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False Impression [Audio CD]

Jeffrey Archer (Author), Byron Jennings (Narrator)
3.5 out of 5 stars  See all reviews (97 customer reviews)


Out of Print--Limited Availability.



Book Description

June 30, 2006
Why was an elegant lady brutally murdered the night before 9/11?
 
Why was a successful New York banker not surprised to receive a woman's left ear in the morning mail?
 
Why did a top Manhattan lawyer work only for one client, but never charge a fee?
 
Why did a young woman with a bright career steal a priceless Van Gogh painting?
Why was an Olympic gymnast paid a million dollars an assignment when she didn't have a bank account?
 
Why was an honors graduate working as a temporary secretary after inheriting a fortune?
 
Why was an English Countess ready to kill the banker, the lawyer and the gymnast even if it meant spending the rest of her life in jail?
 
Why was a Japanese steel magnate happy to hand over $50,000,000 to a woman he had only met once? 
 
Why was a senior FBI agent trying to work out the connection between these eight apparently innocent individuals?
 
All these questions are answered in Jeffrey Archer's latest novel, False Impression, but not before a breathtaking journey of twists and turns that will take readers from New York to London to Bucharest and on to Tokyo, and finally a sleepy English village, where the mystery of Van Gogh's last painting will finally be resolved.
 
And only then will readers discover that Van Gogh's Self-portrait with Bandaged Ear has a secret of its own that acts as the final twist in this unforgettable yarn.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

From Publishers Weekly

Even though Archer (Sons of Fortune) grounds his international art-thievery thriller in the events of 9/11, this leisurely paced, tepid effort has a musty feel. It's September 10, 2001, and Lady Victoria Wentworth is sitting in spacious Wentworth Hall considering the sad state of family fortunes when a female intruder slips in, slashes her throat and cuts off her ear. The next day in New York, art expert Anna Petrescu heads to her job as art wrangler for wealthy magnate Bryce Fenston of Fenston Finance. The pair's offices are in the Twin Towers, and when disaster strikes, each sees the tragedy as an opportunity to manipulate a transaction scheduled to transfer ownership of a legendary Van Gogh painting, Self-portrait with Bandaged Ear, from the Wentworth estate to the larcenous Fenston. The initially intriguing character, hit-woman and ex-gymnast Olga Krantz, turns out to be too lightweight, both physically and fictionally, to garner strong interest in anything other than her deadly skills with a kitchen knife. Lord Archer has been busy for the past five years or so serving half of a four-year prison sentence for perjury and writing a series of books about his prison experience; his first novel in seven years disappoints. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Archer's legion of fans have been waiting for seven years for his new thriller, and its success will probably depend on how well it sits with them. Some readers may sink right into the murderous plot involving--you guessed it--valuable works of art. Others may read several chapters, get the gist of the story and its characters (plucky heroine, on the run from homicidal financier, tries to keep Van Gogh's last painting out of his evil clutches), and think: for this, we waited? It's not a bad novel, if you don't mind a thriller that feels as though it was assembled from bits and pieces of other thrillers. Certainly Archer's writing skills have not deteriorated over the years, although they haven't improved, either. Some readers, too, may question the wisdom of using the 9/11 terrorist attacks on the World Trade Center as a plot point; this isn't a serious work about terrorism but, instead, simply uses the tragedy as a convenient narrative landmark. On the other hand, for those who found the appeal of The Da Vinci Code to be in its mix of art and conspiracy, this one certainly follows the formula. Expect some demand, but buy with care. David Pitt
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Audio CD
  • Language: English
  • ISBN-10: 1593978510
  • ISBN-13: 978-1593978518
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (97 customer reviews)

More About the Author

Jeffrey Archer was educated at Oxford University. He has served five years in Britain's House of Commons, fourteen years in the House of Lords and two in Her majesty's prisons, which spawned three volumes of highly acclaimed Prison Diaries. All of his novels and short story collections--including Kane and Abel, Sons of Fortune, and False Impression--have been international bestsellers. Archer is married with two children and lives in London and Cambridge.

 

Customer Reviews

97 Reviews
5 star:
 (31)
4 star:
 (25)
3 star:
 (14)
2 star:
 (15)
1 star:
 (12)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (97 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

35 of 36 people found the following review helpful:
3.0 out of 5 stars A bit pedestrian at times, December 4, 2006
Jeffrey Archer does two types of books. On the one hand he does the epic family thing, typically following a group of two or more people through their lives, observing their families, friendships, business triumphs and defeats, and loves and losses. Typically his characters in something like this are either business tycoons or politicians. On the other hand, he also does suspense novels, a sort of poor man's Ken Follett, with a writing style more on par with someone like Jack Higgins, though Archer's books are longer. False Impression falls into the latter category.

The plot centers around a millionaire art collector and megalomaniac who contrives to have people killed and wind up with their property without having to pay for it. He specializes in loaning money to people who have expensive art, and who won't be able to pay off their loans, especially not with the terms he negotiates. The book starts the day before 9/11/01, with him finalizing a "deal" that will bring him one of Van Gogh's self-portraits, worth tens of millions, for next to nothing. He runs into a snag, though, in that his office is in the World Trade Center. Though he escapes unharmed, he finds former and current employees working to sabotage the deal and see that the Van Gogh winds up in proper hands.

This is a reasonably good book, but it definitely has its flaws. The protagonists all sound British, and there's one scene in particular where a pair of truckers attack a woman, intending to rape her, for no other reason than that the author needed the plot device, and of course most Europeans think that sort of thing happens in America all the time. A few days after 9/11, it seems doubtful, to say the least. All of the characters come across as cardboard cut-outs, other than the English Lady who shows up way too rarely in the plot.

The above objections aside, the plot is relatively entertaining, and at least it reads fast. Whatever else he says or does, Archer has no pretensions: he's writing a potboiler, he knows it, and he doesn't bother to try and convince you otherwise. It's a good thing he doesn't.
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19 of 20 people found the following review helpful:
1.0 out of 5 stars Prison life seems to have ruined Archer, July 7, 2006
This review is from: False Impression (Hardcover)
A favourite writer goes to prison, keeps a diary which proves to be an enjoyable read, then, upon his release, writes the worst book of his career. The concept of the book is good, as is the idea to blend the characters into the 9-11 tragedy. The first 20 pages flow with typical Archer style. Then the characters begin to make a series of continuously irrational decisions.

My personnal favourite is when 2 characters independantly consider driving either to Canada or Mexico in order to fly to Europe during the 9-11 grounding of air traffic. The idea that New Yorkers wouldn't know that Montreal is the nearest international airport seem laughable. While there is a direct highway to Montreal, Archer sends the main character to Toronto which reqires a least 6 different highway changes, is in the wrong direction and nearly twice the drive. Once at the border, the border patrol guard turns out to be a world class art historian who apparantly doesn't know that McGill University is in Montreal not Toronto as is claimed by our hero. The guard then remarks that he will "meet" a collegue of the hero when that peron travels up to the conference. The idea that only one border guard is working the dozens of eastern US/Canadian border crossings, with multi-lane checkpoints 24/7 is simply the work of a mind out of touch with reality.

Its fine to change details to enhance the plot and structure of a story, but there is simply no benefit to this sillyness.

Dan Cormier
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12 of 13 people found the following review helpful:
5.0 out of 5 stars A suspensful masterpiece, March 28, 2006
This review is from: False Impression (Hardcover)
September 10, 2001. Victoria Wentworth, an heiress whose family fortune has declined tremendously due to financial mismanagement, is murdered in her home after deciding to sell a Van Gogh painting to pay off her debts. Dr. Anna Petrescu, an employee of her creditor, recommended this course of action in a report given to both Wentworth and Petrescu's employer, Bryce Fenston. But Fentson wanted the painting, not the money, and will stop at nothing to get it.

Fenston fires Petrescu, and as she is cleaning out her desk in the North Tower of the World Trade Center, disaster strikes. Assumed dead, Petrescu determines to prevent Fenston from getting the Van Gogh, if it's the last thing she does. And with an assasin on her tail, it just might be ...

Jeffrey Archer has written a suspensful masterpiece in False Impression. Even though you know almost from the beginning who killed Wentworth, and why, it doesn't matter - Archer creates plenty of edge-of-your-seat action. And this is a thriller that doesn't skimp on characterization, even though the "single, intelligent woman meets single, intelligent cop/FBI agent" theme has been done before.

Anna Petrescu is a very intelligent protagonist, who recognizes exactly what kind of danger she is in at every turn. You never know who is going to get to her first - the FBI agent who isn't quite sure if she's an innocent woman trying to do the right thing or an accessory to murder, or the hired assasin who has killed so many times already. Archer sends her running across the globe, but she always knows exactly where she's going, and why she's going there - and how to throw her pursuers off her trail.

I've never studied art history - I wouldn't know a Monet from a Manet. But I enjoyed this book, and even learned a little bit in the process. The only problem I had with the book was that one plot point (why Petrescu's friend Tina worked for Fenston) wasn't mentioned very often in the book, even though it got a big mention on the back cover. But that didn't mar my enjoyment of this book. Make sure you have some time to read, though, beause you won't want to put this one down until you finish it. I haven't read any Jeffrey Archer before, but I think I may have to start.
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very poor effort from Archer 0 May 22, 2006
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