From Publishers Weekly
In Heley's sprightly second cozy to feature London detective Bea Abbot (after 2007's
False Charity), Bea insists her domestic agency doesn't do murder, but murder sneaks into her latest missing person case—the disappearance of her best friend Velma Weston's stepson, Philip, a wastrel who might have stolen a pre-Raphaelite painting by John Everett Millais either before or after Lady Lucinda Farne, his elderly godmother, was killed by a thief. The thief, who calls himself Rafael, plots to smuggle the loot he took from the victim, a collection of portrait miniatures and gold snuff boxes, out of the country. Meanwhile, Maggie, Bea's feisty assistant, goes undercover, taking a vacancy at the flat where Philip was living with several roommates. After Velma's husband has a heart attack, the action escalates for Heley's intrepid sleuth, who relies on arrow prayers rather than conventional weapons and knows just how to handle knife-wielding art thieves and missing bad boys.
(Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Bea Abbott runs a small agency offering “domestic services”; sounds safe enough, but Bea has a nose for trouble. Her latest escapade involves her good friend Velma, whose dying husband wants to see his grown son, Philip, one last time. But Philip has disappeared. Can Bea find him? Bea, who is still recovering from the recent death of her own husband, thinks a spot of sleuthing might prove diverting. Heley offers fans a wacky British cozy with a bit of an edge, and although the plot is improbable and a few of the characters either irritating or silly, Bea makes it work on charm alone. --Emily Melton
--This text refers to the
Hardcover
edition.