From Publishers Weekly
The film version of this novel, which created a furor at this year's Cannes Film Festival, might well be more satisfying than the novel itself, which has both an irresistible setting and a smart plot crying for more heartfelt emotion than the wooden reactions Lee has given to her characters. The title comes from the name of a Peking Opera classic that is also the preferred showpiece of Duan Xiaolou and Cheng Dieyi, two actors who have been together since they started as young boys under the same strict master. Xiaolou becomes a sheng , playing generals and other male leads, while Dieyi becomes a dan , playing his consort, concubine and other female leads in the all-male Peking Opera. Completely immersed in his role, Dieyi falls in love with his "general." Much to his chagrin, Xiaolou prefers a common prostitute. Alternately feted and despised, the two friends weather the vicissitudes of the nationalists, the Japanese occupation, early communism and final humiliation at the hands of the Cultural Revolution. The author of The Last Princess of Manchuria has tailored an intricate brocade gown, but has neglected to put a body inside it.
Copyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Prolific Hong Kong writer Lee ( The Last Princess of Manchuria , LJ 7/92) sets an intricate love triangle against the backdrop of China during the warlord period, the Japanese occupation, the Communist victory, and the Cultural Revolution. Singers Duan Xiaolou and Cheng Dieyi grow up together and come to play leading roles at the Peking Opera; their bravura performance is Farewell to My Concubine , in which the devoted mistress of a general kills herself rather than face her man's defeat. Cheng incarnates female roles so totally that he falls passionately in love with Duan, who feels only brotherly affection for his stage partner and marries a beautiful courtesan. The obsessive Cheng tries repeatedly to undermine the marriage. Unlike most Chinese fiction, this novel seamlessly integrates the personal and the social; its riveting drama of a menage a trois also reveals the burden of recent Chinese history. For most collections.
- Cherry W. Li, Univ. of Southern California Lib., Los AngelesCopyright 1993 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.