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Facial Expressions: A Visual Reference for Artists [Paperback]

Mark Simon
4.0 out of 5 stars  See all reviews (86 customer reviews)

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Book Description

June 1, 2005
All artists are tired of persuading their nearest and dearest to look sad…look glad…look mad…madder…no, even madder…okay, hold it. For those artists (and their long-suffering friends), here is the best book ever. Facial Expressions includes more than 2,500 photographs of 50 faces—men and women of a variety of ages, shapes, sizes, and ethnicities—each demonstrating a wide range of emotions and shown from multiple angles. Who can use this book? Oh, only every artist on the planet, including art students, illustrators, fine artists, animators, storyboarders, and comic book artists. But wait, there’s more! Additional photos focus on people wearing hats and couples kissing, while illustrations show skull anatomy and facial musculature. Still not enough? How about a one-of-a-kind series of photos of lips pronouncing the phonemes used in human speech? Animators will swoon—and artists will show a range of facial expressions from happy to happiest to ecstatic.

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Editorial Reviews

About the Author

Mark Simon owns A&S Animation, a cel animation house, and Animatics & Storyboards, the largest storyboard house in the south. His previous books include Facial Expressions and Storyboards: Motion in Art. He lives in Orlando, Florida.

Product Details

  • Paperback: 256 pages
  • Publisher: Watson-Guptill; First Printing edition (June 1, 2005)
  • Language: English
  • ISBN-10: 0823016714
  • ISBN-13: 978-0823016716
  • Product Dimensions: 9 x 0.7 x 10.8 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (86 customer reviews)
  • Amazon Best Sellers Rank: #31,204 in Books (See Top 100 in Books)

More About the Author

I have worked in the entertainment industry for 20 years and have been a professional artist for over 25 years. My background includes live action and animation production, print, writing and teaching.

I currently own three companies located in Orlando, Florida, home of Disney World, one of his clients. Animatics & Storyboards, Inc., is a company which provides storyboards, illustrations, cartoons and comic book illustration to the entertainment and print industries. We are now the largest storyboard supplier in the Southern United States having provided support on over 2,000 productions, ranging from feature films to television series, live action, animation, commercials, industrials, books, magazines, newspapers and more. Our clients include Disney, Universal, Viacom, Sony, HBO, Nickelodeon, Steven Speilberg, Fox, USA Networks, ABC, AT&T, Yamaha, NASA, The American Cancer Society and many, many others.

I also co-founded www.SellYourTvConceptNow.com with my producer wife, Jeanne. We help people to develop, package and pitch their TV concepts.

My other company is A&S Animation, Inc., an animation consultation, development and production house. We specialize in character animation. A&S Animation, Inc. has produced animated shorts which have won over 40 international awards. We also animated Disney s iconic character, Tinker Bell, for the hugely successful Disney Cruise Line.

The series of animated shorts, Timmy s Lessons In Nature, which I developed (along with Travis Blaise and Jeanne Simon), directed and produced, recently won Grand Prize in Nickelodeon s and Animation Magazine s first-ever Nicktoons Film Festival.

I am also the author of three entertainment industry texts. Producing Independent 2D Character Animation showcases every step of production of an independent hand-drawn animation. This book features the production of one of our popular Timmy s Lessons In Nature shorts. The text also contains research necessary for any animator and includes invaluable interviews with industry greats.

My text Storyboards: Motion In Art, is used around the world to train storyboard artists.

Facial Expressions is a photo reference guide for artists of all disciplines.

Each month you may also see my articles in Animation Magazine and on Animation World Network (www.AWN.com).

Prior to storyboarding and producing animation, I was an art director in live-action film and TV in Los Angeles, CA and Orlando, FL. While in Los Angeles, I designed many feature films, music videos and commercials. I then became the second art director at the new Nickelodeon Studios in Orlando, FL in 1989.

I have also done Second Unit directing for Nickelodeon and on Steven Speilberg s seaQuest DSV as well as working as a Special Effects Supervisor for NBC and Fox networks.

I teach at the Digital Animation and Visual Effects School (www.DAVEschool.com) located at Universal Studios, and previously at the University of Central Florida. I currently lecture around the world at major conferences, conventions and schools.



Customer Reviews

Most Helpful Customer Reviews
65 of 70 people found the following review helpful
3.0 out of 5 stars Not bad, but too over-the-top June 10, 2007
Format:Paperback|Amazon Verified Purchase
This book has it's uses. It is organized by the age of the model, and varies from 20 to 83, both male and female. The pictures are clear and usable, and I was pleased that they were large enough to work with. Note that these are head-shots only. Then at the end of the book, there is a brief section on "sequential poses" which basically gives you some still frames in transitions between for example a happy and sad face. There is also a few pages on models speaking the phonemes if you need to do morphing.

The problem that I have with this book though is that, like others mentioned, WAY too many of the expressions are these really outrageous over-the-top kinds of things. I guess you could best describe them as "silly". If you are doing some type of animated cartoon or something, these might actually be real useful. But for any other use they are not nearly as much help as they could be.

For comparison's sake, I also have "The Artist's Complete Guide To Facial Expression" which I feel is a little more useful. It is organized by expression, and contains a lot of discussion about each one. The weakness of that book though is that it doesn't have near as much reference material (i.e. pictures) as this book, but at least the ones it does have are in general more useful.
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19 of 19 people found the following review helpful
5.0 out of 5 stars All the facial reference you need in one book May 5, 2005
Format:Paperback
Capturing a person's expression is often the key to a successful illustration. Sometimes you have to translate your own features from a reflection and apply them to the face you're drawing. This book alleviates a lot of guesswork and opens up scores of options with the variety of kinds of faces included, the range of distrortion the models allow, and the multitude of angles from which we see the faces. What's great about the collection is it isn't just faces, it's the other details that can sometimes present challenges, from hairstyles to types of shirts and collars, to a specific section devoted to various hats and headgear. All these seemingly obvious things are necessary to include at one time or another, and can present challenges to an artist. Just a sliver of the possible interpretations are included in the book as well, as several artists have contributed sketches based on the actual photos you see. Caricatures, animal characters, sculptures, it goes on and on.

I see this as one of the few staple books for any artist to keep on their shelf, that covers a broad ground within a single volume.
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18 of 18 people found the following review helpful
Format:Paperback
This is currently the best and most cost-effective photo reference for heads, features, faces, expressions, angles, and different ethnicities, genders, and ages available today *in-print*. A great price & above-average quality- it's pretty easily worth getting. See also his 2nd book: Babies to Teens.

Some ideas for next edition- mainly my own preferences: more younger models- less older; white pages with white backgrounds- instead of grey pages with black backgrounds; get rid of the skull sections; get rid of the 'art inspired by' amateur art; get rid of the sequential expressions section; expand the kissing section- younger models please; and give us more of the model on pages 234-235! :)

Some of the criticisms here by others really amaze me(!). This is the *only* book of its kind available today- there's simply no competition. Sure, other photo references exist, but none with this specific content. Where else can we find so many expressions, ethnicities, and extreme angles of view? This is a tremendous help in learning to draw heads from memory. Combine this with some of the better how-to-draw type books, and it's hard to find a better value these days. Photo-reference books can sometimes be expensive!

It's unfortunate but true: some of the *greatest* photo reference books ever created seemed to quickly go out of print. Sometimes they popped back into print; sometimes they didn't. The Illustrator's Figure Reference Manual series is a great example of this, as is the Elte Shuppan Pose File series (currently a 9-volume series). Awareness seems key to their survival. It's just a simple reality: these books are intended for a very special & specific audience, and if demand for these books fades, even for the briefest of times, these books go out-of-print & then often become extremely expensive to get. I've written a few reviews for these out-of-print books, but happily *this* book is still available today. Get it while it's in-print!

Also recommended: Andrew Loomis' Drawing: The Head; George Bridgman's Constructive Anatomy & Heads, Features and Faces; Jack Hamm's Drawing the Head and Figure; Burne Hogarth's Dynamic Anatomy & Drawing the Human Head; and even How to Draw Comics the Marvel Way. Check 'em out!
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Most Recent Customer Reviews
5.0 out of 5 stars Very helpfull!
I saw this book months ago and one day I decided to buy it wondering if it would be a right choice. Well, I wasn't wrong. It's a great book.
Published 4 days ago by Lucas Ordońez
5.0 out of 5 stars Great.
This is a awesome book. I use it often when I draw. Have every expression an artist would need. Highly recommend this book.
Published 10 days ago by Amy P
3.0 out of 5 stars good references
nice variation with gender, race, and age.
contains alot of facial expressions. love the different angles and povs. Read more
Published 29 days ago by trapped
1.0 out of 5 stars Not nearly as usful as I hoped.
I was hoping this book would be useful in helping me in my art studies on the human form, however, I was dissapointed in it shortly after purchasing it. Read more
Published 1 month ago by Karl Denton
5.0 out of 5 stars Great photo references
This gives a good basis in photo references of facial expressions. the title says it all.
It is good that there are models of different races
Published 2 months ago by officer_m
5.0 out of 5 stars Definately helps
I like that I can look up most facial features and angles, directions etc when I'm
working on a project.
Published 2 months ago by Joy
3.0 out of 5 stars Great idea, but...
The book is a great idea in terms of being a great source of different facial expressions of the same face, but the photographic quality is lacking. Read more
Published 3 months ago by D. Banks
5.0 out of 5 stars Gave it as a gift. He loved it!
My cousin has taken a real interest in drawing, and while he has a natural talent and can draw incredibly lifelike figures, we thought this would be useful for him because it shows... Read more
Published 3 months ago by amlouis
5.0 out of 5 stars Through the whole book in a few hours
I was so excited to get this as a gift, I read the whole thing in a few hours. As an animator, this is a great resource for facial sculpting, preparing for lip-sync, and just... Read more
Published 4 months ago by E. Cardella
3.0 out of 5 stars Vale a compra
Muitas expressőes, algumas um pouco repetitivas, mas vale a pena como referencial. A variedade de tipos faciais é bem grande.
Published 4 months ago by Alex Genaro
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