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The Far Euphrates is a beautiful, riddling examination of familial pain and fear and religious passion. Alexander's rabbi father uses the Bible to instruct him in language's beauties and complexity: "My father had started reading Genesis with me, slowly, in its original tongue, where the dotted vowels clustered like bees around the honeyed consonants. We read each sentence together, carefully, first in Hebrew, then in English, and finally in German." But Alexander is also aware of language's dangers and religion's rigidity. Later in the novel, following one tragic revelation too many, he has "the unpleasant feeling that even loving words are dangerous." And if words are dangerous, what about the historical and emotional reality they attempt to express? Stollman takes on large subjects in a small, heightened setting. In lesser hands, his quiet opera would descend into melodrama. Stollman doesn't even skirt that possibility. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
short, lyrical, well written,
By
This review is from: The Far Euphrates (Paperback)
I agree with most of the positive comments made about this book (and even some of the negative ones- though the fact that the central character is essentially passive did not make this book any less enjoyable). One difference between this book and many Jewish writers from the past century or so- it is written from within Jewish Diaspora tradition, rather than about the purely secular Jews of a Phillip Roth novel.
5 of 6 people found the following review helpful:
5.0 out of 5 stars
A beautiful example of prose,
By A Customer
This review is from: The Far Euphrates (Hardcover)
This book is not reminiscent at all of any other book that I've read. It is wonderfully original in its approach. One does not really feel anything toward the main character. Emotive response only comes when a person whom he loves or is closely related divulges something about themselves. Aryeh Alexander seems to only be a vessel because he does not talk about any thing really emotionally, but his actions and the symbolism in this book draws one to him, and makes people relate to him. His calculated, even cold actions remind one of themself and give this book a magnetic feel to it.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Captivating, yet subtle...,
By kattepusen (USA) - See all my reviews
This review is from: The Far Euphrates (Paperback)
I initially picked up this book (at the Salvation Army used books section) because on the back cover it had the following evaluation by Rebecca Goldstein (one of my favorite American authors): "The Far Euphrates is a beautiful book. Its radiance is not of the sun but of the moon:delicate, mournful, mysterious". And after having read the book in one sitting, I vehemently agree! I very much enjoyed it, and I felt a somewhat sweet and "fragile" connection to the characters. The main character, Alexander - or Aryeh, is the only son of a Rabbi (educated as a physicist) and a worried and embittered wife. The rest of the world is mainly composed of the Cantor and his wife Berniece, as well as the colorful and tragic figure of Hannalore - the cantor's twin ("sister"). There is also Marla, a very freaky yet strong and captivating presence in Alexander's life. We follow Alexander's narrative as he balances between sanity and mental turmoil, which is described so gently, yet vividly. I really like this "Jewish" book. I had never read much Jewish litterature before; however, after my discovery of Rebecca Goldstein and now Aryeh Lev Stollman, I find myself being drawn towards these unique writings...
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