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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Kang music,
By
Amazon Verified Purchase(What's this?)
This review is from: Eyvind Kang: Athlantis (Audio CD)
Eyvind Kang is indeed enigmatic. His first release on Tzadik, 7 NADEs, was a blizzard of sound, from noise to jazz to French lyrics. His followup, Theater of Mineral NADEs, was a little more partitioned, but still a great mix of styles, from ancient rhythms to reggae. From there, he has done work with Secret Chiefs 3 (check out Second Grand Constitution and Bylaws, Hurqalya if you want to hear Secret Chiefs 3 at their Kang best), the Bill Frisell quartet, and seems to play any kind of music invented (and then some).
But all in all, Kang seems to be the most modern kind of composer--not one who is trying to revive European traditions or fight entropy and try to revive classical traditions by inventing some new style he can talk about on the lecture circuit, but takes the essences of music around him, whether it be Zornian noise or simple rhythms; this in confirmed in this recording, a cycle of choral and orchestral music that feels more fresh and accesible than many other academic classical music nowadays. What I love most about Kang is his sense of earnestness, even when doing something as strange as The Visible Sign of the Invisible Order, for any kind of music needs such focused, immediate effort. Mike Patton contributes his voice to this project, though don't expect to hear anything like his Hemophiliac work, and maybe Patton's voice stands out a little too easily from the other choral work here, but Kang clearly has a sense of control here, a sound that is more contemporary than backward-looking. Maybe not a toe-tapper, but let's face it--if you're a fan of Eyvind Kang, and I'm talking ALL of Eyvind Kang, from Dying Ground to The Story of Iceland to Sweetness of Sickness, you must not be expecting anything terribly familiar. This is Kang music, and I love to sit back and let this guy tell me with every recording what that really means.
4.0 out of 5 stars
Eyvinds creative classical sound,
By Christopher McCann (another world) - See all my reviews
This review is from: Eyvind Kang: Athlantis (Audio CD)
Very Classical sound to this album, much like eyvinds other recent albums. Quite a mello sound , dont expect any crazy break neck speed violin playing, like his SC3 contributions! A lot more vocals than many of his other albums I have heard, with an ancient occultish style, almost reminds me of some gregorian style chanting. I got this one for the main reason that it has Mike Patton joining in with vocals for some tracks! Very different to hear mike singing in this style but he does it well, no surprise he tackles the foriegn language with ease.Adorn your druidic robes,Good soundtrack for any solstice rituals you have planned!
5.0 out of 5 stars
Eyvind Kang's "Athlantis",
By Justin St. Vincent "www.XtremeMusic.org" (Auckland, New Zealand) - See all my reviews
This review is from: Eyvind Kang: Athlantis (Audio CD)
Eyvind Kang's "Athlantis" is a colourful creation weaving threads from choral and orchestral soundscapes. An aural essence that sounds both holy and haunting, inspired by arcane medieval texts from French hymnologist Marbod of Rennes, and Italian heretical philosopher Giordano Bruno. Athlantis includes operatic gymnastics from virtuoso vocalists Mike Patton and Jessika Kenney, among an incredible chorus of singers and musicians recorded live at Italy's Angelica and l'Altro Suono Festival during May 2006. Eyvind Kang has established himself as an enigmatic composer capable of exposing musical traditions that are glorious and triumphant.
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