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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
5.0 out of 5 stars
Uber-Pop without an expiration date,
This review is from: Face the Truth (Jewl) (Audio CD)
When I think of pop, I think disposable but catchy music. Well, Malkmus could not be more catchy and listenable if he really really tried, but there are enough quirks and jerks to avoid the mainstream overkill that makes most music exhausting and thus disposable. You'll sing along everytime and still hear new things that will give you smirky smiles and force you to declare to everyone that Stephen Malkmus is a freakin' genius. Your friends will shake their heads, turn up their radios and miss out on the most listenable and inventive music since four lads from Liverpool landed on American soil. Really.
15 of 16 people found the following review helpful:
5.0 out of 5 stars
"How's the new Malkmus?" "Weird.",
By
This review is from: Face the Truth (Jewl) (Audio CD)
Yeah, and then I had to listen again and listen some more. That's pretty much the pattern with this guy's best work, isn't it? He doesn't specialize in self-imitation, so you can't easily guess where he's going next with his music. How many people saw the arena-like Crooked Rain coming after the slash and burn indie of Slanted and Enchanted? But the change was welcome, wasn't it? I mean the softening pattern of late Pavement suggested the sort of hippie-ish solo debut, but then Pig Lib got all weird in a new way. Still, Face the Truth gives the feeling of a more rapid change in the man's inner life. And we listeners reap big benefits, because this thing is all over the map. It's like a giant homework assignment. You have to ask yourself if you're really up for it. And because it's so dense and schizo, it yields great rewards to the patient and stubborn alike. Another way of saying this: I got this along with the new Beck, and while the Beck was likeable, I was done with it after two listens. I'm just getting started with Face the Truth. Not for the ADD crowd. Or, to paraphrase SM, the lovers of "Modern Minor Masterpieces for the Untrained Eye."
5 of 5 people found the following review helpful:
4.0 out of 5 stars
enfold me in serenity,
By
This review is from: Face the Truth (Jewl) (Audio CD)
Malkmus' third solo album is not only a step forward from his last two solo albums, but also revives some of the chaos and spontinaity of his work with Pavement. Face the Truth jumps to life with squealing synths and rolling drums on the opening track, "Pencil Rot"'. It is the best opening track Malkmus has penned since "Silence Kit" from Pavement's 1994 breakthrough, Crooked Rain, Crooked Rain. Malkmus keeps the momentum going on the next track, "It Kills", a psychedelic jam that wouldn't have sounded out of place on his last album, Pig Lib.
Throughout Face the Truth, Malkmus explores a wide variety of sounds, from the acid-country of "Freeze the Saints" to the synthetic disco-funk of "Kindling for the Master". The album's center piece, "No More Shoes", sounds like a homage to Fleetwood Mac's "Rhiannon" at first, but ends up sounding more like the second cousin of Sonic Youth's "Rain on Tin". As the song unfolds, yet another homage appears (this time to Kiss' "I was made for loving you") before morphing into the sunny, reflective "Mama". Long time fans used to the guitar noise and freak-outs of his previous work, may be put off by Malkmus' abundant use of synthesizers on Face the Truth. After a few listens though, the quality of the songs speak for themselves, regardless of their instrumentation. Because of that, it becomes clear that Malkmus was not only the brains behind Pavement, but that Pavement, no matter how great the band was, is dead. If Beck's Guero let you down, this album will definetly appease your inner slacker.
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