From Publishers Weekly
The unusually large cast that reads Marks's multiperspective, modern vampire story helps make up for the lack of special effects one might expect. There is no creepy music, no doors creaking or wind shrieking through the trees to augment the tale of what happens after Evangeline Harker, a lovely assistant producer of a venerable TV news show, travels to Romania to meet a fabled gangster. Her trip goes horribly wrong and soon her colleagues in New York are afflicted as well. Marks, a former 60 Minutes
producer, is at his best when writing about the life of the newsroom, which we witness through the conversation and thoughts of people who are all concerned about Harker's disappearance and the horrors that have followed, but who observe each other and the rest of the show's staff with keen distrust and disdain. This reading adds little to the chilling story aside from the varied voices, yet as a novel take on the worn-out vampire story, with a steady drumbeat of macabre events alternating with dryly funny commentary, it is sure to hold listeners until the end.
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--This text refers to the
Audio CD edition.
Professional and personal aspirations collide when Evangeline, an ambitious associate producer of The Hour
("the most successful news show in American television history") accepts Robert's wedding proposal just before jetting off on an assignment she would rather dodge. Her uber-producer dismisses her protestations, so it's off to Transylvania to evaluate a possible story on Romanian reputed crime lord Ion Torgu. Marks' sense of place (a horse and wagon in front of a Coke sign symbolizes the transition from communism) and tone-setting emphasis on blood and bloodlines kick in early as Evangeline mulls over blending her Italian Irish heritage and Robert's mix of Creek Indian and the U.S. marshals who fought them, a union represented for her by the engagement ring she insists on wearing to meet the small, pale Torgu, who proves a kind of terrorist, and who infects her "like a virus" when she is abducted. She resurfaces months later, recuperating in Transylvania and recalling nothing. A scary twenty-first-century take on the stuff of Dracula
, worthy of its rightful place among others. Whitney ScottCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.