Farewell My Lovely 1975 R CC

Amazon Instant Video

(54) IMDb 7.1/10

A film noir remake of the Raymond Chandler novel 'MURDER, MY SWEET' originally made as a film in 1944.

Starring:
Robert Mitchum, Charlotte Rampling
Runtime:
1 hour 36 minutes

Farewell My Lovely

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Product Details

Genres Thriller, Mystery
Director Dick Richards
Starring Robert Mitchum, Charlotte Rampling
Supporting actors John Ireland, Sylvia Miles, Anthony Zerbe, Harry Dean Stanton, Jack O'Halloran, Joe Spinell, Sylvester Stallone, Kate Murtagh, John O'Leary, Walter McGinn, Burton Gilliam, Jim Thompson, Jimmy Archer, Ted Gehring, Logan Ramsey, Margie Hall, Jack Bernardi, Bennett Ohta
Studio Lionsgate
MPAA rating R (Restricted)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

4.1 out of 5 stars
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See all 54 customer reviews
The moody noir atmosphere is everything in this film.
Nipper
Robert Mitchum, Sylvia Miles, Charlotte Rampling, Harry Dean Stanton, Jack O'Halloran, John Ireland and Sylvester Stallone,among others - what a lineup.
Michael E. Burgess
It is very disappointing to find this DVD is so hard to find at this time that the current pricing is so outlandish!
bigdogmoviebuff

Most Helpful Customer Reviews

35 of 37 people found the following review helpful By Eugene J. Casey on April 6, 2006
Format: DVD
That this film is not currently available on DVD is a dirty shame, as it is among Mitchum's best performances, certainly of his later career as a grizzled vet of the vestiges of life. The film-makers manage to effectively incorporate Mitch's advanced age into this fine adaption of Chandler's novel, giving the film a melancholy, borderline-nostalgiac feel. One can fantasize of John Huston directing Mitchum, say, twenty years earlier, but never mind: "Farewell" is a classic in its own right, benifiting from the success of Polanski's "Chinatown" and the baby boomer's appreciation of film noir and Bogart-era private-eye pictures. Excellent supporting performances abound: John Ireland (one of his best turns), Harry Dean Stanton (in a small role), Anthony Zerbe (before he became almost a cliche). Charlotte Rampling is a deliriously sexy mix of class and trash, and do not miss a couple of scenes with Mitchum and Sylvia Miles that are just perfect. Hey, that is none other than pulp-noir genius Jim Thompson in a tiny but memorable role. His one and only acting job allowed Thompson was able to get much-needed medical insurance.
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26 of 27 people found the following review helpful By Jeremiah on September 19, 2010
Format: Amazon Instant Video Verified Purchase
Don't buy the video on demand version here--it's crappy pan and scan with heavily saturated color. I made the mistake of buying without checking the aspect ratio. iTunes has the widescreen version while we wait for the DVD/Blu-Ray to finally be released. This film deserves the full-on Criterion treatment.
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20 of 22 people found the following review helpful By Nipper on April 10, 2006
Format: DVD
If you know the story it doesn't matter. The moody noir atmosphere is everything in this film. It is the type of movie that can be viewed multiple times. The acting by the veteran actors are authentic for the period. The pacing is right on target and viewing this picture is like going back in a time machine. It captures a time and place in L.A. of the early forties and the story proceeds without any pretense or glamor. They must re-release this film at all costs.
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10 of 10 people found the following review helpful By Stellar Jay on November 16, 2013
Format: DVD Verified Purchase
This review is for the S. Korean Import - All Region - NTSC DVD. The case says 1.33:1 widescreen, a contradiction you say, but that is exactly what it is. It looks like they took a 1.33:1 fullscreen print and blew it up to fit your big screen. The effect is that you feel like you're watching the film through binoculars or, if your TV is so equipped, like watching with the ZOOM on. I have this movie on vhs in the fullscreen 1.33:1 format and the compositions within the frame look comfortable and pleasing. This DVD looks awful! You see only a fraction of the original image and the magnification almost induces motion sickness when there's movement on screen in close-up or medium-range shots.
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7 of 7 people found the following review helpful By Michael E. Burgess on May 29, 2008
Format: DVD Verified Purchase
Robert Mitchum, Sylvia Miles, Charlotte Rampling, Harry Dean Stanton, Jack O'Halloran, John Ireland and Sylvester Stallone,among others - what a lineup. Of the entire genre of film noir, tough guy detective films, this one is by far the best. Mitchum is at his all time best, even though he's nearly sixty in this film (a bit old to play Marlowe, in my opinion, but he carries it off with absolute aplomb). He is the quintessential tough guy gumshoe Marlowe (he floors Dick Powell's previous characterization of the role), Sylvia Miles and Charlotte Rampling turn in flawless performances, and in fact Sylvia Miles received a well-deserved Oscar nod for hers. John Ireland and Harry Dean Stanton also gave marquee performances as well. Even young Sylvester Stallone is a surprise. But another one that stands out for me personally is the absolutely perfectly cast Jack O'Halloran as Moose Malloy. He plays the uber-big lunkhead looking for his girlfriend and I find myself caring for this character, following how the character develops and wanting to see the outcome for big Moose. O' Halloran did an outstanding job, playing Moose to spot-on realism and really filled in that dimension of the film for me. This film is a winner.
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7 of 7 people found the following review helpful By Stephanie De Pue VINE VOICE on April 7, 2007
Format: DVD
"Farewell My Lovely," based on the novel of the same name by famed hard-boiled detective author Raymond Chandler, a Californian,(Farewell, My Lovely),is set in the author's glamorous 1940's film noir Los Angeles. However, it was filmed, lavishly -- no stinting on any car or landmark -- in the Los Angeles of the 1970's, to be released in 1975. It was also filmed in color, the theory being that LA noirs may successfully be filmed in color. 1970's LA was then rather neo-noir itself, in the sour aftermath of the Manson family murders, and the Hell's Angels' murder at the Rolling Stones' Altamont concert. Quite a few neo-noirs were being filmed there and then, in color. "Farewell" is actually an English production. David Selag Goodman adapted the script, staying much closer to the novel than the original, 1944 adaptation,(Murder, My Sweet), starring Dick Powell. Jerry Bruckheimer gets a production credit on the movie; his touch might be seen in the open-handedness with which it's filmed, the well-orchestrated, swift-moving scenes of violence -- the whole movie clocks in at a quick 98 minutes-- and the all-star cast assembled for it.

The movie evokes its time: Joe DiMaggio's breathlessly followed 1941 hitting streak. And it succeeds in giving us a sense that December 7, 1941 is inevitably coming: "The day that will live in infamy," then President Roosevelt famously said. The day that began World War II, with the Japanese dawn bombing of Pearl Harbor, Hawaii, ( that's not so far from LA). The jazzy score is by David Shire.
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