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Factory Records: The Complete Graphic Album
 
 
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Factory Records: The Complete Graphic Album [Hardcover]

Matthew Robertson (Author)
5.0 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

November 30, 2006
A creative juggernaut of the post-punk era, Factory Records was the catalyst behind the U.K. music explosion of the late '70s through the '90s with groups like Joy Division (soon to be the subject of an Anton Corbijn movie), New Order, and Happy Mondays leading the New Wave. At Factory, musicians and designers commingled creatively, with innovators such as Peter Saville, Den Kelly, Mark Farrow, 8VO, and Barbara Kruger elevating album covers to a new art form. The label broke further ground when it opened its own disco, the legendary Hacienda. Factory Records is the ultimate and only collection of Factory's complete graphic output, including every single piece it produced: extremely rare record sleeves, club flyers, and posters all gathered together for the first time. A must for collectors and enthusiasts, Matthew Robertson's meticulous compilation of underground ephemera is poised to introduce a new generation of music and design fans to the creative genius of Factory.


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About the Author

Originally from Australia, Matthew Robertson works as a designer in Bath, England. His personal collection of Factory items includes a number of rare pieces, and he works alongside several former Factory artists.

Product Details

  • Hardcover: 224 pages
  • Publisher: Chronicle Books (November 30, 2006)
  • Language: English
  • ISBN-10: 0811856763
  • ISBN-13: 978-0811856768
  • Product Dimensions: 11.5 x 10 x 1.1 inches
  • Shipping Weight: 3.8 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #2,090,513 in Books (See Top 100 in Books)

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Average Customer Review
5.0 out of 5 stars (9 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Beautiful, December 25, 2006
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This review is from: Factory Records: The Complete Graphic Album (Hardcover)
I just received this book for Christmas and I can't put it down. Even if you have a passing knowledge of the label and its artists you will enjoy this work. The mythology of the company and its catalog system is represented by stunning images and impeccable design. One strange thing stands out however, in my copy some of the captions are in French. This is a little annoying because I can't read French. Oh well, c'est la vie.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars There's Only This..., January 15, 2007
This review is from: Factory Records: The Complete Graphic Album (Hardcover)
This is a magnificent time machine. There are a lot of labels people loved - Stiff, sst, etc. My favorite was Factory. With only a few exceptions, the music coming out on this label defined English music in the Eighties. "Love Will Tear Us Apart" was unquestionably the song of the year in 1980 for instance. But what made the music even more evocative was the artwork along with it. The famous Joy Division covers, and the mighty "Power, Corruption, and Lies" are just a few examples. Thanks to New Order I learned who Fantin-Latour was, they skipped over him in my art history classes. I collected all the albums and 12 inch 45s. I especially liked A Certain Ratio, after I saw them at Danceteria in 1982 (I think that was the year). Where is the vinyl of yesteryear? The music is all on cd, but those tiny covers just dont do justice to the art. Here is all the glory in one beautiful package. If only I had made it to the Hacienda back in the day...
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7 of 8 people found the following review helpful:
5.0 out of 5 stars A fine choice not just for contemporary music libraries but for art library holdings strong in graphic arts representations., March 5, 2007
FACTORY RECORDS: THE COMPLETE GRAPHIC ALBUM could have been featured in our Music Shelf area but is profiled here for its artistic visual inspection of one British music label's eye-catching covers and productions. Notes for each production outline the varying graphic design choices which made the albums notable and different, making this a fine choice not just for contemporary music libraries but for art library holdings strong in graphic arts representations.
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