At the core of every contented family is a sense of balance, an emotional push-and-pull that helpsstabilize the entire unit. A similar equilibrium anchors Le Loup's second album, Family. Recorded in aremote cabin and a Maryland basement, the record finds the middle ground between tribal rock, freakfolk, and sonic experimentation.Like most families, Le Loup has grown since its inception. What began as the bedroom project of SamSimkoff is now a full-sized band, with all five members contributing vocals and songwriting credits. Theband's music - originally a blend of keyboard loops, banjo, and computer wizardry - has grown as well,encompassing everything from shape note harmonies to polyphonic percussion.Simkoff and band-mate Christian Ervin produced Family themselves, having previously workedtogether on the band's debut, The Throne of the Third Heaven of the Nations' Millennium GeneralAssembly. Unlike that first album, Family doesn't rely on synthesizers or electronic support. Instead, themusicians took a more elemental approach, capturing the organic sounds of their instruments beforetreating them with various effects.''Christian and I would chop up all of those organic sounds and re-process them as samples through acomputer,'' Simkoff explains. ''Then we would either add heavy effects or just throw them back togetherin different ways, which helped us get a very inorganic, synthesized sound from natural instruments.''Certain melodic themes were added to multiple songs, linking the album together with their recurringmotifs.After months of recording sessions in drummer Robby Sahm's basement, the band traveled to NorthCarolina, where they settled into a cabin and removed themselves from the distractions of everyday life.There was no internet, no TV, and little communication with the outside world. Using that isolation totheir advantage, five songs were recorded in two weeks, effectively finishing the record.Sophomore albums are tricky things to cre