4 of 4 people found the following review helpful:
5.0 out of 5 stars
Another hit from the pen of Lynne Murray!, October 15, 2011
This review is from: The Falstaff Vampire Files (Paperback)
I have never been interested in vampires, Frankenstein, or fairy tales, or the mythologies surrounding them. However, my son went through his middle and high school years wearing fangs and a ruffled formal shirt and tails to school periodically and I went to school to defend his right to do that. And he was in the St. Louis Rocky Horror Cast and so I spent a lot of time with the other kids in the cast and watching the movie and talking about why I thought it was a wonderful thing for kids to be involved with because of all the positive values it encouraged -- especially an embrace of diversity. I've heard a lot about how Mary Shelley's Frankenstein is an important feminist text. So my disinterest in the three fantasy strands so popular in our contemporary culture is not chosen nor is it the result of lack of exposure; it's just my innate temperament. However, my older granddaughter is interested in the vampire literature that is so popular with her peers so I decided to read a vampire novel to see if I could understand the appeal.
I chose Lynne Murray's book as my first vampire novel because I already knew I liked her writing and her plotting from having read and enjoyed her Josephine Fuller mysteries
Larger Than Death (Josephine Fuller Mystery) and her terrific Bride of the Living Dead
Bride of the Living Dead. I can't talk about The Falstaff Vampire Files in the context of vampire literature -- but I enjoyed this novel because it tells a good story filled with brilliantly witty and erudite references to Shakespeare and English history -- characters and quotations. Murray incorporates and plays with Shakespeare as if his work is a kind of cultural melody that inhabits her novel the way rock and roll inhabits the work of other writers. I loved sharing Murray's obvious fun upending the back-stories of "world famous" fictional characters. Finding out the truth about who Falstaff "really" was, was fascinating. I don't know if she made it up or if it is a current scholarly controversy -- framed something like this: We all know that Shakespear never invented a thing, not a plot or a character. It was all borrowed from some body or some place else. We all know that Shakespear wasn't even Shakespear; somebody else wrote all those plays based on borrowings or stealings of other people work and lives. So now we will unmask who is really behind the Falstaff character. I haven't kept up with current Shakespeare scholarship and controversy since 1969. Other writers have won my heart and I have read them and written about them and collected their work into anthologies
The Strange History of Suzanne LaFleshe: And Other Stories of Women and Fatness (The Women's Stories Project)and taken on their tropes as the best expressions of what I know about women's lives.
My interest in women's literature leads me to what most captured me about this book: it's a women's story. It's not just a woman's story but it's the story of a group of women. Women of different ages, different "stations" in life, different shapes and sizes, relationships with different power dynamics (therapist/client, landlady/renter, etc.) all involved with each other in complex emotional relationships without reference to men as an element of how they relate to each other. There are elements of women's friendships, mother/daughter types of relationships
Between Mothers and Daughters : Stories Across a Generation (The Women's Stories Project), women being forced into the position of being "the other woman" in another woman's life who meet and have to negotiate that element in their relationship
The Other Woman: Stories of Two Women and a Man. So much relationship variety and complexity! Only one woman remains outside of the female bonding and she is irretrievably lost; she drowns in faceless ghostly gray blobbiness! The Falstaff Vampire Files
The Falstaff Vampire Filesis truly and deeply rich in the most important elements of classical women's literature. And I guess that includes the tradition of women's love for animals, too; in this case, it is cats, as it so often is, who enrich women's lives.
The writing is intelligent, witty, nicely paced. It is a substantial book filled with erudition, wit, and depth masquerading as light-weigh bit of genre stuff. The audience for FALSTAFF should be enormous because it can feed so many literary appetites. And of course, it is a book about appetites -- for something other than the usual steak and baked potato.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Falstaff Rocks!, October 11, 2011
Lynne Murray's engaging writing has pulled me past my prejudice against vampires. Like all her witty books, the great characters in The Falstaff Vampire Files grabbed me from the first page and kept me reading to the end. There were some spine-tingling moments, some laugh-out-loud moments, and a dash of romance. This book shows a different kind of vampire and an invisible otherworldly after-dark society that fits under the surface of San Francisco like a glove. I wholeheartedly recommend it.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Fun and fresh, November 5, 2011
This review is from: The Falstaff Vampire Files (Paperback)
Therapist Kris Marlowe's bad luck is about to get worse. First her sexy, younger lover Hal turns out to have asked one of her clients to get married (I actually know someone who experienced something similar - two women who compared notes about their boyfriends until it became obvious they were talking about the same guy!) Then sKris is attacked by vampires, which, to add insult to injury, she doesn't even believe in. It's a book about all kind of appetites, not just for blood, but also for good sex and good food. Funny, sexy, and a little bit spooky!
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