From Publishers Weekly
With an eye-catching title and an introductory chapter in which academic and freelance writer Gidding (
The Old Girl) promises "a case study, written by the case itself" in failure, this seems at first to be something more than a typical autobiography. But what Gidding actually delivers is an unrelentingly depressing account of his many self-proclaimed failures, each given its own excruciatingly detailed chapter, beginning with "The Failure of My Childhood," in which he bemoans his failure "to have an 'authentic childhood' " growing up in "privileged" Pacific Palisades, Calif. His other self-flagellations include admitting shame at not being admitted into Harvard; arguing that he never published a second novel because the writing and selling was "all too easy"; and halfheartedly claiming that his current "academic mediocrity" is really the stance of an "anti-academic academic." The only bright light in his story is his loving wife, Diane, who puts up with Gidding even as she is dying of cancer. But Gidding's confessional turns from tedious to annoying after he admits to being a "virtual adulterer" during her illness by flirting with an old girlfriend through instant messages, and then blames his actions on the "sexual possibilities" of the Internet.
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Review
"Outing himself as a failure, Gidding outs all of us. But what a pleasure it is." —Sven Birkerts, Briggs-Copeland Lecturer, Harvard University, and author, The Gutenberg Elegies
"This is that rarest of original productions: a book that opens its heart to us so we may understand our own." —James R. Kincaid, professor of English, University of Southern California, and coauthor, A History of the African American People by Strom Thurmond, as told to Percival Everett and James Kincaid (A Novel)
"Gidding writes with extraordinary wit and style. . . . All should hasten to read this book." —Peter Stansky, professor of history, Stanford University, and author, On or About December 1910: Early Bloomsbury and its Intimate World
"Witty, humorous, insightful, ironic, ingenious, self-indulgent, probing, sad, and always well-written." —Richard E. Matlak, professor of English, Holy Cross, and author, The Poetry of Relationship: The Wordsworths and Coleridge, 1797-1800
"An extraordinary work, a book for our time and place—it's quintessentially American." —Jerome McGann, professor of English, University of Virginia, and author, The Scholar's Art: Literary Studies in a Managed World
"This is a brave, large book." —Peter J. Manning, professor of English, Stony Brook University, and author, Reading Romantics: Texts and Contexts
"Insightful, raw, and at times tortured, forcing readers to contemplate what constitutes failure in their own lives. Recommended." —Library Journal
"It's so good, it's flirting with greatness." —The Boston Globe