Customer Reviews

The Fantasticks

5 star:		(18)
4 star:		(17)
3 star:		(11)
2 star:		(13)
1 star:		(22)

 

 

This film version of the wildly popular musical was very nearly scrapped, but the intervention of Francis Ford Coppola gave it a limited release on the big screen followed by the video release. Is it any good? Well, yes and no.

The plot concerns the machinations of two next door neighbors who pretend to have a feud in the hopes that their children will fall in love (the lure forbidden fruit and all that). They enlist the help of a strange traveling circus to aid them in their plan. The first half of the movie is quite decent and somewhat sweet, and I enjoyed it very much. And then, for some reason, the movie completely derails, gets flat out bizarre (and earns its PG rating) before ending on a weird note.

If you are a die-hard fan of the original musical you will probably hate this movie, because the music has been basically butchered. The performances range from good (Joel Grey) to lame (Joe McIntyre) to inexplicable (Vegas magician Teller). But then there is Jonathan Morris. I've never seen him in anything else, but he has an incredible, mesmerizing presence. The script changes his character completely halfway through the film, which is annoying, but his performance continues to stay with me, especially his gentle rendition of "Try to Remember" (which, despite being the most famous song in the musical, is given about one minute of screen time. Grrr.). He made the movie worth seeing (once) for me, but all others beware.

It's really too bad; there was great potential here but the filmmakers muffed it. Maybe they'll try again someday, but until then you can check out the original Broadway soundtrack to see what all the fuss was about in the first place. I give this film version 2.5 stars, which I rounded down to two. Morris is really the only reason to catch this one.

Movie Grade: C/C-

Over the course of my 20 year theatrical "career" I appeared in three different productions of THE FANTASTICKS. First in high school, then in community theatre, and finally in a professional theatre. Each time I played the same role of Mortimer, the man who dies (that's because I couldn't sing but I did die rather well). Imagine my indignation when I discovered that he was all but eliminated in this film version of the long running musical along with Henry, the old actor. As played by Teller (of Penn & Teller) and Barnard Hughes this constitutes a criminal offense on the part of Francis Ford Coppola who was responsible for re-editing the original film five years after it was finished. But that's only the beginning. He also shortened or removed several of the play's signature tunes (TRY TO REMEMBER, PLANT A RADISH) as well as key scenes including the one with the cardboard moon which states the central point of the play which is "to see it not with your eyes for they are wise but with your ears". Why this was done is hard to fathom as it not only minimizes the storyline but reduces the musical moments as well. Fortunately the DVD has all this missing material (as bonus features) which allows you to reconstruct the film as it was and should have been released. Despite the hatchet job in the editing room there is still a lot to recommend. The play had to be opened up from its humble stage origins and this was done by giving it an OKLAHOMA like setting (it was shot in the same location) and by making El Gallo the head of a mysterious traveling carnival. The performances by the entire cast are not overpowering but they are not meant to be and they fit the characters just fine. Remember THE FANTASTICKS was created as a sort of anti-musical in reaction to the large scale Rodgers & Hammerstein musicals of the day and with an eye to amateur performances. The cinematography is lovely, the updated script by original creators Tom Jones & Harvey Schmidt works well and despite the misguided efforts of Coppola there is still the simple, memorable music that retains the power to grab you if you "see it with your ears". So in the end I was pleased with the film overall with the 5 star musical getting a 4 star treatment minus a star for the horrendous editing. If you love THE FANTASTICKS (or old fashioned musicals in general) then this DVD is certainly worth having and maybe one day the film will be released as originally shot so that we don't have to play the King's men and try and put Humpty Dumpty together again. The commentary by director Michael Ritchie is entertaining and informative regarding how and why certain things were done.

The Fantasticks is one of those theatrical pieces that works so perfectly on stage that it seems impossible to adapt to the screen. I attended a pre-release screening, and can happily report that director Michael Ritchie has beautifully accomplished the near impossible feat, translating the simple heartwarming stage musical into a simply stylized film musical while retaining all of its charm.

The show on stage is performed without sets and with a lot of poetic suggestion from the script and imagination from the audience. On film it is not exactly transported to reality, but would more accurately be described as surrealistic, which fits the musical format perfectly. The film is set in the 1920s, a relatively more "innocent" time, at least in our memories, and thus makes the innocence and naivete of the young lovers easily palatable. The characters, let by Joel Gray as one of the fathers, live in the middle of a barren desert, their houses situated side by side and separated by a white picket fence. A mysterious carnival sets up shop nearby, run by magician/illusionist El Gallo, whom the fathers hire to arrange an abduction that will bring their children together. The story plays itself out pretty much the same as on stage (the original writers were wisely retained), and due to its strange, surrealistic quality it all makes sense in a dream-like way, even when the characters break into song.

All but one of the beautiful songs are in the film--the "Plant a Radish" song is gone, but is not really missed, as it didn't advance the story that much. The "Rape Ballet" song from the original version of the show has been changed to a more politically correct similar song that didn't use such an ugly word as "rape" but serves the same purpose. (I'm told that several years ago the original song had been replaced by this one in the stage show as well, though I'm not certain. The show has been playing Off-Broadway for 40 years.) Perhaps the most well-known song from the show, "Try to Remember" is not sung at the beginning as on stage, but rather at the very end, which is quite fitting for the film as selected clips of the preceding film are intercut like faded memories. The "Metaphor" song is cleverly staged at the carnival in front of a silent film of romantic scenes. "Soon It's Gonna Rain" is sung under a big tree with El Gallo hiding in the branches while sprinkling glittering rain onto the love-struck couple, and performers from the carnival hiding in the bushes providing vocal accompaniment--a skillful melding of the theatrical and cinematic.

The vocals of the actors are all superb. Musical arrangements which where just a piano and harp on stage are now fully orchestrated, but not overdone and work well. Finally, in keeping with the theatrical spirit of the piece, the cast actually does a curtain call from the carnival stage during the end credits.

Theatre purists should not be wary of this film. Fans of the show should not be disappointed as long as they are not expecting a mere filmed stageplay. Understandably, it is not really a commercial picture to compete with the special effects action flicks popular with the coveted teen audiences, so it will just have a limited theatrical release in big city art houses. In fact, the picture was film five years ago but languished on the shelf as a difficult-to-market film. Thankfully it will finally introduce millions of non-theatregoers to the wonderful story and songs, and will probably do most business on home video among traditional musical lovers. The DVD release takes advantage of the wonderful score, the ability to search for favorite songs at random, as well as deleted scenes.

See "The Fantasticks". Especially if you are an adult. It will remind you of what it was like to be young and innocent. You will want to revisit that feeling over and over again. As this work reminds us, that innocence is something none of us realize we have until we have lost it. There's no other way to know it. Kind of bittersweet, but a paradox of life.

When I received this DVD for Christmas, I was really anxious to see it. You see, my wife and I saw the Fantasticks when we were dating more than 40 years ago, loved it then and have loved the music ever since. I was hoping for a great movie. I knew that Joel Gray and Barnard Hughes would be great as the scheming fathers, but had no idea about the rest of the cast.

So I put it in the DVD player, waiting for the lyrical opening of "Try to Remember". From then on it was all downhill.

They have BUTCHERED this story. It has been turned from an idealistic love story about a young couple in love to a comedy about a carnival which two young people happen to wander through. Most of the music is gone, and what is left is rather poorly done. "Try to Remember" is tagged on ever too briefly at the end, "Soon its Gonna Rain" is more spoken than sung.

To make the music of the Fantasticks work, it takes good singers. And if the music does not work in this story, why bother? This cast just does not cut it. The boy and girl are adequate, but there is no chemistry between them. The main character, El Gallo, is played by Jonathan Morris as a schemer, (which is true) but not attractive enough, and nowhere near good enough a singer. A key to this plot is that when El Gallo captures the girl so that the boy can "rescue" her, he is so charming that she starts to fall in love with him. This is because of both his charm and singing voice. Jonathan Morris had neither. Of if he had them, they do not give him enough songs to sing in order to tell. Just think of the charm of Jerry Ohrbach, who originated the role off Broadway more than 40 years ago; (even as aging Lennie Briscoe in Law and Order Jerry Ohrbach had more charm than this El Gallo has) and you get a sense of what kind of character El Gallo should be. His character is crucial to this story succeeding. But not in this movie.

They have turned the focus from the songs and the kids and the love story to the Dads and slapstick comedy. This is a BIG mistake.

Then they have cut out most of the songs. If you do not believe me, watch the outtakes. The outtakes have the foundation of a good movie. If you add the musical outtakes to the movie it would be tons better and almost decent.

Basically, I am truly sad to say, this was a mess.

Instead of watching this movie, get the orignal NY cast soundtrack recording, put it on in a candlelit room with someone you love and a couple of glasses of wine, and enjoy what the Fantasticks should really be like.

Any lover of this show would be devastated at what this film turned out to be. It is one of those shows that perhaps should have been filmed while being performed live (ala Sweeney Todd, Into the Woods, etc.). The magic of this show while seeing it live in a small space is that it creates a world out of nothing, and the audience gets totally caught up in it.
I couldn't wait to see this film when I heard it was made. It was the first show in which I ever appeared, and I have designed costumes and seen many productions of it. Even the worst ones came across better than this film. I'm crushed.
If you have seen this musical on stage anywhere, keep the memory of that magical time and don't bother with this DVD.

Besides echoing what other detractors have already said about this horrendous movie, I would add that the basic art direction concept -- a story-book landscape with two lone houses and the introduction of a traveling circus wagon -- at first struck me as a clever and appropriate movie translation of the magical minimalism of the stage production. The original musical might have played out fairly well in this setting. But what killed it -- even more than the inadequate casting -- was the perverse fiddling with the script. Perhaps the worst mistake was concocting a premise for the missing mothers. That was never a concern in the stage show, because the audience was trusted to understand the story as a fable. But the filmmakers were too literal and earnest to allow it to work its magic, and so they remade Luisa's father into a grieving widower, moping around the house and trading baleful stares with his daughter. This morose quality, wholly alien to the original, infects the entire production.
Like many others posting here, I was sorely disappointed that "Try to Remember" was robbed of its introductory role. But given Morris' rendition of it, thoroughly lacking in lyricism and musicality, it would have been better cut altogether.

I am one of the few people in the world who have never actually seen the stage play of "The Fantasticks". I loved this movie. This is a marvelous, magical, spellbinding story. I felt the casting was well done. Jean Louise Kelly makes an adorable Louisa while Joe McIntyre made a sweetly innocent Matt. Joel Grey was not in this movie near enough, but he pulls off a stellar performance with what he has to work with. I thought the dance segment with Jean Louise Kelly was especially touching. El Gallo portrayed by Jonathon Morris put the magical spin on this whole story. I loved El Gallo having this witty yet sexy side to him in addition to being the mystical and wise mastermind bringing these two naive teenagers together.

The extra scenes available on the DVD are terrific. If you watch the "directors comments" you can understand why a few of them were cut. Be sure and watch "It isn't easy to die". This should have been left in. Teller and Barnard Hughes are hilarious, as are Jonathon Morris' reactions to them.

The set design and surrounding scenery are breathtaking. This is a very surreal yet enchanting movie, making it easy to slip in and out of the singing segments. I only wish a soundtrack had been made. It would make a great addition to the other two that are available.

Beautifully done. Beautifully acted.

I rented the Fantasticks on DVD a couple of weeks ago. I was hoping for a big intro to the DVD at the beginning. There wasn't one but who cares. Sadly, I wasn't able to see the Fantasticks before it closed yesterday. This is the closest as I'll get to it even though it was shortened to 87 minutes. The extra scenes are amazing. They should have had those three scenes with the police chief. Jonathan Morris was amazing as El Gallo. He sang Try to Remember very peacefully and not like Jerry Orbach's belting it out. Mr. Morris made it even more beautiful and my mother fell in love with the song. They should have kept the scenes where Teller has dialogue. I am dying to get this DVD along with the book of the musical and the CD.

Part of the reason I probably enjoyed this movie has to do with the fact that there are barely any movie musicals anymore AND I have never seen the stage show.

I thought the filmmakers tried their best through casting and locations to try and make a small but romantic movie musical. I think in alot of cases they succeeded.

The great thing about the DVD is that there are alot of deleted songs and sequences that you can watch. You see, for instance, the greatest editing error for a movie EVER where they cut the opening song "Try to Remember". It would have made a HUGE difference in the feel of the film.

You also see that the movie trailer had scenes or shots in it - NOT IN THE MOVIE.

I even watched the whole movie again with the Directors commentary and it was really interesting. This was a really hard film to make with bad weather, the cast getting sick etc. etc. You really appreciate the art when you hear this.

This movie is really only for a movie musical fan and probably not for people who adore the broadway show.

I have been involved in five stage productions of THE FANTASTICKS and have wondered for years why it was not made into a film. I recently learned that it WAS made into a film in 1995, but was never released for general distribution.

Fortunately I had the privilege of seeing a screening of a limited run at the Paramount Theatre in Austin, Texas and I was completely delighted. All of the simplicity and charm of the stage play are captured in this sparse film adapation. There have been some changes and some parts of the original stage play have been deleted, but it all serves to make the film work wonderfully.

If you have never seen THE FANTASTICKS, see this film version. If you have seen THE FANTASTICKS dozens of times, you must still see this film version.