From Library Journal
Though the extended family has given way to the nuclear family, for some folks the extended family lives and thrives. In this new collection, Chappell (Spring Garden; The World Between the Eyes) reveals the security and intimacy afforded by an extended family, in which each member "recognizes what we are, yet holds us in affection." The speaker of the poems is an observer, recording "the buzz and stutter,/ Rasp and rattle of family" that unfold around him. Formal in design, the poems use rhyme and off rhyme effectively; the regular rhythms change tempo to avoid monotony, and strong imagery appears throughout. While not presenting a continuous story line, the witty poems in this volume do disclose a family and all of its secrets, quirks, traditions, conflicts, victories, births, and deaths. Readers are carried "downstream in time, gesticulating, shouting,/ alarmed by a force you never knew before." Highly recommended for public and academic libraries.DTim Gavin, Episcopal Acad., Merion, PA
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
From Booklist
Light verse seldom comes much better than these snapshots in rhyme. Their occasion seems to be a family reunion, during which everyone wanders about getting reacquainted while trying to keep faces straight and tongues civil. Of course, the poet has the "camera," and even if he lets it be turned on him in "The Traitor," he has the last image. Here's Uncle Einar, whose way with gold, both minted and coiffed on the heads of young women, has enriched his wife; she explains in "Aunt Wilma Reveals Her Cunning Design." Here's a dual portrait of swishy cousin Willoughby and manly cousin Burke, who despise one another, though one does so on the basis of a "Mistaken Premise." Here's the family "Photographer," who "makes us look as scary / As old woodcuts in a bestiary," rather like her poem-scribbling kinsman. Tender yet guarded gazes at eight-year-old Elizabeth open and close this poem-gallery that amuses as much as Masters' Spoon River Anthology, though it is far less mordant and far funnier. Ray Olson
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
