Family Legacies: The Art of Betye, Lezley, and Alison Saar [Paperback]

Jessica Dallow (Author), Barbara C. Matilsky (Author)

Book Description

Publication Date: January 2005

"Family Legacies" celebrates the remarkable art of Betye Saar and her daughters, Lezley and Alison Saar. It explores the sharing of artistic and spiritual traditions within a family and shows how two generations of women use art to express changing ideas about gender, race, and ethnicity. Looking at the formal and thematic parallels in this family's work reveals a fascinating glimpse into their creative dynamic. Each artist's response to contemporary social issues - identity, sexuality, spirituality, the female body, and stereotypes - emerges through her strikingly beautiful creations. During the 1960s and 1970s, Betye became an established artist in Los Angeles. Her autobiographical and political assemblages during this period affirmed the important role played by women, African Americans, and the artworks they created in defining contemporary culture. Lezley and Alison built upon the direction forged by their mother, with assemblages and sculptures that interpret both their family's history and spiritual traditions. All three artists challenge the prevailing idea of a singular and unchanging African American identity by creating alternative interpretations of history, culture, and race. Betye, Lezley, and Alison Saar share a passion for mixing media and incorporating objects into their work to create compositions that are layered with both personal and universal meaning. Drawing upon popular culture as well as sacred arts and beliefs from around the word, the three artists attempt to formulate a more multilayered view of themselves. The objects featured, dating from the 1960s to 2005, include mixed media sculptures and paintings, assemblages, collages, and a collaborative installation created by the three Saars. Key works by each artist, representing the full chronological range and stylistic evolution of their oeuvre, underline their family ties, multi-racial heritage, and strong affinities to nature and diverse cultures. The works demonstrate a desire to reclaim the visual representation of African American women by exploring such subjects as slavery, stereotypes of domestic labour, and historical images of the female body. Through distinctive yet parallel styles, Betye, Lezley, and Alison Saar have created a body of transcendent and empowering work that has impacted the history of contemporary art. This book and its accompanying exhibition highlight their position at the crossroads of artistic, feminist, and African American cultural legacies.

Editorial Reviews

From Publishers Weekly

This fine exhibition catalogue charts the flow of ideas and techniques between three artists related both by subject and blood. Betye Saar made her reputation in the 1960s and '70s with earthy mixed media pieces addressing the African-American experience: Shield of Quality (1974), with its gathering of lace, feathers, photographs and brooches, looks like a cross between a Joseph Cornell box and a grandmother's jewel case; De Ol' Folks at Home (1972) confronts the viewer with images of black stereotypes. Betye's daughters Lezley and Alison have amplified her work in accomplished careers of their own, sharing a penchant for certain motifs, including found textiles and images of black folks. Lezley works a self-portrait into the Frida Kahloesque The Tale of the Tragic Mulatto (1999); Alison's Clean Sweep (1997) is a three-foot-high carving of a naked woman whose feet merge into a broom's bristles. Thoughtful essays by Dallow and Matilsky, plus a personal reflection by Betye's youngest daughter Tracye Saar-Cavanaugh, a writer, complement the 50 color plates. As a succinct history of feminist and multicultural artistic strategies of the past 40-odd years, this book is educational. As a family document, it is also moving. (May)
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About the Author

Jessica Dallow is assistant professor of art history at the University of Alabama, Birmingham. Barbara C. Matilsky is curator of exhibitions at the Ackland Art Museum, the University of North Carolina at Chapel Hill.

Product Details

• Paperback: 131 pages
• Publisher: University of Washington Press (January 2005)
• Language: English
• ISBN-10: 029598564X
• ISBN-13: 978-0295985640
• Product Dimensions: 11 x 9 x 0.4 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Amazon Best Sellers Rank: #973,092 in Books (See Top 100 in Books)

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