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15 of 15 people found the following review helpful:
5.0 out of 5 stars
This one baffled me! One of the best in the Pitt series, July 17, 2000
Even though I'm familiar with Anne Perry's rhythms as a writer, her characters, her fascination with the secrets people keep, and her addiction to slipping messages about today's prejudices into her books on 19th-century England, I thoroughly enjoyed Farrier's Lane, and was baffled until the very end! While Thomas and Charlotte Pitt enjoy a rare night at the theatre, an appeals court judge dies of a seeming heart attack in a nearby box. However, the death is much more suspicious than it seemed at first and opium poisoning is suspected. But who would poison Judge Stafford? There are many suspects: his wife Juniper, his wife's lover, or even people involved in a five-year old case in Farrier's Lane. No matter how hard Thomas Pitt tries to solve the case by exploring more up-to-date possibilities, Charlotte continues to be preoccupied with a murder and crucifixion in Farrier's Lane. Ugly motives like anti-Semitism and the rush to judgement eventually disclose the murderer of Judge Stafford and the miscarriage of justice that happened five years earlier.
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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Hang someone to quiet the public, June 11, 2002
This novel is somewhat slow reading, perhaps because there seems to be an excess of extraneous details, e.g., you may learn more than you want about baking fruitcakes. On the other hand, some details related to the case never seem to be fully explained. The plot is somewhat transparent for a whodunit, i.e., you can guess the identity of villains before they are exposed. The setting is London in 1889. Five years earlier a brutal murder had outraged the public. Police were previously criticized for not catching Jack the Ripper. Pressures for an arrest in this case led to the conviction and hanging of a Jewish actor. Anti-semitism had run high with attacks on Jews and Jewish owned businesses. Now questions have been raised. A Justice who had served on the appeals court for the case is looking into it again. When he dies during a theatre performance, Inspector Thomas Pitt is assigned to investigate, and he re-examines the old case the Justice was reviewing. There is strong pressure not to rock the boat. A reversal in the five-year old case would embarass many people from individual policemen to Justices of the appeals court. Some surprising facts are revealed as the case draws to its conclusion. As a sidelight, Charlotte's maid Gracie acquires a young admirer. Like other novels in this series, we are provided with a picture of Victorian era society in London. The novel has some amount of violence and some references to sexual encounters.
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2 of 2 people found the following review helpful:
4.0 out of 5 stars
One of the most successful of the series, April 23, 2008
This is the thirteenth outing for Inspector Thomas Pitt of the Metropolitan Police in London of 1890 -- and also his last before being promoted to Superintendent of the Bow Street station. The social theme this time (Perry always includes one) is the superstitious viciousness of Victorian antisemitism and the violence that sometimes resulted. Five years before, a gentleman was not only murdered in a blacksmith's yard at night, he was crucified to the stable door with horseshoe nails. Only a Jew would do that, right? Public horror, combined with a rush to judgment on the part of the police and the courts, results in the hanging of an actor whose sister has been agitating ever since to prove him innocent. Then Pitt nearly witnesses the death by poisoning of one of the appeals court judges at the theatre one evening, and the whole thing has to be reopened, whether anyone likes it or not. His wife, Charlotte, takes part together with her mother, Caroline (sister Emily is off in the country, pregnant) -- who has also developed an unfortunate attachment to another Jewish actor, about which Charlotte is naturally upset. The investigation of what eventually becomes three murders is interestingly done -- and without the deus ex machina of the Inner Circle, this time.
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