Resume your study of the Faery Realm in part II of the Faery Wicca Series. Deepen your focus on the tradition's shamanic practices as you release your inner teacher, undergo the ritual of rebirth, explore methods of meditation, including shapeshifting and seership, and enter the realm of transformation. Your experience culminates in the Land of Faery, where you meet the Faery King and Queen!
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About the Author
Kisma K. Stepanich was born July 4, 1958, in Southern California. She has been actively involved in the Goddess community since the early 1980s. Kisma founded Women Spirit Rising of Costa Mesa, a woman's organization that provides ongoing New and Full Moon ceremonies, monthly Goddess mythology circles, seasonal celebrations and women's spirituality workshops. Of Irish and Romanian descent, Kisma Proudly claims her European heritage. Having studied and undergone initiation in the Celtic and Faery traditions, she turned her focus to the native traditions of America and has studied and undergone initiation with several Shamans of Native American traditions. Kisma works toward integrating all indigenous traditions and worldwide Goddess cultures into one unified Earth tradition which she calls the Gaia Tradition.
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Most Helpful Customer Reviews
10 of 12 people found the following review helpful:
1.0 out of 5 stars
This book is a fake!,
By A Customer
This review is from: Faery Wicca, Book 2: The Shamanic Practices of the Cunning Arts (The Ancient Oral Faery Tradition of Ireland) (Paperback)
Check out the word-for-word similarity with this book and "The Fairy Faith in Celtic Countries" by Evans-Wentz, or "Earthlight" by RJ Stewart. And what's even worse is that these and many other authors are not even credited in the book! The author presents this material as her own.
4 of 4 people found the following review helpful:
1.0 out of 5 stars
Dishonest presentation,
By
Amazon Verified Purchase(What's this?)
This review is from: Faery Wicca, Book 2: The Shamanic Practices of the Cunning Arts (The Ancient Oral Faery Tradition of Ireland) (Paperback)
This book is not one I recommend, even used. As with the first book some of her information is simply wrong, such as her assertion that Cu Chulain was a shapeshifter who could take on the form of a wolf, hound, eel or bird, and her confusion of the Daghda with his harp. This occurs in that same section where she states he could take the form of a harp whose playing changed the seasons. In reality it was one of his famed possessions, not himself - in point of fact in one tale it is stolen and he must go with Ogma to reclaim it which would be rather difficult if he and it were one and the same. Those details aside though my biggest issue with this book is that the author takes Christian charms from the Carmina Gadelica, Vol. I & II: Hymns and Incantations (Forgotten Books), alters them slightly to be more appropriate for her "faery Wicca" by changing references to God and Jesus to Danu, and calls them traditional faery Wicca charms, without ever citing the real source she is drawing on. Not only is this misleading to people reading the book who are not familiar with the source material, but it is unfair to the source material itself to fail to credit it. Her faery faith is not old or traditional - it is clearly her own invention based off of altering genuine traditional material without ever admitting that is what she is doing. If you want to practice faery faith magic just read the Gadelica for yourself - you can rewrite the charms your own way and know where they came from.
14 of 19 people found the following review helpful:
5.0 out of 5 stars
Spiritual practices,
By "anolddruid" (Bostan) - See all my reviews
This review is from: Faery Wicca, Book 2: The Shamanic Practices of the Cunning Arts (The Ancient Oral Faery Tradition of Ireland) (Paperback)
As an Irish gent recently relocated to Boston, and having come across the works by the Irish-American author, Ms. Stepanich, I must say that I find her understanding of Irish mysticism to be quite enchanting. I took the time to read the reviews below and found it quite interesting that many of them sounded as if they were written by the same person and that that person just might be one of the other "authors" so favorably highlighted. Such a shame to attempt to slaunder one individual to stroke your own ego! Makes for bad business. My end comment: a lovely spiritual practice is presented in this book and the first one. As an old druid I must say, she has got her finger on the pulse of the Faery more accurately than any other contemporary author.
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