From Publishers Weekly
At the start of journalist Sampson's smooth debut novel, Robin Ballantyne, a single mother of infant twins, sees a neighbor she knows by sight plunge to her death from her South London mansion during a storm. Was it murder, suicide or an accident? Ballantyne is stunned to learn that the victim is none other than Paula Carmichael, a driven, charismatic gadfly, the social conscience of the United Kingdom. Ballantyne, a television producer on extended maternity leave, discovers that some of her colleagues, including the father of her children, had been filming a documentary about Carmichael that was abruptly, puzzlingly scuttled. When Ballantyne herself becomes a suspect in the mess after a second death, she traces the crimes to a halfway house in foggy, off-season Cornwall. The author gives scant attention to setting and the plot unfolds slowly at first, but about midway through, the pace picks up and the last quarter is a first-rate read. As the mother of young children, Ballantyne makes for an unusual sleuth: how many detectives need to first hire a babysitter before going out to save the world? Fans of Ayelet Waldman's Mommy-Track mystery series will want to check out this thriller.
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*Starred Review* Single mother Robin Ballantyne happens to be looking out the window of her London row house one rainy night when she sees a woman's body dropping from the sky, or, more accurately, the neighbor's roof. Robin's neighbor, Paula Carmichael, lies dead on the ground outside. After recounting the story to police, Robin is shocked to discover that she is a leading suspect, thanks to numerous mentions of her in the victim's diary and other circumstantial evidence. Robin hardly knew Paula, a renowned liberal activist, and yet Paula seemed to know Robin's every move. Why would such a famous woman virtually stalk a single mother? Could it have something to do with Robin's career in broadcast news? Is it a coincidence that Paula had worked with Robin's ex-husband? Sampson, a journalist living in Beijing, makes a grand entrance into the mystery genre with this stellar debut novel. The story is told in the first person, and Robin's narrative voice is immediately compelling. She is portrayed with humor, subtlety, and dead-on accuracy, first as a woman seeming to come apart at the seams and then as an inspiring modern heroine drawing on untapped inner strength to overcome both commonplace and extraordinary adversity. Remember Sampson's name; it's about to become an important one in crime fiction.
Mary Frances WilkensCopyright © American Library Association. All rights reserved
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