584 of 610 people found the following review helpful:
4.0 out of 5 stars
Mixed Feelings, May 4, 2010
Was DITF a good read? Yes. Is it my favorite book of the series? No.
I think after reading Dead and Gone I expected a lot more to come out of DITF. I thought that I would see more of Bill and Sookie working on their relationship. Be that as friends or more. I expected a great deal about Sookie and Eric. I thought that Alcide would play more of a role especially after Tray. I even thought Quinn might show back up. While we got some answers about Eric and Sookie several more were brought to the surface. Bill and Alcide were just glazed over essentially and Quinn was never mentioned. This booked seemed unfinished almost as if it were a stepping stone to the next book.
Several plot lines were introduced bought not resolved. This book could have been magnificent but it wasn't.
The problem I have with this book is that I can't sit here and tell you what BIG thing happened. Several little things were brought about, but no big climax. The story flowed nicely but if felt like it was just a normal Sookie day sitting out in the sun waiting for something bad to happen. While I appreciate that Sookie needs time to recover the story lacked momentum.
As a reader I feel that I've waited a year and I didn't get the fix I needed. It's almost as if my book was missing 200 or so pages. The story I received was nice but I keep looking for the next part.
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432 of 460 people found the following review helpful:
5.0 out of 5 stars
Excellent Addition, May 8, 2010
Make no mistake -- this is not a perfect book, but as it gets much more right than wrong and is much more in keeping with the earlier Sookie novels in tone, I give it the full 5 stars. There are spoilers herein, so beware!
What it gets right: Eric, Sookie gets her moxie back (mostly), Eric gets even more complex character development, the progression in Eric and Sookie's ability to express their love for each other, Bill getting his own Happily Ever After in such an unpredictable but welcome way to tie up his storyline, the return of some of the humor that endeared the early books to so many fans, the deepening friendship between Pam and Sookie, Jason maturing and acting the part of big brother for once, Claude's protectiveness of Sookie, and the more leisurely pacing overall.
I have long been a fan of Eric/Sookie, and I was definitely pleased with how things progress between them in this book. The mutual admissions of love were lovely (from Eric: "When my eyes open, I think of you, of every part of you" and "If this is not true love, it's as close as anyone gets"). It seems that Sookie is less and less concerned about the blood bond and is now acknowledging to herself and Eric that her feelings are as genuine as his. They laugh, banter, flirt, argue (and make up!), support each other, share emotions and secrets, express their love and protect each other fiercely.
I must say that I was surprised in reading the more negative reviews to see how many were penned by professed Eric/Sookie fans, who were lamenting the lack of sizzle and romantic tension. It seems to me that there is still sizzle between them, but the sexual tension is naturally tamped down to some extent now that the chase is over and they have settled into a relationship. I think Ms. Harris is attempting to show us what Eric and Sookie would be like as a couple leading their day-to-day lives, if they stay together. This is something many fans have long wanted, and I want to go on record as saying "Bravo!"
I absolutely loved the way that Ms. Harris gave Bill his own happiness -- it was such a unique and unpredictable plot twist (in my eyes anyway). Pam, as always, is hysterical with her dry humor and her sly teasing of Eric and Sookie.
It was a very welcome change for Sookie, albeit changed in some fundamental ways over the course of the series, to be more herself in this book. The characterization seemed so off in the previous novel, and I was glad to see it all back on-course with this one. One of the funnier moments was when Pam, looking disgusted at needing to relay this information on, tells Sookie that Eric says he is proud of her (for her part in a fight she and Pam end up in). I also welcomed Sookie starting to ask herself some hard questions about what she truly wants from life and what being a human or turned into a vampire might mean for her. We fans know that Ms. Harris has promised that Sookie will never be a vampire, but Sookie doesn't know this of course. So, it was good to finally see her debating the questions of aging vs. immortality (although with all these vampires dying a final death in Harris' novels, immortality is looking like it's not all it's cracked up to be!), having children and the fact that most vampires she knows were turned in the prime of their life.
Now, what did it get wrong? Well, I do agree with the reviewers who think the book suffered from lack of a cohesive driving plot line. It did feel more episodic than the other novels, but again, I thought the previous novel had far too many plot lines going on. The pacing was good for this one, but it lacked momentum and/or a central organizing plot. Ms. Harris did say that it wasn't until she finished the book that she identified the one unifying thread was the subject of family bonds.
Despite the news that Ms. Harris has at least two continuity editors reading the drafts (not to mention the publisher's paid editing staff), there are still lots of consistency errors and glitches. They were not as distracting in this novel, admittedly, but I do wonder why this many pairs of eyes are not catching some of these problems at the outset.
My biggest substantive complaint centers around the planned side-trip to Sam's brother's wedding. I wish Sookie would just tell Sam what she was thinking: that when she agreed to go, she and Eric were not in a solid relationship but now they are. But, as it seems this is the point of a novella coming out this winter, it looks like it is going to happen. So now I just have to assume that Eric was somehow persuaded to be in favor of this trip to family wedding with Sam. I'll be anxious to see how that all plays out.
Finally, I think many reviewers may not be aware that Harris was attempting to answer some fan questions from her site's boards and from signings in the early sections of this book. To those who weren't aware of what she was doing, it's easy to see how they might be confused by the "checklist" tone and by some of the information included as an aside here and there.
If Ms. Harris were reading this, I would say thank you for such a great novel, I thoroughly enjoyed the read! I also would suggest that she tell her publisher that she won't write to a deadline any longer. I think that the strain of putting out one Sookie book every May, in addition to her other writing and commitments like touring and conventions, is showing. Speaking as a huge fan of her work, I would much prefer to wait longer for the next books and have them be stronger works for having the extra time.
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305 of 328 people found the following review helpful:
3.0 out of 5 stars
All in the "family", May 4, 2010
"Dead in the Family" has a very appropriate title -- all sorts of family members pop up, and not just for Sookie. Charlaine Harris still can whips up a pleasant warm Southern vibe for her not-so-urban fantasies, but unfortunately this latest novel isn't quite up to her usual standards: it's basically a mass of fluffy in-between storylines that rarely go anywhere.
Just after Amelia leaves for New Orleans, Sookie's cousin Claude appears at her home and asks to move in with her, since he's a lone fairy who needs the presence of another. Bill is suffering from silver poisoning AND depression, and Sookie has to find a "relative" who can help him. And Eric has some family issues as well -- his maker Appius Livius Ocella shows up on Sookie's doorstep, along with his "son"/lover Alexei.
To make matters worse, unidentified fairies and weres have been crossing Sookie's land,, and it also turns out that there's a dead body buried back there. And it's not Debbie Pelt's. Now Sookie must unravel the secrets plaguing the supernaturals around her, or there might be even more deaths.
"Dead in the Family" feels like Charlaine Harris wrote half-a-dozen short stories, ripped them apart at the seams, and then sewed them back together. There's no central plot to this book, just a mass of fluffy subplots woven loosely around each other. And some of the stories don't really have much point to them, so the book feels cluttered and fragmented.
The saving grace is that some of those subplots ARE interesting, mainly the ones that develop the characters -- the whole subplot involving Bill and the elderly Caroline Bellefleur is quite sweet and touching, and it should be interesting to see where Harris takes the religious/political pressure on the weres. And the typically bloody climax is a pretty shocking, gruesome one, if a bit slapdash.
But Sookie's characterization is very shaky in this book -- Harris zooms through her entire recovery from being TORTURED in ONE CHAPTER (ARG! Cop-out!), and initially she seems so aggressive that it feels like she's channeling Anita Blake. Fortunately she gets steadier and sunnier after the first few chapters, and it's intriguing to see her various family members interacting with her -- fae, were and telepathic human.
And there's some much-needed development given to the sexy, devil-may-care Claude (it's very cute when he's goofing around on the playground with Hunter), as well as new insights into Bill and Eric's lives and families (both living and undead).
"Dead in the Family" is all about the family ties, but it feels like Charlaine Harris just whipped together a bunch of short story ideas rather than writing a cohesive plot. Better luck next time.
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