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The Family Man [Hardcover]

Elinor Lipman (Author)
3.9 out of 5 stars  See all reviews (39 customer reviews)

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Book Description

May 5, 2009

Elinor Lipman's trenchant and witty novel about a father and daughter reunited.

 

A hysterical phone call from his ex-wife and a familiar face in a photograph upend Henry Archer's life. Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry’s Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life—and maybe even new love—in the commotion.


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Editorial Reviews

From Publishers Weekly

Starred Review. A divorced gay man's vanquished paternalism returns when he reconnects with his long-lost stepdaughter in Lipman's hilarious and moving 10th novel. Set in New York, the book opens with Henry Archer phoning his ex-wife, Denise, to offer condolences over the death of her husband, the man Denise divorced then-closeted Henry for. Upon visiting Denise, Henry notices photos of now grown stepdaughter Thalia, a charming wannabe actress he recognizes from the hair salon in his neighborhood, and determines to reenter her life. What ensues is a heartwarming reconnection as Henry and Thalia relearn what it means to be a father and daughter, respectively. When Thalia is hired by a PR firm to play the role of real-life girlfriend to a struggling actor, Henry's fatherly instinct and legal background compel him to ask Thalia to move in with him and to serve as her attorney. During the process of managing Thalia's career, Henry also grows closer to Denise, meets a handsome man and rediscovers the joy of family. The plot alone will suck in readers, but Lipman's knack for creating lovable and multifaceted characters is the real draw. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Most of Elinor Lipman’s novels hinge on complicated wisps of plots, but their comedic lightness rarely detracts from their enjoyment. Reviewers agree that perhaps the best elements in a new Lipman novel are the characters—heartfelt, civilized, completely engaging, and never less than fully human. The Family Man, set in Manhattan rather than Lipman’s usual haunting grounds of New England, doesn’t disappoint in its portrayal of complex family relationships and use of exquisite language. Only the Boston Globe suggested that readers unwilling to suspend disbelief may find the book too fairy tale for their tastes. The Washington Post, however, summed up general sentiment: “Just because something is ‘light’ doesn’t mean it’s not masterful.”
Copyright 2009 Bookmarks Publishing LLC

Product Details

  • Hardcover: 320 pages
  • Publisher: Houghton Mifflin Harcourt; First Edition edition (May 5, 2009)
  • Language: English
  • ISBN-10: 0618644660
  • ISBN-13: 978-0618644667
  • Product Dimensions: 8.5 x 6 x 1 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (39 customer reviews)
  • Amazon Best Sellers Rank: #682,755 in Books (See Top 100 in Books)

More About the Author

Elinor Lipman started writing fiction by night while working at a teachers' magazine by day. Her first book, INTO LOVE AND OUT AGAIN, was published in 1987; its centerpiece was seven connected stories, novella-length, which gave her the courage to try a novel. THEN SHE FOUND ME came out in 1990 (18 years later it was adapted into a feature film), followed by THE WAY MEN ACT, ISABEL'S BED, THE INN AT LAKE DEVINE, THE LADIES' MAN, THE DEARLY DEPARTED, THE PURSUIT OF ALICE THRIFT, MY LATEST GRIEVANCE and most recently, THE FAMILY MAN. Her honors include the New England Book Award and The Poetry Center's Fiction Prize. She divides her time between leafy western Massachusetts and New York City, and tries to write 500 words per day no matter the location. She and her husband have one son, who lives in Los Angeles and explains the movie business to his mother as needed. She knits, follows politics, cooks, and walks, but not enthusiastically.

 

Customer Reviews

39 Reviews
5 star:
 (15)
4 star:
 (11)
3 star:
 (9)
2 star:
 (4)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (39 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

23 of 26 people found the following review helpful:
5.0 out of 5 stars Another marvelous read..., April 21, 2009
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This review is from: The Family Man (Hardcover)
Elinor Lipman's latest is another in a long line of great comedy-of-manner novels she's written. Maybe not quite as good as Lake Divine and Dearly Departed, but almost at that level.

There's something unique in Lipman's writing that I've tried to figure out in all ten of her novels. Her secondary characters are written as brilliantly as her main characters. I don't know how she does it - I guess that's why I'm a reader and not a writer - but maybe it's her wonderful dialogue. I'm left after reading her novels with the - unacted on, of course - urge to call her and ask her to write another novel, using the same characters, taking the storyline further. As all her novels are "stand-alones", it's clear she considers each one finished at the end.

She is a worthy successor to the late Laurie Colwin.

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10 of 11 people found the following review helpful:
3.0 out of 5 stars A charming book overall-but so very different from the Lipman I know and love, December 23, 2009
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This review is from: The Family Man (Hardcover)
Ever since my days of only reading books with pastel covers and subsequent introduction to Isabel's Bed I have been a die hard Elinor Lipman fan. I've read everything she's published, own them all and love them all. I can very safely say she's never written a book-much less a chapter-that I didn't like.

When I started "The Family Man" though I thought that was all about to change. Lipman's normal writing style is very descriptive-lots of explained body language written into the text and historical background on characters and tons of detail about clothing, food and architecture. When you add in her slightly soap opera-ish plots with all of their melodrama and black humor you get these perfect, fun books with fast paced plots that aren't too serious and oodles of characters to fall in love with.

But Lipman's latest book is different. For one thing, "The Family Man" is about ninety percent witty dialog (all well written) with very sparse descriptions of anything-including the characters emotions. And then there's the plot-the reuniting of retired gay lawyer Henry Archer with his once upon a time adopted daughter Thalia after her second adopted father's death 24 years after he gave up a custody battle that had him painted as unfit because of his sexuality-and the subsequent changes in his love life and general happiness and interest level afterward. I know it sounds complicated but it's really, really not. This is a very simple book. The writing style is simple, the plot (which is barely even there, it's more of a gradual progression of events with a total lack of conflict) is simple and while the book does come off as rather charming it's almost a compete 180 from Lipman's other books. The whole thing kind of has the feel of a novella too it (think "Shopgirl" with less emotional depth and poignancy) including the length. Despite its deceptive 300 page total this is a very small book with large text and huge margins.

There's nothing really bad about this novel, but it really was not what I expected from Lipman. It's true that I've always enjoyed her books written in first person better than those written in third (and this one is in third) but that's not even really the issue. This book just reads like a different author altogether wrote it. As it stands on its own it's a cute, charming little book with a lot of snappy talk too it that I did enjoy but it doesn't really compare to Isabel's Bed,The Inn at Lake Devine or The Pursuit of Alice Thrift.

If I'd never read anything else by Lipman I'd say four stars, but with my experience of her other novels I have to admit to being disappointed by this one with its lack of detail and emotional characterization.

Three stars. I'd wait for the paperback version folks, or get this one from the library before committing to buy.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars "If possible, let bygones be bygones.", May 7, 2009
This review is from: The Family Man (Hardcover)
In Elinor Lipman's "The Family Man," Henry Archer is a recently retired and unattached attorney who happens to be gay. Henry has a shallow, self-centered, and grating ex-wife, Denise, whose third husband, Glenn Krouch, recently passed away at the age of seventy. All of a sudden, Denise tries to weasel her way back into Henry's good graces. She seeks free legal advice, since Krouch's two sons from a former marriage have inherited pretty much everything from their late father. Denise gets a monthly allowance, monitored by the older son and executor, Glenn Junior. It seems that her stepsons are holding her to a prenuptial agreement, "a hideously airtight legal document," that may even force her to leave her ten room apartment on Park Avenue in New York City.

Henry has no desire to become his ex-wife's buddy or knight in shining armor. When he visits Denise, however, he notices photos of Thalia, his stepdaughter whom he hasn't seen since she was a little girl. Much to his shock, he realizes that Thalia works in the salon where he has his hair cut. Henry decides to reacquaint himself with this now lovely twenty-nine year old woman, who is an aspiring actress and a delightful human being. They soon become fast friends, and Henry does his utmost to make up for the decades during which he and Thalia were separated.

Elinor Lipman is the undisputed queen of the contemporary comedy of manners, and once again, she serves up a frothy and witty soufflé with farcical overtones, a somewhat silly and lightweight plot, romantic entanglements, and amusing banter. The author never takes her subject matter too seriously. Instead, she has fun getting her offbeat cast of characters into and out of outlandish situations. Her theme is the importance of relationships between parents and children, husbands and wives, and any other configuration that works. During the course of this warm and witty novel, Henry finally lets go of the past and embraces the future with renewed optimism and joy. He finally experiences the great satisfaction of loving someone special and being loved in return.
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Inside This Book (learn more)
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Leif Dumont, Albert Einstein, Sheri Abrams, Henry Archer, Thalia Archer, Glenn Krouch, New York, Gracious Home, Denise Krouch, Eddie Pelletier, Daily News, Upper West Side, Park Avenue, Long Island City, Mott Street, Glenn Junior, Estime International, Trattoria Dell'Arte, Civil War, Attorney Shapiro, Sally Eames-Harlan, Seth Shapiro, Land of Louie, Salon Gerard, Larry Dumont
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