11 of 12 people found the following review helpful:
5.0 out of 5 stars
My first T. Medeiros, not my last, April 26, 2000
By A Customer
I enjoyed this book immensely. Holly a beauty refuses marriage proposals from countless suitors. Her father decides to host a tournament where the bravest and strongest will have her for his bride. Holly, together with her nurse, concocts a scheme to make her completely undesirable. After her father introduces her to the crowd, many would be fighters leave and only two are willing to fight for her. Austyn of Gavenmore and Euguene 'something' (This guy's a jerk. Therefore, I didn't bother to remember his name) Austyn feels beautiful women are a curse to Gavenmore men so he doesn't care that she is ugly. He is interested in the large dowry that comes with her to restore his castle and pay back debt created by his ancestors. I'm not giving anything away here when I say he wins, that is obvious. She decides to continue hiding her beauty hoping he will leave her alone as she has heard terrible things about the consummation of the marriage. A woman with outer beauty (albeit hidden) attempts to win her man's love via inner beauty, her heart. It is a wonderful story. The ending is much better than I had hoped for.
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17 of 22 people found the following review helpful:
3.0 out of 5 stars
Sure I believe in recycling, but this is ridiculous!, July 30, 2004
I bought two Teresa Medeiros books-- this one and 'The Bride and the Beast'. I read 'Bride' first, then this one, and was left with the conclusion that I may as well have just saved my money and read 'Bride' twice, since the plotlines of both were so similar! How many times can Ms Medeiros use these same twists in her stories-- the mad father, the woman locked in the tower, the man being a beast, etc.-- before she grows weary of recycling the same tired old plots? Don't get me wrong, Ms Medeiros is not a bad author. Sometimes her writing really grabs me, and several times I've caught myself laughing out loud at her witty japes. But there's not enough of this sparkling gold to outshine the dross and repitition, and I was left with that same feeling I experienced upon watching the first series of '24' on tv-- you know the one, when you wonder just how many times per episode the wife and daughter can get kidnapped! If Ms Medeiros can come up with some original plotlines (and stop using the word 'twas so often, which really got on my nerves by the thousandth repitition)and use a little more realism (you have to suspend logic rather too often whilst reading her books)then I think she'll be a really good writer. Until then, though, I wouldn't recommend her work very highly, unless you're really bored, or you fear change and enjoy the claustrophobic comfort of things always staying the same! More specifically, though, I wouldn't recommend her books if you have a problem with Stockholm Syndrome being used as a plot point, because it seems that the more the gals in Ms Medeiros's books get locked up and treated horribly, the more they fall in love with their men. This author seems very fond of the 'treat 'em mean, keep 'em keen' theory. If you find battered wives romantic, then this is for you!
However, if you want a gripping romance with decent plotlines about an intriguing hidden beauty, I would recommend Shana Abe's 'The Secret Swan' instead of this.
I initially gravitated towards this book because I'm a fan of fairytales written for adults. However, this oft-times disturbing tome is no fairytale! (Or not one of the happier ones, anyway.) Don't let the pleasant, benign, even witty beginning of the book convince you otherwise--it gets worse, fast. And don't think that it's full of fairytale magic and wonder, either, even though some reviews of the book give that impression. Other than the fairly ludicrous subplot about one of the 'hero' Austyn's forebears having had a failed romance with a fairy woman, who then cursed him and his male descendants throughout successive generations to hurt the women they loved, this is not a magical story set in any enchanted fairytale world. (Actually, to me the fairy's curse seemed like a weird, illogical thing--as an aggrieved woman herself, surely she would not want other women to suffer as she did, but rather would seek to hurt only the menfolk involved! To that end, cursing the men with something else, like ugliness, exceptionally bad body odour or heriditary gout, would have made far more sense than enacting a curse that doomed WOMEN!)
Another fault with this book is that it doesn't seem very historically accurate--in spite of the fact that it is supposed to be set in England in 1325, it really could have occurred in any other time or place. This author seems very lazy with her research and narrative: there is no real evidence in the book that the characters lived in 'ye olde England'--not in their speech, their manner or their lifestyles. Even worse, though, is the fact that the author tries to convince us that Austyn is Welsh. Shyeah, right, he's Welsh--about as Welsh as Coca Cola or koalas. If he's Welsh then I'm a Martian!
I'm usually quite a forgiving critic if I can see that the author at least had good intentions and gave it a damned good try. I'll even suspend logic on occasion, so long as I'm intrigued or well entertained by the storyline. But there's no forgiving this! It's lazily written, unrealistic, duplicitious of the author's other books, and expects us to believe that a woman will fall in love with a man who not only torments and humiliates her repeatedly, but then also imprisons and practically rapes her too. (Most of the sex scenes take part when the heroine is taken prisoner against her will by the hero!) If this were the subject of a text book about psychology then it might make compelling reading, lending us an insightful, heart-wrenching glimpse into why women stay with abusive partners. But this is supposed to be a light-hearted romance. A ROMANCE, goddammit! Forgive me if I didn't really find this book romantic. I'm just not that dumb.
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