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The Face of Another (Tanin No Kao) (1967) [VHS]
 
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The Face of Another (Tanin No Kao) (1967) [VHS] (1967)

Tatsuya Nakadai , Mikijiro Hira , Hiroshi Teshigahara  |  NR |  VHS Tape
4.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Actors: Tatsuya Nakadai, Mikijiro Hira, Kyôko Kishida, Miki Irie, Eiji Okada
  • Directors: Hiroshi Teshigahara
  • Writers: Kôbô Abe
  • Producers: Kiichi Ichikawa, Nobuyo Horiba, Tadashi Ôno
  • Format: NTSC, Black & White
  • Subtitles: Japanese
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: SVS
  • VHS Release Date: October 25, 1989
  • Run Time: 124 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: 6301484096
  • Amazon Best Sellers Rank: #448,803 in Movies & TV (See Top 100 in Movies & TV)

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4.0 out of 5 stars (1 customer review)
 
 
 
 
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4.0 out of 5 stars Beyond the Woman In the Dunes, June 18, 2009
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This review is from: The Face of Another (Tanin No Kao) (1967) [VHS] (VHS Tape)
Hiroshi Teshigahara's The Face of Another (1966) is his follow-up to the justly renowned Woman In the Dunes of 1964, but has failed to garner the reputation the earlier film has. This, however, is not due to any major shortcomings; on the contrary, this film is by turns disturbing, beautiful, grotesque and brilliant, a deep meditation on the implications of our markers for identity, of which our faces are perhaps the most important. A man is disfigured in an industrial accident; the doctor who treats him offers to make a lifelike mask. The masquerade of daily life is compounded if one has a face no one associates with your previously-established identity. As the doctor who provides the mask for the protagonist observes, there is the distinct danger of losing one's sense of morality if no one can trace one's deeds to an already established identity. If no one knows who you are, such basic human connection such as love and trust disappear. The adoption of another face by this exemplar of industrial society exposes just how tenuous modern man's sense of his own identity can be, and the mask functions as a metaphor not only for such obvious identity-altering changes as plastic surgery but for more nebulous forms of alteration such as designer drugs and genetic engineering. A portal on our immediate future, The Face of Another functions as a chilling warning on the subject of the malleability of "human nature".
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