Famous Last Words [Paperback]

Timothy Findley (Author)

Book Description

Publication Date: 1996

Famous Last Words is part-thriller, part-horror story; it is also a meditation on history and the human soul. In the final days of the Second World War, Hugh Selwyn Mauberley scrawls his desperate account on the walls and ceilings of his ice-cold prison high in the Austrian Alps. Officers of the liberating army discover his frozen, disfigured corpse and his astonishing testament - the sordid truth that he alone possessed. Fascinated but horrified, they learn of a dazzling array of characters caught up in a scandal and political corruption.

--This text refers to an out of print or unavailable edition of this title.

Editorial Reviews

About the Author

Timothy Findley is one of Canada's most popular and respected writers. He is the author of nine novels, most recently Pilgrim, three short story collections, two books of non-fiction and three plays. He is an Officer of the Order of Canada and in France, Chevalier de l'Ordre des Arts et Lettres. He lives in Canada. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 416 pages
• Publisher: Penguin Putnam~trade (1996)
• ISBN-10: 0140109617
• ISBN-13: 978-0140109610
• Product Dimensions: 7.8 x 5.1 x 1.1 inches
• Shipping Weight: 12 ounces
• Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
• Amazon Best Sellers Rank: #308,624 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

5.0 out of 5 stars One of the most important books in Canadian Literature, June 21, 1996

By A Customer

This review is from: Famous Last Words (Hardcover)

Crisply written, suspensfull, and with a cast from the pages of 20th centuary history, "Famous Last Words" is a towering achievement in storytelling. Set in World War II, the novel follows the exploits of writer Hugh Selwyn Mauberly, a character Findlay has drawn from the poems of one of this novels secondary characters, Ezra Pound. Yes, That's right, I said secondary characters. The novel, which examines the curious attraction of Germany to all symbols English spends much more time on the comings and goings of some other pretty important folk, like German Foriegn Minister Von Ribbentrop, or the real murdered British diplomat Sir Harry Oakes. Looming large throughout the novel, is the character of the Duchess of Windsor, known forever as Mrs. Simpson. "Famous Last Words" tells of Mauberly's romantic obsession with Mrs. Simpson. It also proposes the shocking theory that the Nazi's under Hitler had a unique and unhealthy obsession of its own involving Mrs Simpson and her brurned out hulk of a former king, Edward VIII. Along the way, Findlay masterfully weaves real history with gripping fiction making for a book that facsinates and teaches. Withn "Famous Last Words" Findlay takes his place amoung the best of his countrymen, including fellow Canadians, Robertson Davis and Margaret Atwood.

6 of 6 people found the following review helpful:

4.0 out of 5 stars The Electric Moment, May 14, 2003

By 

Daniel Myers (Greenville, SC USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Famous Last Words (Hardcover)

To begin with, every reader of this book should first read the poem "Hugh Selwyn Mauberly" by Ezra Pound, since this fictional persona of Pound's ends up being the central character of this fascinating book. The book works mainly on two levels: 1.) That of the intrigues, relationships and a certain "cabal" surrounding the rise of the Fascists and Nazis to power and their eventual defeat, all plausible (I did some research), and historically based, which makes the book the page-turner that it is. 2.) The embedded questionings of human motivations and actions and meditation-provoking sections futher calling into question what ultimately comprises history.

This second aspect is what makes the book more than just your average historical thriller. Findley has a fine manner of putting events into a poetic, philosophical cast. - But the book meanders a bit much, and somehow lacks a certain panache and poetic/philosophical heft that detracts from its effectiveness- Perhaps this is inevitable in a book that weaves in and out of so many different intrigues, betrayals and deceptions while at the same time employing a prose style that is downright contemplative at times. In other words, the two levels don't quite seem to mesh as they should.

Aside from a little muddlednesss, however, this is a very fine piece of literature. It will having you turning the pages in excited bewilderment while at the same time pondering the questions it provokes about mankind and history.

There is an intriguing passage in the middle of Mauberly's narrative where he imagines a future historian, a "dread academic, much too careful of his research" who will completely botch things in his account of these times "because he will not acknowledge that history is made in the electric moment, and its flowering is all in chance....There is more in history of impulse than we dare to know."---So, can a "true" history be written after all? Or does a fictional account, such as this book containing a narrative written by a fictional character, have the famous last words?

1 of 1 people found the following review helpful:

4.0 out of 5 stars A fantastic post-modern read, August 30, 2005

By 

bookishgal25 (ontario, canada) - See all my reviews

This review is from: Famous Last Words (Paperback)

Interesting that The Wars deals with the First World War and one man's personal transformation both before the war and during it. Famous Last Words, in a sense, picks up where the other novel left off. While the author's fictional protagonist/antagonist Mauberly is the inadvertent co-narrator of the story, the novel really focuses on varying characters and motives both during and after the Second World War.

The most intriguing part of this novel is the discovery of Mauberly's writings on the walls of a European hotel room and the impending decisions to be made about its historical importance. American soldiers have to decide whether to preserve the historical narrative written by a questionable character or destroy all memory--artistic or otherwise--of a gruesome war.

One gets the sense that Findley is making a post-modern comment on the myth of truth-telling and the conflict between art and politics. But also, the irony of Findlay as storyteller commenting on the subjectivity of storytelling is not lost.

All the Findlay elements are here in this novel: intrigue, mystery, psycho-analysis, and moral ambiguity. It does not have the power or punch of The Wars, but it is a confusingly fascinating read.