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Most Helpful Customer Reviews
17 of 19 people found the following review helpful:
5.0 out of 5 stars
Of Montreal - False Priest,
By
This review is from: False Priest (Audio CD)
Of Montreal, well-known as the venting mechanism for one Kevin Barnes, is back with an LP of brand new material. Following in the vein of Hissing Fauna, Are You The Destroyer? and Skeletal Lamping, False Priest is an eclectic mix of funky indie pop and spazzy R&B jams. Of Montreal has changed significantly since its Beatles-esque first incarnation, the obvious turning point being Satanic Panic in the Attack, which was perhaps the first point at which Barnes successfully synthesized his varied tastes into an engaging and exciting piece of work. On Hissing Fauna, he chronicled his personal transformation through a difficult point in his life, coming out on the other side of The Past is a Grotesque Animal as the sexually empowered Georgie Fruit. He then gave full control to his fickle muse on Skeletal Lamping, a product with a handful of truly brilliant moments surrounded by schizophrenic fluff, which tends to play out a little too long and a little too obtuse to have staying power. Following Skeletal Lamping, False Priest sees Barnes scaling back his insanity, instead carefully dialing it in to hit on a compelling blend of creativity and precision, the latter of which was very much lacking from Skeletal Lamping.
Opener I Feel Ya' Stutter has some of the aforementioned schizo elements from Skeletal Lamping, but I think that as on Hissing Fauna, False Priest chronicles a transformation from Georgie Fruit back into a new hybrid character, someone with both the creativity and the pop sensibilities. Coquet Coquette has a bit of a Led Zeppelin stomp to it, which deep, billowing guitars and a driving rhythm section. The contributions of Janelle Monae and Solane Knowles on Enemy Gene and Sex Karma respectively are not to be overlooked. Two of the album's strongest tracks, the former has a powerful note of self doubt and introspection while the latter absolutely oozes sexuality. Hissing Fauna, through my ears, was unquestionably Kevin Barnes' opus, and I don't suspect that he's going to ever top it without his life being thrown into serious turmoil again, but that's ok, because after the growing pains of Skeletal Lamping, Barnes has found his stride, effectively creating a record that sounds entirely like Of Montreal while still refusing to play it safe.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Hardest to get into, hardest to get over,
By StephW "SW" (Chicago, IL) - See all my reviews
This review is from: False Priest (MP3 Download)
When I first listened to this album, I was bitterly disappointed. I am a huge fan of Of Montreal since Hissing Fauna. I have become even more fan since I have listened to their other work. But then come False Priest and for the first time I thought I would have to say that they or he (Barnes) produced something relatively bad. But then, I took on me to listen several times to the album. And oh jeez, what a good idea! This is perhaps not the best artistic work of Barnes but it is undoubtedly for me the most fun album I have listened in years. Many songs will just get your feet dancing, your voice singing and your head spinning. It is true that some lyrics are abstract to the extreme but somehow you can relate to them. Why? Because Barnes writes about life. Do not hesitate to spend some time with this record, you will never ever regret it!
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Took a minute but...,
Amazon Verified Purchase(What's this?)
This review is from: False Priest (Audio CD)
At first listen I was extremely disappointed with this album, and that bummed me out immensely because Kevin Barnes is already almost a mythological figure to me. So, I just kept on listening to the cd over and over again as I started to like it more and more. And now, now this album is second to "Hissing Fauna..." I'm not confident enough to say I always understand what Kevin is singing about, but this album makes me sad sometimes because I sometimes think i know exactly what he's talking about and it's very lonely. Simultaneously, there's some really fun exploding consciousness type stuff that is great too! I am very grateful to Kevin Barnes for exposing so much of himself through art and music, and I am very grateful for this album, that even in it's most schizo moments, can pull me out of those solipsistic spells I tend to fall under from time to time.
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