Henry Chinaski, an outcast, a loner and a hopeless dunk, drifts around America form one dead-end job to another, from one woman to another and from one bottle to the next. Uncompromising, gritty, hilarious and confessional in turn, his downward spiral is peppered with black humour. Factotum follows Charles Bukowski's bestselling Post Office, his highly autobiographical first novel. Bukowski's Beat Generation writing reflects his slum upbringing, his succession of menial jobs and his experience of low life urban America. He died in 1994 and is widely acknowledged as one of the most distinctive writers of the last fifty years.
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About the Author
Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.
--This text refers to an alternate Paperback edition.
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More About the Author
Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp (1994).
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Most Helpful Customer Reviews
50 of 56 people found the following review helpful:
4.0 out of 5 stars
Chinaski's odyssey,
This review is from: Factotum (Paperback)
"Factotum," the novel by Charles Bukowski, describes the wanderings of aspiring writer Henry Chinaski across the United States during the World War II era. Categorized as "4-F," Chinaski doesn't serve in the military and instead wanders from city to city, from one odd job to another. Along the way Bukowski describes his run-ins with the police, his sexual adventures, and his drinking.I found "Factotum" to be episodic and to lack the focus and impact of Bukowski's excellent novel "Post Office," also featuring Chinaski. But "Factotum" is still a good read with some really stunning passages. Bukowski seems to be deromanticizing the "myth of the starving artist," which he calls a "hoax," in this book. I only wish that "Factotum" featured more about Chinaski's vocation as a writer; I found the parts of the book that focused on his identity as a writer to be the most interesting parts. "Factotum" is particularly interesting in its context as a novel of the World War II era which deals with the U.S. homefront, but in an entirely unromantic and detached way. Bukowski's prose is often quite vivid; one encounter with a rather scary prostitute is a particular gem of Bukowski's raw, in-your-face style. Overall, a solid work by one of America's most distinctive writers.
41 of 46 people found the following review helpful:
5.0 out of 5 stars
one of Bukowski's best,
By
This review is from: Factotum (Paperback)
The quality of Bukowski's poetry is questionable. His short stories are very sharp, very desperate, very amused. Tthe short stories are what Bukowski did best, while his novels are of very uneven quality.
This said, the three novels of Bukowski's trilogy (Factotum, Post Office, Women) are his best novels and factotum is the best of the three. Women was written and published in the late 1970s when Bukowski or his alter ego Henry Chinaski was already an establihsed professional writer. Post Office covers the years in which he Bukowski had a sort of regular job and regular life. Factotum is the story of the young Bukowski, the Bukowski that was rolling from a job to another, from a town to another, from a woman to another, in an impressive collections of failures--failed jobs, failed relationships, failed everything all told with a considerable amount of irony. It's a very interesting read, to say the least. Five stars.
16 of 17 people found the following review helpful:
5.0 out of 5 stars
an enjoyable and intelligent read,
This review is from: Factotum (Paperback)
This is the third book of Bukowski's that i have read (the first two were "Post Office" and "Hollywood") and thus far it is my favorite. This book is composed of a series of short passages, 87 total. This book is mostly about Henry Chinaski (meaning, for the most part, Charles Bukowski) drinking, having sex with women who drink, and moving from job to job. I dont know how many jobs Chinaski has in this book, but he often holds them only long enough for a single one-page section. If there is any unity in terms of story and plot in this book, it is found in the women, such as Jan and Laura, who manage to stay in Chinaski's life for a few jobs; the women serve to string together the sections. More significant than any plot are the various interwoven themes that Bukowski deals with, such as futility, solitary existence, and death (all themes that might lead us to link Bukowski with existentialist philosophy). These ideas (among others) are all related, and also related to the ways in which they are expressed, namely, through alcohol, cheap sex, disgust towards humanity, and peacefulness in the strangest situations-- and of course, Henry Chinaski's inability to hold a job or even have any desire to do so. On one hand, this book is a quick and light read; on the other hand, a close read that keeps in mind the interplay between the different themes involved truly exposes the genius of Bukowski. Overall, this is a book that for the most part ends where it begins (it begins with Chinaki arriving in New Orleans and "looking for the poor section" and ends in a go-go bar, with Chinaski holding his last 38 cents), but this circularity, i find, is intimate to the theme of futility: why go anywhere? why do anything? As Bukowski writes in the movie "Barfly", "Who made up this rule that everybody has to 'be somebody'?" Chinaski doesn't refuse to "be somebody" (remember, he has a great will to write), but he refuses to do it in terms set by other people; he refuses to define himself in terms of occupation, and other surface illusions--as to be somebody in such a way, he finds, is far too confining. On a side note, it seems as if Bukowski lifted a lot of material from this book when writing the script for "Barfly," as Laura becomes Wanda in the film and both the book and the film have Wilbur, among other similarities. Overall, this is a fine book that is both an enjoyable read and constantly impresses the reader with clever insights into what we often take as ordinary.
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