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6 of 6 people found the following review helpful:
1.0 out of 5 stars
Worst opening ever?, August 15, 2006
You're supposed to be willing to give every book 50 pages or so before giving up on it, right? I seldom give up on novels and usually read the whole thing... usually there is some enjoyment to be had even in a below average book, ya know?
Well, Fan-Tan threw me on the mat and made me say uncle. I can't believe anyone published it. It's like the product of a hundred drunk monkeys with typewriters.
Let me treat you with a portion that really blew my mind.
"His memory was a mess, as full of giant holes as an old sock. Scotland was an accent he loved. On the other hand, he thought a lot about the future. "That is one of my characteristics, Lorenzo," he said firmly to the bum of a Portuguee who occupied the bunk above, all aswamp in his noisome reflections."
You may believe I have taken that passage out of context and this is a great book. You may think I am a simple minded fool who can't handle stream of consiousness writing.
However, I think it is a crime againist humanity that those sentences happened IN A ROW. Also, "on the other hand" needs to have what was in the first hand in the general proximity of the phrase.
I couldn't get very far in this book.
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3 of 3 people found the following review helpful:
1.0 out of 5 stars
Awe-inspiringly bad., December 7, 2008
Marlon Brando and Donald Cammell, Fan-Tan (Vintage, 2005)
There are times that much-speculated, much-discussed books should go to the grave with their late writers. I must say that never, in years of reading and thousands of books, have I ever felt this way about a piece of writing more than I did about Fan-Tan, Marlon Brando's novel that was published posthumously only because Brando would likely have died of shame had it been published while he was still alive. That said, it's one of those books that I just had to keep going with, to find out how much worse it could possibly get, and in this regard, the book never once failed me. In fact, in its final pages, it exceeded my expectations in a way no writer has since the first time I encountered Matthew Stokoe (and for much the same reason, for those few of you who've read Stokoe's wonderfully disgusting first novel, Cows). Politically incorrect purple prose, a ham-handed sense of plotting, silly characters, and a taste for the perverse all permeate this book; if that's your thing, than by all means, have fun with it. (half)
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
A strange book., February 2, 2011
It looks like the sort of thing you might stumble across in a remainder bin in a used book store. Fan Tan. Ah hah I thought another obscure masterpiece cobbled together by some old alcoholic expat. Judging by the cover (never do that) it looks like a Harlequin romance set in the mysterious East. There's the exotic Asian woman in some sort of silk kimono thing and the besotted Western sailor on the ground wondering what he's got himself into. So imagine my surprise when on closer inspection the authors turn out to be Marlon Brando and Donald Cammell! Brando of course is the well known actor who spent his later years on an island near Tahiti. But what was Cammell's name doing there? Cammell was a film maker who directed `Performance' starring Mick Jagger...a destructive little expletive according to Keith Richards in his autobiography `Life'. Intrigued I picked the book up....bought it and took it home. This could be good.
Well not exactly. It isn't a cliché ridden load of rubbish but it comes perilously close. The year is 1927. Anatole `Annie" Doultry is a middle aged adventurer serving six months in Hong Kong prison where he befriends a well-connected Chinese pirate. Once out he meets and falls in love with Madame Lai Choi San the pirate's beautiful boss. Together they sail around the China Seas on her sampan looking for treasure. They plan to attack a freighter full of silver, the biggest act of piracy the world has ever seen no less. One would think this might provide for some interesting character development. But Doultry is too much like Brando. He's a man of action but his mind wanders all over the place like Kurtz in `Apocalypse Now' and his philosophical musing isn't coherent. He has an aversion to authority of course, intellectual swashbuckling, that's his game but he can't stick to the plot. Here's Annie on his bunk meditating...
"However though he was once a Scot, it was not the future of the city that bore on Annie Doultry's brain, not the world's either; his own future it was, or would be. The reality to be expected, the facts of it. But was there such a thing as future fact? There was one for Mr. Wittgenstein, indeed."
Huh? There's a kind of surreal madness about the book that kept me turning the pages but a lot of the writing is pretty bad. Fortunately there are steamy sex scenes to make up for it. There's plenty of action including a typhoon, oriental intrigue and hand-to hand-combat. There's even a reference to the butter scene in `Last Tango' which should amuse movie buffs. It's a strange book, full of perverse little asides, and it all takes place against a background of the revolution in China when the Nationalists and the Communists and others were forming temporary alliances.
To be fair it should probably be described as a treatment rather than a novel. And it turns out that putting Brando's name on the cover is a publishing trick. Cammell wrote it. In fact the best part of the book comes at the end where film writer David Thomson explains how the book came to be written. Cammell had tried to get Brando for `Performance'. Brando was in hospital at the time after scalding his private parts with hot coffee. Anyway he turned the offer down. Later, with Brando weighing about 300lbs due to ice-cream addiction Cammell tried again. They had a complex, almost self-destructive, kind of relationship. The book did get written but getting it published was another matter. Brando baulked again. Maybe he was ashamed of it or maybe he just enjoyed tormenting Cammell. Anyway Cammell shot himself and Brando died. The twists and turns of the publishing process would make a good book in themselves I thought.
I should add that the author(s) owe a lot to "I Sailed with Chinese Pirates" by Aleko E. Lilius (The Mellifont Press - 1930 and Oxford University Press - 1991)
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