Falling Man: A Novel [Paperback]

Don Delillo (Author)

Product Details

• Paperback: 256 pages
• Publisher: Scribner (2008)
• Language: English
• ISBN-10: 033045224X
• ISBN-13: 978-0330452243
• Product Dimensions: 7.7 x 5.1 x 0.9 inches
• Shipping Weight: 7.8 ounces
• Average Customer Review: 3.2 out of 5 stars  See all reviews (94 customer reviews)
• Amazon Best Sellers Rank: #3,016,851 in Books (See Top 100 in Books)

More About the Author

Don DeLillo is the author of fourteen novels, including Falling Man, Libra and White Noise, and three plays. He has won the National Book Award, the PEN/Faulkner Award for Fiction and the Jerusalem Prize. In 2006, Underworld was named one of the three best novels of the last twenty-five years by The New York Times Book Review, and in 2000 it won the William Dean Howells Medal of the American Academy of Arts and Letters for the most distinguished work of fiction of the past five years.

Customer Reviews

Most Helpful Customer Reviews

44 of 47 people found the following review helpful:

5.0 out of 5 stars The Transience of Consciousness and Identity, June 12, 2007

By 

Ryan P. Dowd (Silver Spring, MD United States) - See all my reviews
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This review is from: Falling Man: A Novel (Hardcover)

There exists an event in each of our pasts that haunts all of our potential futures. "Falling Man" explores one such event that we are all connected to, some directly (like those in the Towers or in NYC or DC or in an airport, etc.) and others who experienced it on television, in the papers, on the radio. We all have individual memories of what happened, where we were, how it affected us. Yet we continually share the experience repetitively through a collective memory comprised of images on TV, photographs of the planes striking the towers, overheard conversations in restaurants or subways, images of the pristine towers in a longshot from an older movie or television program, etc. In some ways the events of 9/11 define us as individuals and in some ways the events define us all.

This book made me think about myself in ways that few books do. I didn't so much imagine "walking in the shoes" of the characters so much as I thoughtfully considered their actions and reactions in search of some understanding, or empathy. Actions and behaviors that would otherwise appear selfish, Delillo exposes as superficial manifestations of penetrating emotional wounds. It is not always our actions that define who we "are," but rather the events in our lives that shape the consciousness and identity from which our actions result. In "Falling Man", Lianne is not obsessed with the degradation of her own memories (or potential onset of Alzheimer's) as one could conclude. Instead, Delillo gives us the opportunity to see Lianne as a woman traumatized by her father's suicide, which had been prompted by a seemingly rapid onset of Alzheimer's while Lianne was in college. Likewise, Keith's experience of having been in the South Tower when it was first struck altered his sense of self and the life he was choosing to live. Delillo allows for no moral judgments to be made against his characters, or against us by proxy. Instead we delicately observe the frailty of the human condition. Delillo shows that at our best, we are all simply walking on a path, unable to know if it is the right one. There is no proof of salvation, just a set of possible outcomes, some expected and foreseeable, and others that are not.

Other reviewers have wondered why the plot seemed to be missing from this novel (not an ignorant question on its face). To those with similarly open questions I ask this, if someone was writing the story of your life or mine, what would the plot be? In this novel the plot is of little significance. What is important are the themes and how they are interwoven, like memories forming a consciousness. Delillo explores the subtleties between understanding and faith, memory and history, realities and fictions, and how there are few, if any, certainties.

Reality and fiction, history and memory, the differences between each is a matter of perspective. How is it that two people witnessing the same event often present completely different versions of what happened, yet genuinely believe they are themselves correct? Just as many believe accepting Christ is the path to salvation, the Koran professes that it is the one book of truth. These issues are irresolvable; it is impossible to know in this life which, if any path, is correct.

Again, in this life we are all looking for "the" right path, at least those of us with a choice. Just like the people in the Towers when they were attacked, those lucky enough to try an escape could have either walked up or down the stairs, a choice that ended up being one of life and one of death. Others, trapped above the fires, faced a much deeper dilemma and had to choose between two types of death. Those who survived are left with ever-fading memories and the burden of knowing that it was nothing more than chance that kept them alive; except for those who attribute their survival to some divine intervention without explaining why others were then "selected" to die.

There is no way to understand how another would feel after making a choice that ends up being, in hindsight, one between life and death. Even more impossible would be to predict how someone should react in the aftermath. Delillo captures the essence of these experiences, both the personal experience and the one that we all share. In the end we are left with a beautiful story which reflects our own set of moral and spiritual ambiguities, our lost and faded memories, and our shared version of these events that altered the course of history.

46 of 50 people found the following review helpful:

5.0 out of 5 stars DeLillo in Context, June 10, 2007

By 

Ryan Silberstein - See all my reviews
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This review is from: Falling Man: A Novel (Hardcover)

I enjoyed this book very much, having enjoyed some of Don DeLillo's other novels. A couple things to know about this book:

1. This is not mainstream fiction. DeLillo uses his own conventions and the conventions of postmodern fiction to great extent.

2. This novel is not primarily a retelling of the events of 9/11. Rather, it is an exploration of the mindset of New Yorkers (and one European) after 9/11, how this particular watershed event changed people's worldview.

3. This is not a political work. It does not seek to espouse any political point of view.

That being said, I very much liked this book. I found it very chilling at some points, and difficult to read. I found myself dealing with emotions I had not felt since the days just after 9/11 (deftly referred to in the novel as 'since the planes'), and an exploration much different from the film United 93.

I did feel some of the characters were hollow, but that is kind of typical of DeLillo's storytelling style. Characters in DeLillo works tend to be people to whom things happen, reactors as opposed to actors. I felt that this helped enhance the feelings of some of the characters in this work, accentuating the helplessness and fear I know I certainly felt in the wake of 9/11.

While the book does deal directly with the events of 9/11 (those were some of the most emotionally difficult to read), it is primarily an exploration of the 'post-9/11' world. In this, I feel it succeeds, and is a brilliant work.

38 of 44 people found the following review helpful:

3.0 out of 5 stars Vaguely dissatisfying, June 26, 2007

By 

J. Grattan "Ideas can move the world" (Lawrenceville, GA USA) - See all my reviews
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This review is from: Falling Man: A Novel (Hardcover)

This novel is a rather halting and not very satisfying attempt to capture the impact of 9/11 on immediate survivors and their families. Keith Neudecker, a lawyer on an upper floor of the first tower, covered in soot and blood inexplicably finds his way to his estranged wife Lianne's door. Whatever their differences, apparently grateful for his survival, all seems to be forgiven as Keith is allowed to recover at his own pace with no demands placed. Their precocious yet reticent son Justin is engaged in a never understood game with the Siblings, brother and sister neighbors, looking for Bill Lawton, aka Bin Laden. In addition, Lianne makes regular treks to her art professor mother Nina's apartment where she also engages with her mother's secretive art collector lover Martin.

The book consists of rapidly shifting, mostly short, disconnected scenarios involving these characters. The book in essence mirrors the disorientation undoubtedly felt by those who endured the 9/11 catastrophe. Whether intentional or not, the characters exhibit limited emotional range, unable to fully engage with life. One exception is the intimate connection that Keith makes with fellow survivor Florence when he returns her briefcase, which inadvertently wound up in his hands as he stumbled down the stairs of the tower, a week later, though he had not known her pre 9/11. The device of interspersing a "falling man," mimicking those who were forced to jump from the towers, jumping from structures in full public view with a concealed harness to stop his fall is unnecessary.

Overall the book, the story, and the characters are lacking in capturing post 9/11 life. Keith becomes ever more detached as he winds up living a reduced life playing five-card stud in Las Vegas with the pretence of maintaining a relationship with his wife and son. Given the backdrop of 9/11, the expectation is for a fuller, more meaningful account. As it is, life is excessively bleak in the author's post 9/11 world.