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Fantasia 2000

245 customer reviews

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Editorial Reviews

Product Description

Disney's sequel to the ever popular "Fantastia" - "Fantasia 2000", dvd edition with bonus features.

More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical, and highly enjoyable marriage of classical music and animated images. Fantasia 2000 features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death, and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story, and animation. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones, and others. --Mark Englehart

Special Features

  • A digital-to-digital transfer
  • A commentary by Roy E. Disney (executive producer), maestro James Levine and Don Ernst (producer)
  • A commentary by the directors and art directors for each film segment
  • "The Making of 'Fantasia 2000'" featurette
  • Disney's 1953 Academy Award-winning animated short, "Toot, Whistle, Plunk and Boom," which provides a humorous look at the history of music
  • The animated short "Melody"
  • A commemorative booklet, highlighting the art, music and filmmaking technology brought together for the film
  • A showcase sampler, offering highlights from each segment of the film
  • The original theatrical trailer

Product Details

  • Actors: James Levine, Steve Martin, The Mellomen, Loulie Jean Norman, Charlie Parlato
  • Directors: Charles A. Nichols, Don Hahn, Eric Goldberg, Francis Glebas, Gaëtan Brizzi
  • Format: Animated, Closed-captioned, Color, Dolby, DTS Surround Sound, Widescreen, NTSC
  • Language: English, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: G (General Audience)
  • Studio: Walt Disney Video
  • DVD Release Date: November 14, 2000
  • Run Time: 74 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (245 customer reviews)
  • ASIN: B00003CWPX
  • Amazon Best Sellers Rank: #28,709 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Fantasia 2000" on IMDb

Customer Reviews

Most Helpful Customer Reviews

84 of 88 people found the following review helpful By Wayne Steinhardt on October 31, 2000
Format: VHS Tape
This movie is a worthy successor to the original Fantasia movie. The artwork in all the pieces was superb (although, you could tell the art from "The Sorcerer's Apprentice" is old). This movie, as with the original, gave me a greater appreciation of classical music, while entertaining me with impressive visual imagery.
The pieces are as follows:
Beethoven, Symphony #5. A classical piece of music (who can't identify it upon hearing it?) portrayed as a good vs. evil contest.
Respighi, Pines of Rome. Flying whales!! A great piece of music which builds to a fantastic finish. Has some cute moments with a baby whale.

Gershwin, Rhapsody in Blue. Easily the best (and longest) piece in the movie. Done in the drawing style of Al Hirschfeld, a magical tale is told of four people in Depression-era New York. A heartwarming, moving piece.

Shostakovich, Piano Concerto # 2 Allegro Opus 102. A charming piece of music, used to tell the story of the Steadfast Tin Solder. Some of the scenes in this piece may be scary for little kids.

Saint-Saens, Carnival of the Animals, Finale. A (very) short, but very funny piece which answers the age old question: "What happens when you give a flamingo a yo-yo?" I was laughing out loud at this one.

Dukas, The Sorcerer's Apprentice. This is the same piece as from the original 1940 movie. Still worth watching after all these years.

Elgar, Pomp and Circumstance. Donald and Daisy Duck star in this reinactment of the story of Noah's Ark. Fun to watch and enjoyable.

Stravinsky, Firebird Suite. A wonderful story about life, death and rebirth. The piece builds to a wonderful ending, both in the story and in the music. Some of the younger children may be scared by some of the scenes in this piece as well.

Overall, this movie is a wonderful addition to any home video library.
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36 of 39 people found the following review helpful By Lonnie E. Holder HALL OF FAMETOP 1000 REVIEWERVINE VOICE on January 25, 2004
Format: DVD
The original "Fantasia" was extremely experimental animation that attempted to broaden the appeal of animation at a time when animation primarily appealed to children. Walt Disney intended that the original "Fantasia," according to Roy Disney's commentary on the DVD, be a continuously changing work of art that would be different, and yet familiar, every time you watched it. "Fantasia 2000" is an attempt to be true to that vision.
There are eight vignettes captured in the 74 minutes of this all-too-short DVD, with introductions for each of the vignettes by a host of familiar names such as Steve Martin, James Earl Jones, Penn and Teller, and Angela Lansbury, among others. I think that some of the vignettes work as well or better than those in the original, and others are okay but barely match the original.
The two vignettes that I enjoyed the best are "Pines of Rome" and "Firebird Suit - 1919 Version." In the former we see a fantastic vision of whales that is wonderfully surrealistic and beautiful. The only flaw in the wonderful vision is that the vision ended all too soon. There is a lot in the vision that the animators could have been explored in much more depth. The "Firebird Suite - 1919 Version" includes a phenomenally-animated nymph. This nymph combined a flavor of Japanese Manga with traditional Disney animation to create a character style that is wondrous and beautiful. I longed for this segment to last longer.
Disney animators once again created a new classic short in "Piano Concerto No. 2, Allegro, Opus 102," which provides the music for "The Steadfast Tin Soldier." The story-telling is quite taut and well organized. However, just as with the "Pines of Rome" story, Disney animators could have expanded this vignette significantly.
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25 of 26 people found the following review helpful By Zack Davisson HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 28, 2000
Format: DVD
I was fortunate enough to see this at an IMAX theater. It was an amazing experience, to be surrounded by such wondrous music and imagery. The animation is of the highest quality, seamlessly blending modern and older styles. It will be interesting to see how the film plays out on a more intimate screen.
Although some of the pieces stand out more than others, they all had charm. " The Pines of Rome" is the most popular segment, featuring lush computer animation of blue whales soaring through the arctic ice until they take off into the sky. Disney really did a job on this one, with just enough of a story to balance out the imagery. Clearly borrowing from the art of Charles Vess, "Firebird Suite" is a pretty fairy piece with a bit of fire and danger. "Rhapsody in Blue" is as close to perfect as you need to get, blending a great Gershwin tune with Al Hersfield's familiar style. And of course, one can never get enough yo-yoing flamingos.
My personal favorite is "Pomp and Circumstance," as it made me hear a piece of music, and not just the background track to graduation ceremonies. It really took me by surprise, and this is always a good thing. I also really enjoyed the participation of Donald Duck, who is usually my least favorite Disney character. It is a very heart warming segment.
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20 of 22 people found the following review helpful By Jay Rudin on November 22, 2000
Format: VHS Tape
Who would have believed it? It really is a worthy successor to Fantasia.
Everyone's already said that it's excellent music and excellent animation - which is true.
What's been left out is that it's an incredible overview of all the best of what Disney animation has to offer. Even the introduction uses animation techniques impossible a few short years ago. It offers a proper tribute to the original while setting the stage (literally) for a whole new series of wonders.
Beethoven's Fifth is stylized abstract animation -- just a glorious celebration of color, shapes and music, with a complexity impossible without modern computer enhancing techniques.
Pines of Rome adds new dimensions to CGI animation. The whales are quite realistic, and their movements are serene and joyful.
The Rhapsody in Blue segment combines a distinctive Anerican music style (Gershwin) to an equally distinctive American art style (Hirschfeld). Its stylized story-telling is delightful (and I would never have believed that a segment of Fantasia would ever be set in New York City). Don't recognize the name Hirschfeld? Well, neither did I - but I recognized that style of caricature instantly. And so will you.
The Steadfast Tin Soldier is an excellent example of adapting a traditional fairy tale to modern animation. It's classic Disney story-telling with modern techniques, and the movement and art styles of the three main characters make them visually distinctive as well as helping the characterizations.
The Carnival of the Animals is zany cartooning at its frenetic and silly best.
Mickey in the Sorcerer's Apprentice is as good an example of Classic Disney as you could hope for.
You can almost see the storyboard developing in Pomp and Circumstance.
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