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Famous Faces
 
 
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Famous Faces [Paperback]

Ph.D. Niama Leslie Williams (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

April 1, 2007
Chris Abani. Barry Manilow. Wynton Marsalis. Jerry Quickley. Jody Kuykendall. The already famous and the one on her way up. Articles in the newspaper, paparazzi bait, sought out for the alumni newsletter, for international halls of fame, for Pulitzers, Emmys, Grammys; recipients of some, winners of many. But what of the poet, toiling away in her room, alone, who watches, understands, yet never feels a part of their world? What of the poet who watches their performances, sees beneath their words, their music, imagines the pain that created the art, uses her understanding to convince herself to, yes, live one more day, but that one day, that particular day, makes another choice?

Editorial Reviews

About the Author

BIOGRAPHICAL STATEMENT Niama Leslie Williams, a June 2006 Leeway Foundation Art and Social Change Grant recipient, and a 2006 participant in a Sable Literary Magazine/Arvon Foundation residential course in Shropshire, UK, possesses a doctorate in African American literature from Temple University, a bachelor's in comparative literature from Occidental College, and a master's in professional writing from the University of Southern California. Dr. Williams was born and raised in Los Angeles, California, though she currently resides in Millville, New Jersey. Dr. Williams has participated in several writers' conferences, including the Squaw Valley Community of Writers, Hurston/Wright Writers Week, and Flight of the Mind. Her work has appeared in Poets & Writers Magazine; Dark Eros: Black Erotic Writings; Spirit & Flame: An Anthology of African American Poetry; Catch the Fire: A Cross-Generational Anthology of Contemporary African-American Poetry; Beyond the Frontier: African American Poetry for the 21st Century; Mischief, Caprice, and Other Poetic Strategies (Red Hen Press), A Deeper Shade of Sex: The Best in Black Erotica, and Check the Rhyme: An Anthology of Female Poets & Emcees. Check the Rhyme was nominated for an NAACP Image Award (2007). Her prose publications include essays and short stories in MindFire Renewed, P.A.W. Prints, Midnight Mind Magazine, Amateur Computerist, Tattoo Highway #6, Obsidian II: Black Literature in Review, and Sojourner: The Women's Forum. She has 5 titles available for sale on Lulu.com (http://stores.lulu.com/drni), an online print-on-demand publisher based in the U.K. Dr. Williams hosts "Poetry & Prose & Anything Goes with Dr. Ni" Tuesdays from 8-9 p.m. EST on Passionate Internet Voices Talk Radio (www.internetvoicesradio.com), a station owned by Ms. Lillian Cauldwell of Ann Arbor, MI. Her short story "The Embrace" was selected for the 2006-2007 Writing Aloud series at the InterAct Theatre Company in Philadelphia, PA. Of her purpos

Product Details

  • Paperback: 106 pages
  • Publisher: Lulu.com; 1st edition (April 1, 2007)
  • Language: English
  • ISBN-10: 1430315474
  • ISBN-13: 978-1430315476
  • Product Dimensions: 9 x 6 x 0.3 inches
  • Shipping Weight: 4 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #9,625,487 in Books (See Top 100 in Books)

More About the Author

BIOGRAPHICAL STATEMENT

Niama Leslie Williams, a June 2006 Leeway Foundation Art and Social Change Grant recipient, and a 2006 (July) participant in a Sable Literary Magazine/Arvon Foundation residential course in Shropshire, UK, possesses a doctorate in African American literature from Temple University, a bachelor's in comparative literature from Occidental College, and a master's in professional writing from the University of Southern California. Dr. Williams' master's thesis at USC earned her an honorable mention in the University's 1991 Phi Kappa Phi competition. Having left Philadelphia, Pennsylvania after a devoted 15 years, Dr. Williams now resides in Long Beach, California.

Dr. Williams has participated in several writers' conferences, including the Squaw Valley Community of Writers (2000), Hurston/Wright Writers Week (1996), and Flight of the Mind (1993). Her work has appeared in Poets & Writers Magazine; Dark Eros: Black Erotic Writings; Spirit & Flame: An Anthology of African American Poetry; Catch the Fire: A Cross-Generational Anthology of Contemporary African-American Poetry; Beyond the Frontier: African American Poetry for the 21st Century; Mischief, Caprice, and Other Poetic Strategies (Red Hen Press); A Deeper Shade of Sex: The Best in Black Erotica, and Check the Rhyme: An Anthology of Female Poets & Emcees. Check the Rhyme was nominated for an NAACP Image Award (2007).

Her prose publications include essays and short stories in MindFire Renewed, P.A.W. (Philadelphia Artists Writers) Prints, Midnight Mind Magazine, Amateur Computerist, Tattoo Highway #6, Obsidian II: Black Literature in Review, and Sojourner: The Women's Forum. She has 11 titles available for sale on her website: http://www.blowingupbarriers.com/drnismemoirs.html.

Her short story "The Embrace" was selected for the 2006-2007 Writing Aloud series at the InterAct Theatre Company in Philadelphia, PA, and her poem "Myself As Water" earned second place in the EcoPoetry Greenfest Philly 2008 contest.

Dr. Williams' radio show, "Poetry & Prose & Anything Goes with Dr. Ni" (www.blogtalkradio.com/drni) is currently on hiatus; normally, she interviews authors about their writing lives and deepest secrets and business owners about the spiritual aspects of their entrepreneurship. The show originally aired from February to April of 2007 on Passionate Internet Voices Talk Radio, a station owned by Ms. Lillian Cauldwell of Ann Arbor, MI.

Of her purpose for writing Dr. Williams says: "I frequently do not err on the side of caution in my writing, but I believe in the purpose of it: to speak to the things others do not want to speak of, with the hopes of reaching that one woman, or her lover, or her friend, who refuses to deal with her pain, who hides from it, who doesn't think she'll survive it. That's the audience I hope to reach."

 

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5.0 out of 5 stars Thomas Gagnon review, November 8, 2008
By 
Niama L. Williams "Dr. Ni" (Norristown, Pennsylvania) - See all my reviews
(REAL NAME)   
This review is from: Famous Faces (Paperback)
[...]

By Thomas Gagnon

As I read Niama Williams' poetry, I thought of Joan Armatrading's early `70s songs, like the emphatic "Back to the Night" or the melancholy "Save Me." A lot of Williams' poetry is, on the one hand, about passion, physicality, and intimacy, and, on the other hand, about sadness, longing, and oppression. She also often writes about the need for safety, thankfully, since nobody (that I've met) talks about needing safety outside of group therapy. So, a brave woman and good writer speaks--

First, on safety--In Famous Faces, the poem "Forty Years" begins with "that voice that saved me/in the midst of a mad, mad sea." (22) Halfway through, Williams writes six lines ending with the word `safety': "my first thought of them.../is of safety/the gift of safety/a dangerous childhood I survived/but in their house/always safety..." The poem concludes, "I know safety/what it feels like/how it sounds/how to bring it/home." (23) The word `safety' may not thrill the soul, but it is crucial to staying alive, as she demonstrates in a powerful onrush of a poem, "For Vincent D'Onofrio as Bobby Goren," farther on in the book. This over-riding need for safety appears again in Steven, in the poems "Black Wool Coat" and "Mama's Washcloth," in which these small things (coat and washcloth) signify a lasting sense of warmth and health.

Second, on passion, physicality, intimacy--All of them definitely break through in the poem "First Time," when a black man, "nothing I have ever wanted/parts my legs/crushes my disdain/helps me entertain/for the first time/a black penis/without recoiling." (18-19 of Famous Faces) So, Williams throws us seven lines of rhythmic, rhyming passion (and an inner shift, away from repulsion). The passion of "First Time" is followed not much later by "The Gaze," "In the Elevator," and "For Lisa," all of


which contrast physicality and artificiality: wet palms vs. a song, whamming your gut vs. politeness, warm lips vs. Renaissance studies. In Steven, Williams claims in "The Chain Sestina" that "i once fell in love with a bicycle chain," but most of the poem is about her love for a Korean, Hun Ku, a name that she repeats rapturously, before her fall into an oxymoron of livable longing. (47-48) The opposite of all this appears in a poem called "There will be no Passion in This House." Instead, there will be dust, sadness, fatigue, and phantom-existence. Moving right along--

Williams evokes sadness especially beautifully in two poems in Famous Faces: "The Cleaning Lady" and "Jasmine." The opening lines of "The Cleaning Lady"--"the thin line of hair removed/makes me wonder"--become an over-arching metaphor for the rest of this poem, about a silently long-suffering cleaning lady. This metaphor gets poignantly repeated, in "vague pencil strokes," "the pencil lines are what remain," and "eyebrow pencil eyebrows." (64-65) The cleaning lady's pain is not a metaphor, after all. "Jasmine" conjures up good memories, like "liqueur of jasmine cooling throat." Jasmine spells relief, until it fades to "no scent; thirst." (85) Williams evokes oppression (the oppression of family obligations) in "Bending," with recurring reference to her knees, knees habitually bending, knees beginning to break, knees getting tired, knees screaming. (My knees empathize.)

In Steven, Williams writes two powerful poems on longing. One is "A Vacant Lot," once a place in which she ran barefoot, now neglected and overgrown with weeds, so that she tries "to walk barefoot in the city.../the concrete and glass assault my feet..." (66-67) Not being able to run barefoot, as she did then, could be literally painful, now. If only then were now. The other poem on longing is called "Marian C.'s Sestina." The tension in this poem is summed up in four lines in the third stanza: "no farmboy, even in the abstract/was going to make her stay in arkansas./she'd been born south/but she wasn't going to stay there and give up her painting." She longs to leave "the hell that was Arkansas" for the first 36 lines, and then, in the last three lines, she does. (74-75) For Marian, longing leads to fulfillment.

There are many other excellent poems in both Famous Faces and Steven, too many to list here. Also, each poem is excellent for a different reason, for instance, playfulness with diction, or an incantatory style that suddenly shocks. This is not to claim that these poetry collections are flawless. In some poems, less would definitely be more. But, overall, there is a lot to love.

Thomas Gagnon./ Ibbetson Update/ Somerville, Mass./ April 2008
Labels: Gagnon on Williams

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Niama Leslie Williams
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