Customer Reviews

Fargo

5 star:		(290)
4 star:		(56)
3 star:		(31)
2 star:		(17)
1 star:		(38)

 

 

Very few movies stand out in the world of cinema in a way that "Fargo" does. This off-the-wall thriller that combines humor with suspense is an absolute masterpiece in my eyes. It's one of those films that I can watch over and over again without ever worrying about getting tired of it. It is a movie that is crafted and presented to us in a fresh and exciting manner.

The plot revolves around a bizarre kidnapping scheme. Jerry Lundergaard is pressed for cash, so he resorts to hiring two thugs to kidnap his own wife so that his father-in-law will pay the ransom. Sounds like one bizarre plan, but one must remember how desperate people can get when it comes to money issues. It's easy to see that trouble lies ahead once the plan is set into motion, and a series of events have been unleashed that cannot be undone. What's supposed to be a simple and straight-forward plan ends up being a horrific mess with unspeakable consequences.

"Fargo" is truly one of those films where you know the majority of the population has seen it. Everybody repeats the lines, reenacts the silly and sometimes over-the-top accent (although, I have been to Minnesota many times, and people do talk like that!), and everybody seems to have their own favorite scene out of the movie. The film is amazingly written and directed by the Coen Brothers, who have made movies like "Miller's Crossing," "Barton Fink," "Raising Arizona," and "The Man Who Wasn't There." It's a treat to watch them keep coming up with fresh and original films that never seem similar to their past movies. The film also includes a phenomenal cast that really makes everything work. William H. Macy is great in his performance of the husband, as he shows great human qualities along with the devious and terrible ones. Francis McDormand is absolutely fantastic in her role of "Marge" and steals every single scene that she is in. Let's not forget to mention Steve Buschemi (the "funny-looking" guy) and quiet but extremely violent Peter Stormare as the two spineless thugs.

In this "Special Edition" package, we finally get to see the film recieve the care and treatment that it deserves. The picture and sound quality is more than satisfying--especially the sound, as this is the first time that it's available in five-channel Dolby Surround. The DVD contains widescreen and fullscreen presentations of the film (I always recommend watching the film in widescreen, as you are seeing exactly what the director wants you to see). Special features include a behind-the-scenes documentary, a Charlie Rose interview with the Coen Brothers and Francis McDormand, audio commentary by the director of photography, trailers and more. The behind-the-scenes feature and the interview with Charlie Rose are really worth checking out, as the issue of this movie being "based on a true" story is finally put to rest. And the answer is--well, I'm not going to tell you that! That defeats the whole purpose of getting this fully-loaded DVD package. Trust me, no matter what the answer may be, it doesn't take anything away from the movie and everything is explained in a very reasonable way. This is definitely an impressive package for one heck of an impressive movie.

"Fargo" is a film that will always be around. It has already reached "classic" status in so little time and is critically acclaimed by some of the world's top movie critics. While the movie may be violent and extremely dark, make sure to pay close attention to the end where Marge is talking to "someone" in her squad car, as that really is what the whole theme of the movie is about (and it is a great scene, I might add). If you have not given this movie a viewing, be sure to check it out when you can. Is it a fantastic film that can be watched numerous times? You betcha!! -Michael Crane

Of all the Cohen Brother's tremendously entertaining movies, this is the best. This is the one that they will be remembered for. William H. Macy plays Jerry Lundegaard, a man in a spot. He's a used car salesman that has been securing loans for cars that are not really in his lot. The bank is calling in the loans, threatening legal action, and he needs money fast. He forms a plan to have his own wife kidnapped, thereby splitting the ransom money between himself and the kidnappers.

It's a terrible plan, and it quickly unravels into a bloody mess of murder and betrayal. When bodies begin to mount, a local police officer, Marge Gunderson, is called in. Frances McDormand plays Marge Gunderson, and she makes the movie magical.

McDormand won an Oscar for the role, and this is one instance when the recipient deserved the award. She plays "Margie" with a huge dose of humanity. She is a character that sneaks up on you. When she is introduced, you wonder if perhaps she is just a small town officer in way over her head. She is pregnant, speaks in small town (Minnesota) idioms, and throws up from morning sickness when investigating the first brutal murders. She seems more like a nice, Minnesotan housewife than a cop. But early you get the feeling that there is something special about her.

The killings involve a traffic cop that was killed while issuing a ticket for a missing plate. In his log book, he was written DLR. When Marge's fellow officer says that he has run a search for all tags starting with DLR, Marge says gently, "I'm not sure I agree with you 100 percent on your police work there, Irv." She explains to Irv that DLR means that it was a new car, a dealer's car. "Oooh" says Irv, staring into space. Then Marge tells Irv a joke about the guy that couldn't afford a vanity license plate, so he changed his name to FGS1135. "That's a good one," says Irv, but it is clear Marge's wit has gone over his head.

The brilliance of the scene is that Marge is never cruel or condescending to Irv, never thinks less of him, and is not making fun of him. She is simply enjoying her own intelligence, and we can see the very private sparkle in her eyes.

Marge also has a core of steel. Watch the scene where she gets information from a menacing suspect by reminding him, with almost motherly concern, about all the trouble he has been in with the law, and the fact that he is actually in violation of his parole. She cracks him like an egg without ever loosing her smile.

All actors concerned give great performances. Steve Buscemi brings his pitch-perfect snide larceny to the table, playing one of the kidnappers; and Peter Stormare (who once played Hamlet in an Igmar Bergman production) utters perhaps 15 words in a terrifying performance as the other kidnapper. And, of cource, William H. Macey couldn't have played it Better. His Jerry Lundegaard is so full of stress and fear, you can't watch him without squirming.

I have read where this film has been criticized for making fun of the people of Minnesota, poking fun at their accents and manners. This is not true. The Coen Brothers grew up in Minneapolis, and this is their homage to their own people. The folks in Minnesota may talk funny to the reviewers watching movies in New York and Los Angeles, but this film in no way makes fun of them. At the end of the day, Marge and her husband are happily going to sleep in their bed, in love with one another and content with their shared life. How many other couples portrayed in a Coen Brother's film can make this claim?

How anyone can watch Marge Gunderson in action and think the Coen's were making fun of her is beyond me. Like Marge, they are simply enjoying their own intelligence.

Whenever I rave about a movie I've recently seen, there's the inevitable question "What's it about?" With regard to this film, I recall responding that it's about a pregnant police chief who eventually solves a series of brutal murders somewhere in the Upper Midwest. (Brainerd, Minnesota? Fargo, North Dakota?) It is always a pleasure to observe Frances McDormand's performance in a role for which she received an Academy Award for best actress in 1996. The film was directed by Joel Coen who co-wrote the screenplay with brother Ethan. This film effectively combines some of the most dead-on (albeit affectionate) cultural satire of Scandinavian Americans in "Small Town U.S.A." with severe physical violence as when one victim is stuffed upside-down in a wood chip machine. (When I first observed "Margie" methodically gathering information, I was reminded of Colombo whose keen mind is also underestimated.) The basic story involves Jerry Lundegaard (William H. Macy), a desperate swindler. After his wealthy father-in-law Wade Gustafson (played by Harve Presnell whom I did not recognize) refuses to become involved in a real estate project, Lundegaard hires Carl Showalter (Steve Buscemi) and Gaear Grimstad (Peter Stormare) to kidnap his wife Jean (Kristin Rudrud) so that he can use most of the ransom to cover his debts and thereby conceal his crimes. Of course, his plan fails and several lose their lives as a result. As the film ends, the camera focuses on Chief Gunderson as drives her police sedan across the bleak winter landscape (think of the surface of the moon beneath three feet of snow and ice), with one of the two kidnappers in custody. She claims not to understand how anyone could behave badly in such a "beautiful" world.

Yes, this is a nasty film...at times severely violent. It also has a number of delightful comic moments, notably during Chief Gunderson's conversations with her husband Norm (John Carroll Lynch) as well as with Lundegaard. The acting by all members of the cast is consistently brilliant under Coen's crisp direction. After numerous viewings, what I still enjoy most in this film is McDormand's performance. Chief Gunderson may have a trusting heart but also a remarkably sharp mind. She wants so much to believe in goodness, to think the best of others, but she is by no means naive. As played by McDormand, she invests this film a warmth which is all the more remarkable, given the physical setting and time of the year.

Having owned Fargo both on laserdisc and DVD, watching the Blu-ray transfer projected onto a 200 inch screen is like experiencing the film for the first time at the cinema. If not reference quality (this was a low-budget, independant production), the picture and detail are vastly improved compared to any previous home video presentation - the blood really gushes out of the screen. One can now actually see all the unsavoury goings-on in all the murky interior scenes. There is a lot of film grain visible, so thankfully little or no digital noise reduction applied here. The aspect ratio and framing are correct and the sound and dialogue are much clearer than on the very thin-sounding DVD. There are minor edge-enhancement gripes, as other reviewers have pointed out: halos around black objects placed against white backgrounds (see the opening titles, or the lamp posts in Gunderson's car lot) - but this shouldn't prevent any film fanatic from shredding the DVD in the wood-chipper and upgrading to this version.

Fargo is a truly great modern-classic. Frances McDormand is touching with her old-fashioned values amongst all the violence and greed of the other characters. William H. Macy is able to gain our sympathies, even after all the horrible events that unfold. He wasn't a bad guy, just stupid. Steve Buscemi is hilarious and perfect playing a weasily little man "Wow, Daddy." Peter Stormare is brutal, and very much resembling an angel of death when he walks from his car after the accident. And to think that such cold, introverted people exist among is is chilling. Also, the Coen brothers casting of actors who look average is also very effective, not only in the main roles, but small parts too. The man who tells the police officer information on Steve Buscemi is hilarious in his natural, average demeanor. And instead of picking a conventionally gorgeous woman to be placed in the flipped-over car, the Coen's pick a woman with a kind of average prettiness, that's much more powerful because she is like people we know, and we can see her having a family and friends who would miss her. The music, also, is wonderfully sad and moving. Fargo is not a comedy, but it is a kind of joke, and when watching it one must remember that the Coens are probably laughing at every scene, even if we are not.
Also, the family who thinks Fargo is the worst movie ever, and when discussing bad movies says: "but is it FARGO bad?!?!" must be the biggest bunch of dumbasses in the world. Please stop watching movies, and if that is too much to ask, please, please stop polluting the internet.
But yeah, Fargo is very good. May take a few viewings to appreciate fully, so worth buying definitely.

Fargo is one of the best films of the 1990's. It revolves around a bizzarre kidnapping scheme that unexpectedly leads to murder. Filled with cold settings, quirky characters, and excellent performances, Fargo is an excellent film.

The central characters of the film are an overextended car salesman (William H. Macy), a pregnant police chief (Frances McDormand), and two kidnappers (Steve Buscemi and Peter Stormare). William H. Macy's character is not a good person, but Macy's excellent performance is able to make us feel his pain. Frances McDormand's character is well mannered, and strong willed, which is great to see in a female character. She definately deserved her oscar for her performance.

Steve Buscemi is great as always. His character is a criminal, but is somewhat likeable. Peter Stormare's character is underrated. His character is a psychopath who hardly ever says anything. His actions show his aggresiveness without even needing to say anything. I would rank his character as one of the best psychopaths, up there with Frank Booth from Blue Velvet and Tommy DeVito from Goodfellas.

The plot is pretty simple, but you still need to pay attention in order to understand it. Part of what I really liked about this movie is how the plot is simple, but the Coen Brothers managed to create a story of kidnapping gone wrong and murder without having an overly complex plot.

The score is very affective. It has a celtic feel to it and expresses the mood of the midwest perfectly.

The way the film is shot resembles Stanley Kubrick's style, as every shot is like a perfectly drawn picture.

I recommend Fargo at all costs. It has a wintry feeling that stays with you hours after you've seen it.

The Coen Brothers are among the most technically proficient filmmakers in Hollywood today. "Fargo" starts out quietly, with an ominous prologue informing the audience that this is a true story, and the names have been changed to protect "the dead." (It a widely known secret that this story is a complete work of fiction.) A single car plows slowly through the hostile Minnesota winter landscape, towing another vehicle as the music builds from an innocent accordion solo to an ominous orchestral overture.

This is the essence of the Coen Brothers' movies: we're going to mess around with your expectations. Our "bad guy," Jerry Lundegaard (William H. Macy's star-making role), is one of the biggest twits to wear the title "villain" in a long time. He's nervous, incompetent, and receives absolutely no respect from anybody he meets (deservedly so!). He's a car salesman (of course) in some serious financial trouble. True to form, the Coens never tell us exactly what the trouble is -- it's better left to our imagination. But Jerry has hired two crooks to kidnap his wife so the wealthy father-in-law will pay the ransom. The kidnapping is frightening, and the aftermath turns horrifyingly bloodly.

Jerry's house of cards begins to fall when Marge Gunderson (Frances MacDormand, winning her Oscar), sherrif of Brainerd, arrives on the case after three Minnesotans are murdered by the kidnappers. Marge is far from the dashing "hero" we get in so many Hollywood flicks -- she's seven months pregnant, waddles from meal to meal, and takes delight and comfort from the little things in life. Despite her morning sickness, Marge is a heck of a detective, and soon she's tracking down our dim-witted villain.

What makes "Fargo" such a phenomenal movie are the little details that it gets just right. The Coens capture the look and sound of Minnesota perfectly, and the unique Minnesota accent has never received such a loving nudge in the ribs. There's just something hilarious about two Minnesotans bundled up in enough snow gear to clothe a ski team observe that it's going to be a cold one . . . tomorrow!

MacDormand and Steve Buscemi (Carl -- "kinda funny lookin') are veterans of the Coen Brother movies, but the rest of the cast inhabits these roles like to the manner born. "Fargo" reminds us what an American hero truly is, and how so many of our goals are caught up in the foolish pursuit of money. Along the way, it makes us laugh and frightens us out of our skins.

After you see the movie, ask yourself which is more horrifying (or, which is more hilarious): the wood-chipper, or Mike Yanagita?

This looks great. Some reviewers seem to miss the point. FILM of this age has grain in it. Blu-ray should give you the experience of watching FILM. If you are a fan of actually watching movies in a good theater feel safe buying this.

I can't believe how many reviewers neglected the fact that part of the genius of this movie is the way it is passed off as a true story. Even the rumor that the cop was really a man just fuels the belief, although it is pure fiction. The acting is great all around, but Macy steals the show as the complex, pathetic Lundegaard, a spineless, wimpy guy who married the overbearing, egotistical boss's ditzy, innocent daughter. We never really find out why Jerry needs the money, although schemes involving a parking lot investment, insurance fraud, and a phony kidnapping are all backfiring as the plot unfolds. Perhaps he simply needs the money from the kidnapping and/or the investment to cover the auto insurance fraud screw-up when they call his loan back. It is never really explained, and to good effect. The impetus for the capers is irrelevant.

Macy's lies (very realistic for a used car salesman), private temper tantrums and loss of control, and lack of authority over his father in-law are perfectly played. The police interview scene in his office with Frances McDormand is pure genius, from the acting to the writing to the filming. This is movie making artistry.

Buscemi and Stormare are perfect as the not-quite-competent thieves hired for the project, with Stormare a cold-blooded and obvious sociopath and Buscemi an almost likeable lost soul.

This is a fairly realistic movie, other than the scene where Stormare fires a single perfect shot at over 100 feet into the back of a fleeing crime witness, who is running in deep snow and illuminated only by car headlights. It's nice to actually see a character in serious pain after getting shot, with lasting wounds, such as Buscemi's Carl Showalter suffers.

Not for the faint of heart, I recommend this movie 100%.

I bought this DVD about three years ago from a private dealer via the Amazon.com site. At the time, you could not find this DVD at any of the local retailers, so I had to pay a little extra due to supply-demand economics. It was worth it as this movie is a film worth owning.

Supposedly this story, Fargo, is based on a true story. I've enjoyed it at least 20 times and will without a doubt watch it countless more times. In my opinion it is one of the best movies ever made. It has elements of several genres including drama, suspense, action thriller, and dark comedy.

The film starts out in a Fargo bar (Merle Haggard's "Big City" is playing on the jute box) where car dealer, Jerry Lundergarde, is making a deal with two ex-cons to kidnap his wife in order to get ransom money from his father-in-law. Jerry gets greedy and the plan is foiled by a smart woman police chief who is pregnant.

The acting and actors all did a superb job; even the bit part actors were great. I'll never forget the chief's husband, Norm, and his silly stamp campaign. And the chief of police, Marge, played by Frances McDormand who made the movie so credible with her Minnesota accent and mannerisms. Then, there was the big swede who now has a part on Fox's "Prison Break." And let's not forget Jerry Lundergarde and his wealthy but over-controlling father-in law.

This movie is a classic in every sense of the word. It is unique in that there has never been another movie like it. I still wonder if anyone ever found the million bucks that the little hood hid in the snow. I've even considered going up that way, and doing a search of the area. I think I'll wait, though, until the snow melts.

Needless to say, I love this film. The last time I watched it was about a year ago. Since it has been a while, and I have the DVD, I think it's about time for me to pop the disc in the player and enjoy it again.

If you haven't seen Fargo, give it a try. You'll likely like it if not love it. Ya! Ya! Ya!