Product Details

• Actors: Gena Rowlands, John Marley, Seymour Cassel
• Directors: John Cassavetes
• Format: Black & White, NTSC, Special Edition
• Language: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.66:1
• Number of discs: 2
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: Criterion Collection
• DVD Release Date: February 17, 2009
• Run Time: 130 minutes
• Average Customer Review: 3.8 out of 5 stars  See all reviews (19 customer reviews)
• ASIN: B0012TH9M0
• Amazon Best Sellers Rank: #133,498 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

A sensation when it was released in 1968, this John Cassavetes film earned Oscar nominations for actors Seymour Cassel and Lynn Carlin. Improvised and shot in an edgy, hand-held fashion, the film examines the disintegration of the marriage of a couple in mid-life doldrums. Each seeks solace elsewhere: husband John Marley with prostitute Gena Rowlands, wife Carlin with a free spirit played by Cassel. But neither finds anything approaching the fulfillment they feel is missing from the marriage. Indeed, in Cassavetes's probe of raw emotions, these people discover that, just maybe, the problem lies not with their spouse but with themselves. You need to be a fan of Cassavetes's loose, actor-friendly style to appreciate this intriguing but sometimes rambling drama. --Marshall Fine

Product Description

The disintegration of a marriage is dissected in John Cassavetes' searing Faces. Shot in high-contrast 16 mm black and white, the film follows the futile attempts of captain of industry Richard (John Marley) and his wife, Maria (Lynn Carlin), to escape the anguish of their empty marriage in the arms of others. Featuring astonishingly powerful, nervy performances from Marley, Carlin, and Cassavetes regulars Gena Rowlands and Seymour Cassel, Faces confronts suburban alienation and the battle of the sexes with a brutal honesty and compassion rarely matched in cinema.

SPECIAL EDITION DOUBLE-DISC SET FEATURES:
New, restored high-definition digital transfer
Seventeen-minute alternate opening sequence, from an early edit of the film
Cinéastes de notre temps (1968), a 48-minute episode from the French television series dedicated to Cassavates, featuring rare interviews and behind-the-scenes footage
Making Faces, a 2004 documentary including interviews with actors Lynn Carlin, Seymour Cassel, Gena Rowlands, and director of photography Al Ruban
Lighting and Shooting the Film, a short documentary from 2004 in which Ruban explains how he and the crew achieved the distinct look of Faces
PLUS: A booklet featuring an essay by critic Stuart Klawans

See all Editorial Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful

5.0 out of 5 stars Acceptable DVD of a classic film. October 19, 1999

By Martin Doudoroff

Format:DVD|Amazon Verified Purchase

"Faces" carries the dubious distinction of being considered the first "breakthrough" independent American feature.

"Faces" is a John Cassavetes film. It is also categorically one of the two or three greatest masterpieces of American cinema. (This is neither just a personal opinion, nor an exaggeration. This film is essential.) What makes this film so special will be lost on many domestic viewers, unfortunately, who simply aren't prepared for the experience. Nearly everything about the film is subversive of conventional Hollywood filmmaking techniques, and this is frustrating for people who aren't ready for it. For example, the film never "tells" you anything about the characters: you have to patiently observe them throughout the film, just as if they were real other people in the room. Furthermore, in typical Cassavetes' style, the characters' behavior is extreme, which can be unsettling. Finally, the film is pretty grim. However, if you're ready for a new experience, and can approach the viewing experience with an open and tolerant mind, this film will BLOW YOU AWAY.

The DVD is nothing special; I'm just grateful to have the film. The transfer isn't particularly sharp, and was made off an inglorious print. Framing -- full frame -- seems fine; if I remember correctly, the original (16mm) is not widescreen, so nothing should be lost. (The odd cropping that appears throughout the film is intentional.) Highest recommendation.

6 of 6 people found the following review helpful

5.0 out of 5 stars All the Lonely People November 20, 2002

By Arch Llewellyn

Format:DVD

I've never seen a movie quite like this in my life! It's technically raw, the sound's bad and half the time I had no idea what was going on, but it builds to a brilliant portrait of four lonely lives. The bad jokes and laughter that eat up so much film time connect loose, rambunctious scenes that defy strict narrative logic--after a while it feels like you're watching this movie from the inside, right in the thick of the cigarettes and booze. As usual, Cassavetes shoots the '60s from unexpected angles: his focus is on the middle-aged middle managers and their fading suburban wives, stuck on the wrong side of the Sexual Revolution but still desperate to feel young and fulfilled. The movie doesn't make fun of them but brings you into their world, where disappointment, age and the pressures of conformity are finally getting the best of their vitality. Imagine "The Graduate" told from Mrs. Robinson's point of view. The powerful last scene ends in silence after a suicide attempt--no laughs, no routines. The death of a marriage or a new beginning? Cassavetes rarely matched this level of intensity. "Faces" is one of his very best.

5 of 5 people found the following review helpful

5.0 out of 5 stars Criterion Collection Delivers Tribute to an Independent Classic June 9, 2010

By M. Warren

Format:DVD

John Cassavetes is widely regarded as the father of the Independent film, who believed that risking anything was the only way to go, who bluntly told Scorsese Boxcar Bertha "sucked" (Scorsese then turned and created Mean Streets), and treated his crew like family who he payed very little (or at all). Whether or not Cassavetes is THE father of the Independent film is up to the film historians to decide. Besides, John Cassavetes was not interested in making films to make history or be the strict anti-trend to the big budget nature of Hollywood. John Cassavetes was interested in making films that give us truths about our lives, and he did so greatly, in a very different and low budget kind of nature that made his work seem even more honest. John Cassavetes Face's is, among the rest of his work, the most well known of his films to enter the public domain, and for many reasons is probably the best Cassavetes work to start with, next to A Women Under the Influence (a very devastating work).

Shot in Cassavetes' trademark documentary style filmmaking, the no BS approach to filming makes Faces even more realistic to watch. It is shot in high contrast black and white, and it look as low budget and unpolished as any other very low budget film. Don't be too surprised though, Faces is no banal third rate student film work. Cassavetes Oscar-nominated script effortlessly delves into the lives of these empty people and what makes them act the way they are. It is not a sloppy film either, as Cassavetes's camera work is actually quite inventive, and feels done right without making a big hoopla over how it is being used.

Much of Faces will not be explained in this review, and I think part of this is that this film raises tough questions about our lives, many of them that are arguably subjective out of the objective. Rest assured if you are looking for a film that will raise questions about the boring lives that some of us have the potential to lead, then watch this film. For even more insight into the film, I also recommend Cassavetes on Cassavetes, which is written by the leading scholar on Cassavetes, Ray Carney, who applies his own "Pragmatic Anesthetic" to the film.

Although previously sold in a bare bones DVD with no special features, the good folks at Criterion Collection will make sure that Cassavetes' works will be given the treatment they deserve. Although sometimes Criterion Collection doesn't quite stock up on special features, this two disc set on Faces packs quite a lot of interesting features along with the film (which is a substantial length at over two hours). You are getting your money's worth with this set, which includes insightful making into the film, an alternative opening, as well as an insightful documentary about the man himself. Since this is a great starting point, the inclusion of a introduction to Cassavetes himself is a very great addition. This is the DVD to start with if you are looking into Cassavetes. Thanks Criterion Collection!

A gusty and insightful look into the emptiness of the married middle age suburban demographic, Faces gets my high recommendation.