From Publishers Weekly
The Marquis de Sade, notorious Frenchman and sexual libertine, makes for a sensual, irreverent and politically illuminating subject in Ducornet's (Phosphor in Dreamland) lushly imagined seventh novel. This sumptuous tale is equal parts testimonial, epistolary exchange and reminiscence, opening in 1793 with the eponymous Fan-Maker (Gabrielle) facing an unidentified interrogator from the Parisian Comit? de Surveillance, attempting to defend her friendship with Sade, who's already been condemned to prison for his sexual crimes. In addition to being accused of creating blasphemous, erotic fans for Sade, Gabrielle is also known to have collaborated with him on a denunciatory book exposing Spanish Inquisitor Bishop Diego de Landa's vicious treatment of the Mayas in the Y#catan in 1562. Landa is accused of torturing and murdering the natives of the New World and stripping the Mayas of their pagan belief system, all in the name of the Church. While it is the notorious book that immediately endangers the composed, eloquent Fan-Maker, she's also vulnerable as a known lesbian and libertine. At the Comit?'s request, she reads and explains the raging missives she's received from Sade; they are tantalizingly detailed and incendiary. The theatrical format exacerbates the polemical tone of the book, in which the excesses of French Revolutionary philistines and the Spanish Inquisition's barbarism are made exhaustively clear. In the latter half of the narrative, Sade becomes narrator, treating the reader to his perspective on the courageous Fan-Maker. He reveals the letter she composed on the eve of her execution, and he lovingly describes her devotion to Olympe de Gouges, a radical playwright and fellow victim of the Comit?. Ducornet's prose is necessarily and carefully shaded toward purple, often starkly ribald or phantasmic. She convincingly interpolates Sade's audacious, epigrammatic voice, his passion for carnal freedoms and hatred for banal taboos. Her language is an ecstatic performance, with transformational potency that begs to be read aloud. (Nov.)
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
The Marquis de Sade is so monstruous that he ought to have been conjured up by a novelist. Here, an imaginative novelist does conjure up Sade. The story centers on a fan-maker whose creations for Sade depict exquisitely outrageous sex scenes. Now the Revolution has descended, Sade is in prison, and the fan-maker is on trial for her presumed part in his debauches. During the trial, it is revealed that the two have collaborated on a manuscript imputing acts of horrific torture and killing to Spanish Inquisitor Bishop Landa in South AmericaAacts of course more awful than anything Sade has dreamed up. What's more, the fan-maker has been passionately involved with the notorious Olympe de Gouges. The story is related entirely through trial transcriptions, letters, and manuscript, and though the structure cracks a little mid-way through, it's mostly a bracing and original way to tell this intriguing tale. Throughout, there's a real tension: Sade is defended for "dar[ing] to take imagination's darkest path," yet ideas are also shown to be profoundly dangerous. A thought-provoking book for sophisticated readers.
-ABarbara Hoffert, "Library Journal" Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.