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Buy This Blu-ray and Watch it Instantly
Watch the Amazon Instant Video rental on your PC, Mac, compatible TV or compatible device at no charge when you buy this Blu-ray disc from Amazon.com. Your rental will expire 2 days after you begin watching or 30 days after your disc purchase, whichever occurs first. The Amazon Instant Video version will be available in Your Video Library and is provided as a gift with disc purchase. Available to US customers only. See Terms and Conditions.
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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why?
Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
The first thing to bear in mind are that this film was hyped way beyond necessity. As if the general public had any interest in the "Kubrick" listed below "Cruise" and "Kidman". To them this was just another Big Actor's next Big Movie. Passing it off like a "real Hollywood couple gets busy on the big screen" heightened expectations for something Kubrick wasn't trying to achieve. It suffered the same audience reaction as The Phantom Menace, and made only a fraction of the money.
Critics seemed to be lining up to take potshots at this film. Why? Recent history shows us that all of Kubrick's films from 2001 onward have been attacked critically, and subsequently hailed as classic years later. The same is true of most of Orson Welles' work. Few critics took the time to see this movie more than once before spewing their venom. A filmmaker like Kubrick is not going for direct emotional contact with the audience. He is aiming far deeper, asking the viewer to reflect on not only the images, but the themes, and the emotional investments of the characters. The subtlety is not something common in today's films, and something critics apparently can't process quick enough to meet a press deadline.
For all those complain that the film isn't sexy or erotic enough are missing the point completely. It's not about sex. It's about many other things, some of which linger in the background, some that aren't noticeable on the initial viewing. Kubrick raises questions about our institution of marriage, the nature of faith, commitment, temptation. That most in the audience weren't willing to meet Kubrick, Cruise, and Kidman halfway in this meditation isn't a comment on the quality on the filmmaking, it's a shortcoming of the sensory-deadened society. If Kubrick had been more in touch with today's film culture, would he have bothered to give us this complex of an experience? Let's thank him for his seclusion.
A NOTE on the DVD not being letterboxed: Kubrick (again, like Welles) preferred the aspect ratio of television, and left extra space in his frame for their widescreen theatrical showings (some are letterboxed on Home Video as well). The Shining, Full Metal Jacket, and Eyes Wide Shut are meant to be seen in the full-screen standard format, and therefore aren't available in letterbox, so don't feel you're being cheated out of any compositional content. Unfortunately you are being cheated by Warner Bros' refusal to remove the digital figures blocking the orgy scenes, inserted for theatrical release to secure the "R" rating. Only in America...