From Publishers Weekly
If Miller's new novel does not have the shock value of The Good Mother , it benefits from a deeper, more subtle conception of character and a sure sense of the complexities of family relationships. When their third child, Randall, is diagnosed as autistic in 1954, the happy marriage of Lainey and David Eberhardt begins to disintegrate. Subscribing to then-current medical theories, David, a psychiatrist, blames Randall's disease on Lainey. She retaliates with three subsequent pregnancies, "accidents" that result in the little girls whom their father sardonically calls "the last straws." Seguing among the points of view of various family members, the narrative poignantly illustrates the widening effects of a domestic tragedy. As the Eberhardts' marriage goes awry, the children are wounded by David's emotional withdrawal and eventual departure, Lainey's hysterical need to prove she is "a good mother," and the daily pain of living with and caring for a mentally impaired sibling with powerfully destructive urges. Miller again displays a perfect ear for the dialogue between parents and children. In depicting the contrast between the Eberhardts' responses to their son's affliction--David's scientific evaluation, Lainey's spiritual courage--she demonstrates the ways in which parenthood is a "kind of reckless courage . . . a possibility for anguish and pain, and yet a miracle." 125,000 first printing; $125,000 ad/promo; BOMC main selection; author tour.
Copyright 1990 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
Family Pictures is a book that doesn't let go. You may want to read it twice: the first time to allow yourself to be swept up in caring and aching for this family, then again to savor Sue Miller's words and grasp their full impact. The story is told through the eyes of four different family members, and the complexity of family relationships is brought home through the various ways different characters interpret and react to the same events. The catalyst for this family's dysfunction is an autistic child, and each family member deals with Randall's mute power in his or her own way. The psychiatrist father withdraws emotionally and physically, unable to bear his family's pain as he does his patients'. The mother manifests her love, guilt, and shame through compulsive achievements, from wallpapering to having three more "perfect" children to compensate for Randall. The children foray into rebellious acts of teens in the 1960s. Each character comes to realize with varying degrees of poignancy "that each child represents such risk, such blind daring on its parents' parts - such possibility for anguish and pain - that each one's existence was kind of a miracle." This warm, gritty, realistic tale is about such daring.
-- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. --
From 500 Great Books by Women; review by Suzanne Leslie Simmons