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The Far Side of the World [Hardcover]

4.0 out of 5 stars  See all reviews (49 customer reviews)


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Product Details

  • Hardcover
  • Publisher: Collins (1986)
  • ASIN: B000J304O0
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (49 customer reviews)

More About the Author

In addition to twenty volumes in the highly respected Aubrey/Maturin series, Patrick O'Brian's many books include "Testimonies," "The Golden Ocean," and "The Unknown Shore". O'Brian also wrote acclaimed biographies of Pablo Picasso and Sir Joseph Banks and translated many works from the French, among them the novels and memoirs of Simone de Beauvoir and Jean Lacouture's biographies of Charles de Gaulle. He passed away in January 2000 at the age of 85.

 

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49 Reviews
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58 of 62 people found the following review helpful:
5.0 out of 5 stars Joint Review of All Aubrey-Maturin Books, October 26, 2003
By 
R. Albin (Ann Arbor, Michigan United States) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   
Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.
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24 of 25 people found the following review helpful:
5.0 out of 5 stars The book is not the movie., July 20, 2004
The recent film Master & Commander: The Far Side of the World sparked my interest in Patrick O'Brian's lengthy series of nautical adventures featuring Capt. Jack Aubrey and his close friend and ship's doctor, Stephen Maturin. While the source novel, The Far Side of the World, comes at a midpoint in O'Brian's chronology, it provides a familiar port for a movie fan to embark on the journey. (Had I read the book before seeing the movie, this might be an entirely different review; now, a comparison between the two is inevitable.)

O'Brian's novel is an intelligent, fascinating look at British naval life during the Napoleanic wars. The author quickly draws readers into the world of seamanship and His Majesty's Navy, filling the pages with rich images and jargon that bring a bygone era back to life with less flash but more substance. Book and movie are both enjoyable and absorbing; still, readers will find very little resemblance here, as the movie draws very few scenes and plot twists from O'Brian's text.

Characters, on the other hand, are better developed in these pages, and there are more of them to boot. Relationships aboard ship are more fully explored and there are even a few women -- a handful of officer's wives -- among the passengers. Subplots dealing with international intrigue, shipboard romance and murder (that were dropped entirely from the movie script) kept my interest level high. There is plenty of humor, too, providing the occasional elbow jab in the ribs and hearty chuckle.

The novel can be slow-moving at times; it seems an endless wait before HMS Surprise and her crew even leave port! But there's interest in the details even while bound to land -- Maturin's eccentric fascination for birds, for instance, and the gauntlet of formal meetings and informal callers Aubrey must deal with as he tries to hasten his ship's departure. The voyage itself, to action hounds, will seem interminable. The U.S. frigate Aubrey has been ordered to find and take or destroy doesn't even appear until more than 200 pages have passed -- and even then, it passes quickly by. The cat-and-mouse game that dominated the movie is, here, more mouse than cat.

Don't read the book looking for great sea battles, cannons blazing and cutlasses at the ready, either. There is no great sea battle at the climax, but O'Brian's denouement is satisfyingly unexpected.

I kept turning pages with unflagging eagerness as the story unfolded. The Far Side of the World is not high adventure, but it is historical fiction of the highest order.
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23 of 24 people found the following review helpful:
5.0 out of 5 stars The Best of the Best, July 12, 1999
By A Customer
When reading the Aubrey/Maturin series it is hard to think that perhaps any one book is better then the rest. Because of O'Brians brilliant use of language and subtlety, the best book always seems to be the one you have most recently put down. This seems to be the case until you read The Far side of the World. This book has all the elements that you love about the series - great dialogue, authentic naval warfare, love, intrigue, and more - all rolled into one. O'Brian is able to present early 19th century life to you in a way that can only be equalled by primary sources. I would recommend that you read the series in order , but if you had to read just one make it The Far Side of the World.
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First Sentence:
'PASS THE WORD for Captain Aubrey, pass the word for Captain Aubrey,' cried a sequence of voices, at first dim and muffled far aft on the flagship's maindeck, then growing louder and more distinct as the call wafted up to the quarterdeck and so along the gangway to the forecastle, where Captain Aubrey stood by the starboard thirty-two-pounder carronade contemplating the Emperor of Morocco's purple galley as it lay off Jumper's Bastion with the vast grey and tawny Rock of Gibraltar soaring behind it, while Mr Blake, once a puny member of his midshipman's berth but now a tall, stout lieutenant almost as massive as his former captain, explained the new carriage he had invented, a carriage that should enable carronades to fire twice as fast, with no fear of oversetting, twice as far, and with perfect accuracy, thus virtually putting an end to war. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
foremast hands, best bower, great cabin, dirty weather, able seamen
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Captain Aubrey, Sir Francis, Captain Palmer, South Sea, Juan Fernandez, Sir Joseph, Captain Pullings, River Plate, Royal Navy, United States, West Indies, Cape St Roque, Cape Verdes, Captain Colnett, Joe Plaice, Laura Fielding, Sugar Loaf, Captain of the Fleet, Jemmy Ducks, Molter Vivace, South American, Tom Pullings, Zambra Bay, Articles of War, Caleb Gill
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