17 of 18 people found the following review helpful:
5.0 out of 5 stars
Great study of characters, January 20, 2007
Its prose tinged with memory and regret, this tenth Charles Todd novel to feature Scotland Yard Inspector Ian Rutledge, is a superbly crafted tale which, at its heart, is about relationships.
Having read the earlier novels in the series, the relationship between Rutledge and Hamish is by now a familiar one, and it's difficult to imagine one without the other. Indeed, Hamish, whatever he may be, has become a necessary tool for the excavation of Rutledge's inner, thoughts and is sometimes more acute an observer of the nuances of their surroundings than Rutledge.
Indeed, the novel's more conventional relationships, between spouses,
sweethearts, former lovers, friends and enemies, all show how our observations of one another come together to form life as we know it, and how one misreading can destroy the whole fragile framework.
Working to uncover the perpetrator of a series of murders in London's Green Park, Rutledge is surprised to be taken off the London case and ordered to Hampton Regis, a picturesque fishing village on the south coast of England.
Stephen Mallory, who served with and despised Rutledge in the war, has been accused of brutally beating a local man, Matthew Hamilton. Mallory is convinced he will never be treated fairly by the local authorities because he was engaged to Hamilton's wife before the war, and has taken his former fiancee and her maid hostage, declaring he will only negotiate with Rutledge.
Rutledge knows there is more to this situation than local authorities would have him believe--if only because Mallory has chosen him as his intermediary. When the nearly comatose Hamilton disappears from the local physician's house, leaving a dead body in his wake, Rutledge becomes convinced that Mallory is innocent, and Hamilton's beating might be at the root of something more complex than imagined.
On its surface, A False Mirror, is a conventional and highly readable English murder mystery, but a closer look reveals a complex and engrossing study of the nature of seeing and being seen that anyone who enjoys tight plotting and deep characterization will enjoy.
Armchair Interviews says: A 5-star read!
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9 of 9 people found the following review helpful:
1.0 out of 5 stars
What was to like about this book?, June 1, 2008
I didn't think an Ian Rutledge book could get worse than the previous "A Long Shadow," but "A False Mirror" is MUCH worse. It's a 40-page short story that got dragged out to 400 pages, undoubtedly to fulfill a contract obligation. Let's see, where to start -- characters that are impossible to care about, a totally ludicrous "hostage" situation, and redundant writing (Rutledge goes back and forth between the town and the main house in the story like a ping-pong ball, and the descriptions are always the same). And for some reason, sandwiches make an appearance in almost every scene; they're as ubiquitous as tea. Hamish has faded to the point that when he does speak up, it's jarring. Overall, the plot and motives are so thin that it's a very unsatisfying murder mystery, but on the bright side, when I was done with the book I felt like having a good sandwich.
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12 of 13 people found the following review helpful:
2.0 out of 5 stars
Disappointed, January 19, 2008
After eagerly awaiting this book and even having my husband pick me up a copy on a business trip to the US, I was sadly disappointed. I had noticed a downward trend in the last couple of books but the series seems to have taken a nose dive with this latest instalment. There were serious problems of logic and the plotline seemed to chase its own tail, going round in endless circles as if to stretch out the book. Many of the characters acted in an illogical and unrealistic manner and the whole hostage situation plotline was simply ridiculous. People just do not behave like that! This would have to be the worst book in the series so far.
Unfortunately, many aspects of this series are becoming repetitious. After solving so many murders one would think that Rutledge's superior, Bowles, would do away with his vendetta even if only to stop himself from looking ridiculous to others. His ongoing hostility towards Rutledge is starting to look trite.
And what about the role of Hamish? This is one aspect of the series that seems to have stalled completely. Whilst it began as an intriguing deviation on the murder mystery genre it seemed to reach it peak in `Legacy of the Dead' and has been in decline ever since. Perhaps the authors should try something different such as was hinted at in 'A Long Shadow' with the psychic Mrs. Channing.
What exactly is Hamish's role? Is he a genuine ghost, haunting his killer? Does he represent Rutledge's conscience which has become disembodied due to his war experience? Is Hamish the manifestation of Rutledge's sixth sense which makes him the superb Scotland Yard Inspector that he has become? Why not let Rutledge face his ghost and explore these possibilities, either through supernatural means such as at a séance or by scientific means involving medical therapy. Psychology was in its infancy and this in itself would provide an interesting sideline to a murder case.
There are so many aspects of this series that are yet to be explored and one can only hope that the authors do not settle for formulae writing and mediocrity. What started out as a fresh and exciting new take on an old Genre still has much untapped potential and I sincerely hope that the authors sit down, have a cup of tea and ask themselves where this series is heading.
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