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Fahrenheit 9/11

1,995 customer reviews

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Editorial Reviews

One of the most provocative films of all time, from one of the most provocative filmmakers of all time. FAHRENHEIT 9/11 is a searing examination of the role played by greed and oil in the wake of the tragic events of 9/11. Special Features: Featurettes, E

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Product Details

  • Actors: Michael Moore, George W. Bush, Ben Affleck, Stevie Wonder, James Baker III
  • Directors: Michael Moore
  • Writers: Michael Moore
  • Producers: Agnès Mentre, Anne Moore, Bob Weinstein, Carl Deal, Harvey Weinstein
  • Format: Multiple Formats, Closed-captioned, Color, NTSC, Widescreen
  • Language: Arabic, English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Weinstein Company
  • DVD Release Date: July 3, 2007
  • Run Time: 122 minutes
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (1,995 customer reviews)
  • ASIN: B000SINT52
  • Amazon Best Sellers Rank: #13,359 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Fahrenheit 9/11" on IMDb

Customer Reviews

Most Helpful Customer Reviews

86 of 98 people found the following review helpful By McCthulhu on October 7, 2004
Format: DVD
Firstly, I am not from the US. It seems to have become a hobby of Americans to wear their politics rather vocally on their sleeves. Looking up info about his film, if you're any kind of regular net-surfer, you will likely have seen verbal volleys directed back and forth between democratic supporters and republican supporters. What ends up happening is the equivalent of an elementary school name-calling contest rather than any discussion of the film as is. Yes, there are parts of this movie presented out of context. One example: When the Taliban visit Texas in this film, they were there by invitation from the Clinton administration, even though Bush is Texas governor. However, what works in this film is seeing a result of one presidential administration's decisions (and indecisions in one almost tragically comical scene) and its effects on people in two countries. The interspersal of Lila Lipscomb's patriotism to outrage to utter sadness are the most moving parts of this film. Seeing the effects of the war on those who were on the front lines and discovering what is never mentioned on US newscasts is a powerful series of images. The interviews with shell-shocked, amputee soldiers in rehab are frightening to behold, knowing that there are what is nearing 10,000 of these men returning to the USA, and to what kind of reception? Seeing Moore on the streets of DC telling members of congress to sign their adult children up for military service is hilarious to watch, especially seeing the reactions of the congressmen.

For me, all of these changes in mood, from disbelief, to horror, to unbounded laughter are what make this a 4 star film. Taking it in context of just a theater goer, and not a potential voter, make me agree with why this film won the Palm d'Or at the Cannes Festival. There are powerful messages here, despite personal politics and should be seen by anyone who is a citizen of this planet, not just the US.
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115 of 134 people found the following review helpful By S Hanes on September 23, 2004
Format: DVD
There are many memorable images in Farenheit 9/11, Bush reading "my pet goat" after the second plane hit, the wailing Iraqi mother who lost her family, Gore and Deniro partying after the Democrats short lived win - but the one that really sticks in my mind and manages to sums it all up succinctly is the elderly woman at the bingo hall who saw through the tainted slant of the media and the ever shifting reasons for invading Iraq and exclaims with toal contempt "we were duped"! Its an epiphany many of us are waking up to now, thanks to a fat white guy who currently happens to be more dispised by the religious right then Marylyn Manson or Anton Levay.

To hear it from the naysayers, Michael Moore stands in front of a camera for 2 hours launching vicious slander against righteous George. The truth of the matter is we almost never see Moore, Bush himself is the "star" of Fanrenheit 9/11 and whatever opinion the audience ends up drawing, it is based on Bush's own words and actions. The religious right has us so transfixed we find ourselves saying things like "even if the movie is only 90% true..." Well i went through the exhaustive reference material available on [...] and every assertion, every statement has been published somewhere before in the mainstream media based on traceable data. Unfortunately with just 5 guys controlling this information an article about the White house flying the Bin Laden family back to Saudi Arabia where 15 of the hijackers originated came from quickly dissapears from print and funnily enough is NOT the lead story on FOX news, I wonder why.

Moore plays his cards just right, I have watched this film with several groups of republican voters and fundamentalist Christians who would typically vote for George the anti-choice pro descrimination conservative.
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29 of 32 people found the following review helpful By Maddi Hausmann Sojourner on July 15, 2004
Why are we being told about terror alerts, over and over? Why are they constantly on the news stations with the time and the newscrawl? What purpose do they serve? Does it make sense to ban toenail clippers on airplanes but allow butane lighters and matches? Someone in a state of fear will agree to almost anything; someone in a state of fear told to do two contradictory things will just give up. Cheney tells us to be on the alert, Bush tells us to go shopping. So the American public is terrorized, but it isn't by who you think. And that's one of the many things Michael Moore reminds us in Fahrenheit 9/11.
There is little here that hasn't been said, yet this may be the most important film of the year. What Moore has done is skillfully weave a funny, tragic, and shocking tale out of a complicated series of claims and counterclaims. Beginning with the 2000 election and the complete rollover of the Democrats during what was a silent coup, Moore reminds the viewer of everything that happened if only we had paid attention and gotten angry instead of fearful.
There are two kinds of people who watch films like these: those who go in already agreeing with Moore, and those who haven't made their minds up. (The third type, the ones who already "know "this film is full of bias, lies, and distortions, won't bother watching it at all.
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Many of Mr. Moore's points are quite straightforward. But...
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