Customer Reviews

Fan

5 star:		(16)
4 star:		(21)
3 star:		(4)
2 star:		(13)
1 star:		(6)

 

 

It may be true that everyone during their lifetime has fifteen minutes of fame, even if in most cases it only lasts about a minute and a half. And if that minute and a half comes early in life, how far into adulthood can you carry it with you, and when does a healthy memory become an obsession that finally blurs the line between reality and fantasy? "The Fan," directed by Tony Scott and starring Robert De Niro and Wesley Snipes, is an intense and disturbing motion picture that examines that moment and the effects it can have on the lives of those either directly or indirectly involved. Here, the focus is on one Gil Renard (De Niro), a knife salesman in San Francisco and a die-hard Giants fan who is pumped about the acquisition during the off-season of superstar centerfielder Bobby Rayburn (Snipes), whom he believes will bring a pennant to the team. Once a player himself-- a pitcher-- Renard's life has since been on a downhill slide. Divorced, he has a young, little league aged son, Richie (Andrew J. Ferchland), with whom he has an unsettling relationship, and at work, his sales have been so poor his job is on the line. An angry, disturbed individual, Renard has reached a pivotal point in his life; for inspiration, he continually returns to the philosophies of the catcher from his playing days, Coop (Charles Hallahan), whom he considers one of the finest athletes he ever knew. And as his life continues to deteriorate, his obsessions begin to add further to the imbalance of his perceptions of reality, which finally lead him past a point of no return.

Scott's film, of course, has less to do with baseball than it does with how the game itself actually relates to life and the things that really matter. As Rayburn says at one point, "We're not curing cancer here." But to those to whom life has been reduced to that minute and a half to which they still cling, the game can be everything. And it is just that unhealthy obsession that Scott examines in this film, that comparatively insignificant moment that in the obsessive mind becomes an episode of monumental importance that finally distorts any semblance of reality the individual may have left. What's truly frightening is that upon close scrutiny, in Renard there is much with which many viewers will be able to relate in one way or another: The anger, the frustration and perhaps the inability to let go of that minute and a half, even when it threatens to become more than just a pleasant memory, but an unhealthy lifeline to another place and another time that, in reality, may never have existed in the first place. It's like a search for self-esteem by the has-been-who-never-was, who can neither realize nor accept it's elusiveness. As Renard says to Richie, "Baseball is better than life, because it's fair. You hit a sacrifice fly and it doesn't count against your average." An ideal that has forever eluded Renard; in his life, he's never been able to "give himself up for the team" and get anything in return for it.

As Renard, De Niro gives an explosive performance that at first glance may seem to have a bit of Travis Bickle and Max Cady in it-- which in fact it does-- though upon closer inspection, Renard is a unique character. Those with a disturbed mind may have traits in common, as these characters De Niro has portrayed certainly do; but De Niro has successfully given each of them an individual personality, and when viewed side by side, the differences are readily apparent. Bickle may be a sociopath, Cady a cold blooded killer; but Renard is a man who was just never able to get a handle on his life and has allowed his obsessions to dictate the choices he has made along the way. De Niro is simply a master of his craft, with the ability to make his characters so real that a performance like this one is often overlooked; this is Oscar worthy work for which he never received the acclaim he was due. His Renard is so like someone you would run into in your everyday life that in retrospect, it's scary. But it's the kind of performance we've come to expect from De Niro, and as usual, he does not disappoint.

Wesley Snipes, as well, gives a solid performance as Rayburn that is one of his best ever, which is not surprising when you consider with whom he was working. If you study De Niro's films, you may discover a common thread running through them with regard to his co-stars. De Niro has the ability to make those with whom he is working better; and it's something that stays with them forever after. Consider Christopher Walken and Meryl Streep before "The Deer Hunter," or Ed Harris before "Jacknife." Certainly they were exceptional talents before, but they have arguably been better since. And Snipes is no exception. Nor is Benicio Del Toro (Recipient of the Oscar for Best Supporting Actor for "Traffic"), who gives a memorable turn here as Rayburn's rival outfielder, Juan Primo.

The supporting cast includes Patti D'Arbanville (Ellen),Ellen Barkin (Jewel), John Leguizamo (Manny), Chris Mulkey (Tim), Dan Butler (Garrity) and Brandon Hammond (Sean). A thought provoking thriller that gives some real insight into the cause and effect of the psyche of human nature, "The Fan" is like an open wound that may hit too close to home for some. And to dismiss this as just a "baseball" movie or another "action" flick would be a mistake, for there is much more here than meets the eye. In the end, those who pay attention will ultimately reap the rewards it proffers.

Gil Renard (Robert De Niro) isn't a lucky man. His separation from his wife is hostile, his business of selling knives is not going well, and he doesn't feel listened to. His only release is sports, watching and cheering for his favorite player, Bobby Rayburn (Wesley Snipes).

Bobby Rayburn, a 40 million dollar player, has troubles of his own as he falls into a slump, knowing his career is winding down as fellow player Juan Primo's (Benico Del Toro) star is rising. Primo now wears the "sacred" number 11 jersey. Rooting Bobby on every step of the way is manager Manny (John Leguizamo).

As Gil slides further down into the depths, he leans more and more on the game, forming an abnormal obsession with Bobby. With a restraining order taken out by his ex-wife, keeping him away from his son, and the loss of even his lowly job as knife salesman, how far will Gil finally lose himself in his fixation on Bobby Rayburn?

I tend to avoid movies that have even a dribble of sports in them, but I'm sure glad I tossed that rule aside for 'The Fan'. It's not about sports, its about an irrational fanatic. De Niro plays the psychotic fan so well, it could very well be his best performance yet. Snipes, Del Toro, and Leguizamo are fantastic, joined by the beautiful and talented Ellen Barkin as reporter Jewel Stern. The acting is superb and the tension is like a tight wire strung across your stomach. Adding to the film is the music of Nine Inch Nails during Gil's more psychotic episodes, complimenting the scenes with their grinding music and lyrics of alienation.

'The Fan' is a tense thriller that's not to be missed. Definitely worth a purchase. Enjoy!

This review refers to the TRI STAR DVD edition of "The Fan"

Baseball was never so thrilling as it is in this film. In "The Fan" there's more at stake then the pennant for $40 million dollar centerfielder Bobby Rayburn(Wesley Snipes).One swing of the bat could cost him everything that is precious to him.

When did baseball become more than a game to Rayburn? When his number one fan, Gil Renard(Robert DeNiro), steps up to the plate to help Bobby out of his slump.Gil is a three time looser. He is a poor role model to his young son, he has a major problem with his people skills, and he is about to lose his job at the company that was founded by his own father. His psychotic obsession with the game of baseball, takes him further out of bounds than any Little League Coach ever went.When his idol seems to be having trouble getting into the swing of things,and another player is getting all the glory, Renard takes matters into his own hands. How far will he go to make sure Rayburn has his day in the sun? Will he even murder for him?

DeNiro is absolutley this deranged and very scary character. He plays him so well you may forget that he is Robert Deniro for a while! Snipes also is excellent as the unwitting victim, Rounding off the cast in fine performances are Ellen Barkin, Benecio Del Toro and John Leguizamo. It is directed by Tony Scott who keeps you on the edge of your seat from beginning to end and as always perfect mood scoring by Hans Zimmer adds to the tense situations.

The DVD has a nice clear and sharp picture.You have the choice of Widescreen or Standard Formats. The sound is very good and you can choose between 5.1 Dolby or 2- channel surround sound.It may be viewed in French and Spanish and has subtitles in English and Spanish if needed. There are no other special features included.

I thought it was a great thriller, and it kept me involved through the whole story, but I'm going with the three stars because I just don't think it's one of those that will be watched over and over. Once you know the ending, you may need to wait awhile before viewing again.If you have seen it already and know it's one that will be a good edition to your collection, you'll be happy with the quality of the DVD. If not, maybe renting it first will help you decide.

You'll want to get the popcorn, peanuts and crackerjacks ready for this one....enjoy...Laurie

more thrillers recommended;
Just Cause
L.A. Confidential - Special Edition / The Usual Suspects (Special Edition) (2 Pack)
Alfred Hitchcock Collection: Sabotage, The 39 Steps, Man Who Knew Too Much, Murder!, Jamaica Inn [VHS]

This movie will keep you on the edge of your seat. De Niro will surprise you with several twist and turns. Snipes plays the part of a bseball player and it fits him well. If you like De Niro or Snipes this is one to add to your collection.

The disc itself comes with both widescreen and Full Screen presentations, so it can satisfy both crowds.

Contrary to what the product description mentions, this DVD only offers the full frame version of the film. The original format was 2.35 so you've now been warned: the picture was butchered by Sony on this one!!

not robert deniros best, but it was ok. I thought the movie was on the edge of a bad movie.

If The Fan were a b-film with unknown actors, it would be fun. Those formula horror pics are always great to watch when you need to mindlessly pass time.

But the Fan is not one, so why is it made as such? You have top name actors, and a big location San Fransisco shoot. But when a demented baseball fan, abuseive and estranged from his family, becomes obsessed with a SF Giants star and kidnaps his son, so what?
'
Everything here is freeze dried. If you watch DeNiro in The King of Comedy, the stalking angle is the same, but there is so much unique, it is extremely compelling. This fan is juat a batch of loser cleches- nothing is done to make this charactor more than a garden variety sociopath.


There is even a police chase at the end. Woo, and hoo.

Having watched most of Robert De Niro's famed films since his beginnings ("Greetings" and "Mean streets"), along his countless artistic collaborations with his preferred director, Martin Scorsesse, I would not dare myself to qualify this film as notable. De Niro's most remarkable performances were focused through the seventies (Godfather II, Taxi driver, Deer hunter), eighties ( Ragging bull, Once upon a time in America, Angel heart, The mission, Untouchables and his genial cameo on Brazil) until the early nineties (Goodfellas and his most emblematic achievement until this date -at least to me- Awakenings). But since 1993, (when he makes his debut as director) De Niro (like Gene Hackman) seemed to have been abandoned by the supreme Dionysian muse and he has been repeated himself over and over again. Since "Cape fear", to be exact De Niro doesn't surprise me with his "inner fire" a similar bitter taste in this case, where his role as best actor of his generation is absolutely absent in this case.

A good start with a very dramatic premise, that deserved a major treatment, was obscured by a languorous script with serious dramatic fissures.

On the other hand, Tony Scott is miles away from his three best achievemnts of the past "Top Gun", "The hunger" and "True romance."

Robert DiNiro completes a quintent of bad guy/psycho roles for the 1990's (AWAKENINGS, THIS BOY'S LIFE, CAPE FEAR,JACKIE BROWN) with THE FAN. With a resurgence of Baseball movies beginning in the late 1980's, this has got to be one of the worst of the bunch and the worst of the five DiNiro pictures. The pairing of DiNiro (who literally phones in his performance here)and Wesley Snipes (Is actually convincing as a baseball player. Remmeber his Willie Mays Hays in MAJOR LEAGUE?)in what could have been an interesting thriller turns into another predictable slasher-type film. DiNiro (Gil Renard) becomes an obsessed fan to Wesley Snipes superstar Baseball Player(Bobby Rayburn). There is some social commentary about modern sports and the responsibility of overpaid athletes but all commentary is drowned out by a weak script and weak direction. Also, there is a scene that most baseball purists have been complaining about in this film. This is the sequence where the umpires let a baseball game keep going and it is pouring rain. Director Tony Scott in his own directorial style shows the sequence in slow-motion with players slipping and sliding, with water and mud flying all over the place, all for dramatic purposes and creative license. Overall, a weak sports film, a weak thriller, and wasted talent makes THE FAN a very forgettable film.

If you want someone to play a psycho, who else but the immensely talented Robert DeNiro? In "The Fan," based on Peter Abraham's novel, De Niro plays Gil, a washed up knife salesman who is obsessed with baseball. He's divorced from his wife, but has been able to maintain a relationship with his young, impressionable son. However, as Gil becomes more psychotic, his ex-wife realizes the potential danger so she puts out a restraining order. Meanwhile, Wesley Snipes' Bobby Rayburn recently purchased by the Giants for a cool forty million wants his #11 back, which has been given to Benito Del Torio's Juan Primo. And then the slump hits Snipes. DeNiro displays his loyalty by trying to get Primo to surrender the number and when he refuses, well it's....you can imagine. Onward then, DeNiro finds a wonderful opportunity to get into Snipes life by rescuing his son, Sean, who is drowning. He and Snipes almost bond, until Snipes confesses that he just doesn't care anymore, baseball is just a game. Snap goes what little is left of DeNiro's sanity and we face a showdown in a rain-drenched night game.
Maybe overwrought, but Director Tony Scott handles everything so well, he elevates his film above it's derivative plot. Some of the baseball scenes are quite beautiful; Ellen Barkin and Patti D'arbinville shimmer in great supporting roles; John Lequizamo as Snipes' manager is good, and Charles Hallahan (so good in the remake of "The Thing") has a brief, but effective cameo as Coop, Gil's childhood buddy.
Hans Zimmer's score is hauntingly beautiful and there are nice effects from the many Rolling Stones tunes that fill the picture. San Francisco looks beautiful, and the whole effect is quite effective.
An underrated thriller, highly recommended.