father when she was three and who grows to adulthood full of questions and contradictions; Jarvis, a boy whom she loves but wants as a boyfriend only when he has to marry his pregnant girlfriend; and the Lalonde brothers, so different and yet so clearly formed by their shared circumstances. A strange eroticism pervades “They Secretly Pray for Rain.” A subtle, mostly denied violence underlies “Very Little Blood,” but it percolates to the surface in the terrible climax of “River Judith.” The ancient aquifer flowing below the prairie pulses through the very marrow of the men’s bones. Farming is not what they do, but what they are, and interference is fatal. In this small, tightly knit community, secrets are essential. The need to keep silent and to control terrifying emotions is at the same time necessary and ruinous, and the stories people tell hide as much as they reveal.
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From the Back Cover
In Eyehill, a town too small to support a high school, men and women work hard to wrest a living from the dry, rolling fields. Their passion for what they hold dear — the land, their spouses and children, their neighbours — is tangled with yearning for something different and the dangerous allure of the oil industry. Rhea and Jarvis, one shy, the other wild, grow up conspiring to follow their dreams elsewhere. Rhea leaves and Jarvis stays, but Eyehill ties them more closely than blood or marriage.
About the Author
Kelly Cooper grew up in the tiny farming community of Senlac, Saskatchewan, where she vaccinated, branded, and ear-tagged cattle, sorted calves on foot and on horseback, drove cattle to pasture on horseback, and drove a tractor and a three-ton truck. A graduate of the University of Saskatchewan, Cooper taught high school English and later moved to Belleisle Creek, New Brunswick, with her husband, where until recently, she worked as an art teacher. The only girl among siblings and cousins, she routinely did “men’s work,” and now works with her husband on their dairy farm. Cooper’s stories have been published The Fiddlehead, Room of One’s Own, Descant, Grain, Prairie Fire, The Malahat Review, and The Windsor Review. They have been featured in anthologies such as Coming Attractions 㤊, Water Studies, and Home for Christmas. “River Judith” won the Fiddlehead Fiction Prize, and an early version of Eyehill won the prestigious David Adams Literary Award. Eyehill is her long-awaited first book.
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Most Helpful Customer Reviews
5.0 out of 5 stars
Excellent read!,
By Lara Windsor "Alex" (Canada) - See all my reviews
This review is from: Eyehill (Paperback)
As a prairie resident, I was expecting to read some dry prairie stories when I picked up this book by Kelly Cooper. Boy, was I surprised to read these riveting, close to home, real stories of life. I particularly enjoyed the "dope smokin' guitar player" and his woman; they reminded me of neighbours I once had. I was moved by the story of cancer, and the tender love between a woman and her husband following her surgery. The stories are well written and by the time the reader is finished the book, they will know the characters of Eyehill well. I hope to see a novel or another collection continuing the saga of Eyehill.
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