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FalseAudio CD
5.0 out of 5 stars  See all reviews (1 customer review)

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Product Details

  • Audio CD (April 8, 2003)
  • Number of Discs: 1
  • Label: Plus 8
  • ASIN: B00008MHB2
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #828,477 in Music (See Top 100 in Music)

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1 of 1 people found the following review helpful
5.0 out of 5 stars Marvelous Rhythmic Patterns. September 21, 2008
Format:Audio CD|Verified Purchase
I first became aware of Matthew Dear with his "Leave Luck to Heaven" CD. I loved his music from the first play. As such, I began buying up his other CDs, both recorded as Matthew Dear and as Audion. Then I ran into his "False 2007" by False CD. Loved it! Bravo! In doing a search, I found that this prolific fellow had recorded an earlier "False" CD by False. The False CDs have apparently received very little note, at least at For example, I'm the only reviewer on the "False 2007" CD and the 2003 "False" CD by False still doesn't have a reviewer. Well, that's a shame. Dear is a first-rate electronica composer, in my opinion, and deserves much more widespread attention.

On this disc, Dear presents a variety of rhythmic patterns without attempting to have any melody connecting the patterns. The CD is more like listening to a series of mathematical progressions than listening to music. Well, I guess mathematics and music are closely related. But, in any case, it's wonderful danceable stuff. Dear's music sounds mostly like, in terms of conventional instruments, a bassist/percussionist duo, but in addition Dear adds a variety of other other noises, voices and a grab bag of assorted tricks to maintain the pulsing beats. In places, he inserts little gaps and electronic distortions. At times you may wonder if there might be something wrong with your stereo. No, it's just Dear getting a little playful with his strange sounds and gaps. This CD makes for fun listening, but it requires intense attention to fully appreciate the antics and the recording is not going to appeal to everybody. I like it because it provides an interesting insight to some of Dear's later music having melodies and vocals, but with some of the same complicated underlying rhythmic patterns.
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