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Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota
 
 
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Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota [Hardcover]

Chuck Klosterman (Author)
3.7 out of 5 stars  See all reviews (82 customer reviews)


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Book Description

May 22, 2001
Powered by a sharp and wholly original voice, Chuck Klosterman delivers a real-life High Fidelity in this savvy, deliriously funny memoir of growing up a shameless heavy-metal devotee in 1980s North Dakota. The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he's mired in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which said rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, Shout at the Devil, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Krokus, Ratt and Poison, and a journey from which, clearly, he has never fully recovered. In the hilarious, young man growing up with a soundtrack tradition, Fargo Rock City chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan, N.D., with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.


Editorial Reviews

From Publishers Weekly

Klosterman's highly touted debut has as much to do with Fargo, N.D., as the Coen brothers' slice of Americabre, Fargo. That is, nothing at all, really. Misleadingly titled to cash in on Fargo's cinematic mystique, Klosterman's memoir about growing up a sexually repressed metalhead, with a humiliating (mom-dictated) Richie Cunningham haircut is actually set in Wyndmere, N.D. Klosterman starts up with a bang ("You know, I've never had long hair"), shifts gears often (from memoir to music criticism, somewhat jarringly at times), and rarely idles. Ultimately, though, Klosterman, ironic throughout the book, does not write with enough sincerity to prove his thesis "that all that poofy, sexist, shallow glam rock was important." Granted, it's a daunting task to write a hymn of praise to the genre that spawned David Lee Roth so the author wisely stretches his pop-culture references like taffy. In the final chapter Klosterman, now an arts critic for Ohio's Akron Beacon Journal, quotes a friend's definition of a "guilty pleasure" "something I pretend to like ironically, but in truth is something I really just like" to explain how he really feels about glam metal. His closing summation of what metal means to isolated kids in the heartland will strike a power chord for many readers. (May)Forecast: Klosterman has tapped a gold mine. Fans of 1980s M”tley Cre, Poison and Ratt are pushing 30 and 40 and seeking a nostalgia trip. Also, Gear magazine will run an excerpt of the book along with a conversation between Klosterman and Aerosmith singer Steven Tyler.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

Let it be known that Fargo Rock City does not detail a burgeoning music scene in North Dakota's largest city (population: 70,000). Nor is it a yarn about a heavy metal band gigging across the frozen tundra of the Red River Valley. Rather, it's one Middle American's memoir of growing up with and loving 1980s heavy metal (e.g., Ratt, Poison, and Guns 'n' Roses). In other words, this book is for the myriad metal-heads from Fargo to Phoenix who inked "M?tley Cr?e" on their notebooks during high school study halls. The music, film, and culture critic at Ohio's Akron Beacon Journal, Klosterman uses refreshingly candid language: reading his debut is like overhearing a drunken discussion between two music fans. He nicely blends metal music theory with compelling tales of self-realization. Perhaps more than a memoir, this is a seriocomedic defense of a culture that was only cool to those who participated in it. Recommended for all public libraries, especially those in the heartland.
- Robert Morast, "Argus Leader Daily," Sioux Falls, SD
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 288 pages
  • Publisher: Scribner; Touchstone edition (May 22, 2001)
  • Language: English
  • ISBN-10: 0743202279
  • ISBN-13: 978-0743202275
  • Product Dimensions: 8.8 x 5.8 x 1 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (82 customer reviews)
  • Amazon Best Sellers Rank: #477,834 in Books (See Top 100 in Books)

More About the Author

Chuck Klosterman is a New York Times bestselling author and a featured columnist for Esquire, a contributor to The New York Times Magazine, and has also written for Spin, The Washington Post, The Guardian, The Believer, and ESPN.

 

Customer Reviews

82 Reviews
5 star:
 (33)
4 star:
 (21)
3 star:
 (9)
2 star:
 (12)
1 star:
 (7)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (82 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful:
5.0 out of 5 stars A Great Read, June 29, 2005
By 
Jim M. (Springfield MA) - See all my reviews
(VINE VOICE)   
I'm the same age as Chuck Klosterman, grew up in the same period. All that time, I HATED heavy metal. I knew all the bands he writes about, remember seeing kids wearing the T-shirts and having the names written on jean jackets, but I HATED the music.

All that aside:

I LOVED THIS BOOK!

The book is a series of essays about Chuck growing up and being a fan of different heavy metal groups. Going through artists careers, talking about the best CDs of the era, why the groups were popular, and how grunge killed them off.

You don't have to be an ex-metalhead to love this book. His writing is infectious.

I'll be honest, I only picked this up after reading his other two books (FARGO ROCK CITY is his first), and it is just as much fun as those others.

Will it make you rethink heavy metal? Maybe not. In recent years, I've begun to rethink it a bit, if only because I realize the current music scene makes heavy metal seem not so bad anymore. Plus, enough time has passed to make you seem nostalgic about some of these groups. But, this book probably won't make you run out and buy all the Poison or Motley Crue CDs.

It is just a whole lot of fun to read.
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14 of 17 people found the following review helpful:
4.0 out of 5 stars Chuck is a Rock God -- Honestly, June 17, 2003
By 
Robert Wellen (CHICAGO, IL USA) - See all my reviews
(REAL NAME)   
At first, I was a bit disappointed by the book and then I read the epilogue. Why wasn't it more of a memoir? Why was it filled with so much analysis? Then, I realized that isn't really the point of this wonderful book. Klosterman has made me a fan for life. What wins me over his unbashed honesty. I've long held that the lowest critic life form is that of rock critic. Klosterman calls them on their pretension. He hammers away at what I have always believed is that music is important if it touches you. My MP3 collection has Sinatra and Warrant. Who cares who is better, both form the soundtrack to important parts of my life. Klosterman tells some hilarious stories and his takes on music and life is so refereshingly honest that I can't stop smiling. He isn't mean or nasty--just tells it as he sees it. DOn't agree? That's ok. I learned more than I ever imagined about '80s heavy metal (some which I finally realized I liked about 10 years too late) and I suspect I would have gotten more out of the book if I had understood all the references, but I loved what I read anyway. Except for the passage where he compares the Gospels to GNR Lies, this book really does rock. Isn't that the most important thing?
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10 of 12 people found the following review helpful:
5.0 out of 5 stars A Metal Manifesto (or No Apologies), April 24, 2001
This review is from: Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota (Hardcover)
This funny and enjoyable book is an answer to the pop culture elitists (such as myself!) who dismiss heavy metal as ridiculous junk. By relating the social and personal impact of metal on himself and his friends growing up in rural North Dakota, Klosterman makes a compelling case that this music has an importance and meaning far beyond how it compares musically and lyrically to Dylan, The Beatles, Springsteen, and other ordained members of the Rock Canon. The sprawling text is part memoir, part free-thinking criticism, part record guide, and always hilarious.

I guess that FARGO ROCK CITY falls somewhere between Dave Eggers and Chuck Eddy, but it's really too sui generis to be so glibly catagorized. This book is for the "Rocker within us all"! Check it out....

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You know, I've never had long hair. Read the first page
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Van Halen, Bon Jovi, Skid Row, Def Leppard, North Dakota, Vince Neil, Axl Rose, Iron Maiden, David Lee Roth, Fargo Rock City, Nikki Sixx, Judas Priest, Faster Pussycat, November Rain, Black Sabbath, Led Zeppelin, New York, Don't Cry, Lita Ford, Home Sweet Home, Gene Simmons, Marilyn Manson, Ozzy Osbourne, Rolling Stones, Vinnie Vincent
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